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1
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Przekład i przestrzenie lektury

100%
Scott C.
Poznańskie Studia Polonistyczne. Seria Literacka
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2014
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issue 23
207-224
EN
The author discusses relations between the original and translation in terms of imaginary spaces. Target text is understood here as one of the possible images of the source text, from the perspective which could not be accessible to the original. In accordance with the concept presented here, artistic translation can be not so much reconstructed, as conceptually constructed, in the manner of a cubist object. Acts of creative reading are commented on by the author with examples of his own experimental translations from contemporary French poetry.
2
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Dlaczego fragmenty Dziadów cz. II i III w przekładzie Františka Halasa na język czeski tak spodobały się Polakom?

92%
Baran A.
Między Oryginałem a Przekładem
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2012
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vol. 18
181-192
EN
The article discusses one of the most popular Czech translations of Adam Mickiewicz’s Dziady made by Czech poet F. Halas in cooperation with Czech translator of Polish literature and philologist J. Matouš. The translation has been acknowledged by Polish writers as very accurate, especially in terms of sounds and rhythms. I try to answer the question, whether rhythmical aspect is predominant feature of Halas’ translation and to figure out what makes this translation so popular among native speakers.
3

Tłumaczenie polskich związków frazeologicznych w bułgarskim przekładzie Faraona Bolesława Prusa

81%
Szymański M.
Slavia Occidentalis
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2015
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issue 72/1
201-217
PL
This article presents the ways of translating Polish phrasemes into Bulgarian and their functionality in texts. The material under scrutiny encompasses five hundred examples. In general, the phrasemes from Bolesław Prus’s “Pharaoh” are translated into Bulgarian phrasemes equivalent with respect to the global meaning. This group includes identical phrasemes (the formal structure) and similar ones (where the differences relate to certain de-tails in expression). An equivalent translation is also achieved by means of phrasemes devoid of significant shared features with respect to expression therefore different in the imagery. Typically, these are the synonyms of Polish phrasemes. In the translation of “Pharaoh”, a considerable number of Polish phrasemes are reflected by means of single words or loose word collocations. While the periphrases tend to be close to the meaning of the original phraseme, they change completely or partly the connotations and the expression emotional overtone. However, in many cases it is possible to translate the imagery also by means of descriptions.
4

Lingwistyczne aspekty przekładów literatury polskiej na język chiński (ze szczególnym uwzględnieniem opowiadań Sławomira Mrożka)

70%
Yinhui M., Sękowska E.
Język Polski
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2019
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vol. 99
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issue 4
108-117
PL
Celem artykułu jest informacja o przekładach literatury polskiej w Chinach, ze szczególnym uwzględnieniem wypowiedzi tłumaczy o strategiach przekładowych. Druga część artykułu dotyczy tłumaczenia opowiadań Sławomira Mrożka. Na podstawie wybranych przykładów ukazano zagadnienia dyskusyjne w przekładzie, które ze względu na różnice językowe i kulturowe sprawiają kłopot tłumaczom chińskim.
EN
The aim of the article is to provide information about translations of Polish literature in China, with particular emphasis on translators’ statements about translation strategies. The second part concerns the translation of short stories by Sławomir Mrożek. On the basis of selected examples, issues worth discussion in translation studies have been shown, which might cause trouble for Chinese translators due to cultural and language differences.
5
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Франтишек Рут Тихий – выдающийся пропагандист белорусского языка и литературы межвоенного периода в Чехословакии

