Search results

1

Ідеї Природного права у творчості письменників, прекурсорів просвітництва

100%

Slipushko O., Shchelkunova O.

Studia Polsko-Ukraińskie

|

2018

|

vol. 5

53-68

XX

The phenomenon of the natural right of the personality in the works of Ukrainian Late Baroque writers-enlighteners is a little studied in the history of Ukrainian literature. However, its investigation discovers new ways for national writers’ integration into European context. National Enlightenment represents not only important artistic and literature aspects, but also social and political ones – the author’s interpretation of the idea of natural right in times of Ukrainian serfdom. It was very important and unique phenomenon when the idea of natural right of the person was developed at the artistic space. It is represented in the works of enlighteners, in particular Semen Klymovskyj, Myhajlo Kozachynskyj, Yakiv Kozelskyj. Their opinions are formed in accordance to the conceptual space of European Enlightenment. Their artistic conceptions are the important investment in the conservation and the development of Ukrainian traditions and literature in the difficult historical and political situations as well as in grounding of Ukrainian person’s right in Ukraine.

2

Баллады Адама Мицкевича в художественной интерпретации Александра Пушкина

88%

Macapura W.

Acta Polono-Ruthenica

|

2014

|

issue 19

99-110

EN

The main target of research in this article is the ballads by Mickiewicz Czaty (The watch), Trzech Budrysów (The three brothers Budrys) in comparison with the ballads by Pushkin Воевода (The waywode) and Будрыс и его сыновья (Budrys and his sons). In particular, there have been compared the artistic specific features of the mentioned works, the role of opposition, the role of ethnic flavour in their structure, language features, peculiarities of rhythm system and stanzaic prosody, functions of aposiopesis, rhetorical questions and exclamations and etc. When finding out the common and the different between the ballads by Mickiewicz and Pushkin, the author of the article points up the difference between the original and the translation. The type of these differences testifies, that the ballads The waywode and Budrys and his sons mediate between the translation and the original creative work and can be considered an independent interpretation of the ballads by Mickiewicz. It becomes apparent especially well in the text of Pushkin’s ballad The waywode.

3

Folklor iak krinica kamitschkaga u poezii Boguslava Lesmiana i Maksima Bogdanivutsha

51%

Anaprenko N.

Studia Slavica

|

2013

|

vol. 17

|

issue 1

53-64

XX

The article is devoted to examining works by Polish poet B. Lesmyan and Belarusian poet M. Bogdanovich in the context of Slavonic literary connections of the beginning of the 20-th century, in the period of intensification of integration process which witnessed typological connection of the world literatures, their productive and many-sided reciprocal influence. The analysis of world outlook and aesthetic searches in poetry of the Belarussian and Polish poets who have caused the direct reference to the correlation of the folklore and literary traditions is carried out. Features of the individual style of each poet have been shown not only in connection with the literary tradition, but with their original method and their evolution of views; specific character of author’s reflection and poeticization of the reality, typological parallels in the interpretation of motives have been defined.

Refine search results

1 Acta Polono-Ruthenica

1 Studia Polsko-Ukraińskie

1 Studia Slavica

1 2021

1 2014

1 2013

1 Anaprenko N.

1 Macapura W.

1 Shchelkunova O.

1 Slipushko O.

Ідеї Природного права у творчості письменників, прекурсорів просвітництва

Баллады Адама Мицкевича в художественной интерпретации Александра Пушкина

Folklor iak krinica kamitschkaga u poezii Boguslava Lesmiana i Maksima Bogdanivutsha