47%
Черны М.
Białorutenistyka Białostocka
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2016
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vol. 8
PL
Imię Františka Rut Tichý’ego (1886–1968), pseudonim Zdeněk Broman, który zajmował się tłumaczeniem na język czeski (głównie poezji) z niemieckiego, francuskiego i języków słowiańskich, bardzo dobrze znali przedstawiciele kręgów naukowych germanistów, bohemistów i slawistów. Obecnie zarówno tłumacz, jak i jego działalność należą do osiągnięć zapomnianych krzewicieli kultury słowiańskiej żyjących i pracujących w pierwszej połowie XX wieku. Autor artykułu omawia działalność Tichy’ego związaną z czeskimi badaniami białorutenistycznymi w okresie międzywojennym (niektóre z nich dotyczą okresu po 1945 roku), zwłaszcza w zakresie tłumaczeń literatury białoruskiej na język czeski (Yanka Kupala, Aleś Dudar, Arkadź Morkavka, Cishka Gartny). Po raz pierwszy opublikowano pełną bibliografię tłumaczeń Tichy’ego z języka białoruskiego (tłumaczenia zachowały się w prywatnych zbiorach archiwum literackiego Muzeum Piśmiennictwa Narodowego Pradze).
EN
The name of Frantishek Rut Tihi (1886–1968) who gave himself the pseudonym Zdenek Broman was well known by German specialists, Czech specialists and Slavists. He was engaged in translations from German, French and the Slavonic languages into the Czech language (poetry mostly). Nowadays the author and his activity belong to the feats of forgotten propagators of Slavonic cultures who lived and worked in the first half of the 20th century. The article discusses his work devoted to Belarusian studies carried by Czech scholars in the interwar period (with some exceptions after 1945), especially the translations of the Belarusian literature into the Czech language (Yanka Kupala, Ales Dudar, Arkady Morkavka, Cishka Gartny). The bibliography of all Tihi’s translations from the Belarusian language has been published for the first time (translations have been preserved in his private resources in literary archives in Památníku národního písemnictví in Prague).
6
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До питання про добір лексичних еквівалентів у польських перекладах української поезії

41%
Кpавченко C.
Rozprawy Komisji Językowej ŁTN
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2014
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vol. LX (60)
154-163
PL
Artykuł ukazuje specyfikę twórczości tłumacza poezji w doborze adekwatnych leksykalnych odpowiedników dla dokładnego przekazania treści oryginału. Urzeczywistniono porównawczą analizę niektórych poezji Tarasa Szewczenki i Iwana Franki i ich polskich interpretacji. Pokazana została obecność podobnych leksykalnych elementów w spokrewnionych słowiańskich językach, które dają możliwość, w niektórych wypadkach, urzeczywistnienia dosłownych tłumaczeń. Wyartykułowane zostały trudności w odtworzeniu historycznego kontekstu i indywidualistycznych właściwości oryginalnego tekstu.
EN
In the article author describes the specific character of poetry translator work in selection of adequate lexical equivalents for the exact transmission of the original content. The article contains comparative analysis of some poetries by Taras Shevchenko and Ivan Franka and their Polish interpretations. It also shows the presence of similar lexical elements in the family of slavonic languages which enables to carry out a word-for-word translation in some cases. The author examines difficulties in recreation of historical context and individual properties of original text.
7
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Fałszywi przyjaciele tłumacza i jego wierni wrogowie w praktyce bułgarsko‑polskich tłumaczeń literackich

36%
Karpińska H.
|
2014
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vol. 5
|
issue 1
257-271
BG
Представените в заглавието проблеми се разглеждат от позицията на преводач-практик и са илюстрирани с примери от полски преводи на българска белетристика. Изтъква се, че за професионален преводач близостта на два езика представлява повече препятствие, отколкото улеснение. Разглеждат се различни видове лексикални апроксимати (лъжливи приятели на преводача) в съпоставка със съответните преводачески решения. Отчита се ролята на контекста и на текстовата дистрибуция на лексемите. Анализира се спецификата на фразеологизмите като обект на превод. Своеобразна група трудности представят тъй наречените от авторката „верни врагове на преводача”, към които се причисляват: проблеми породени от различията в граматическата система на двата езика (дистрибуция на предлозите; десемантизация на предлога; семантичната натовареност на двойното допълнение; спецификата на преизказаното наклонение; изобилието на местоименните форми) и субективни фактори свързани с творческото поведение на преводача (липса на необходим педантизъм; прояви на невнимание или умора; недостатъчна езикова и извънезикова компетентност). На края се изтъкват възможностите за принос на преводите и преводачите в развитието на българо-полската лексикография.
EN
Issues presented in the title are considered from the perspective of a practicing translator and illustrated with examples from the Polish translations of Bulgarian fiction. It is pointed out that for a professional translator the proximity of two languages, is more of an obstacle than a convenience. Different types of lexical interlinguistic homonyms (translator’s false friends) are viewed in comparison with corresponding translation solutions. The role of context and textual distribution of lexical units is highlighted. The specifics of phraseology as the object of translation is analyzed. A peculiar group of difficulties is generated by the so-called by the author „translator’s true enemies”, which include: problems caused by differences in the grammatical system of the two languages (distribution of prepositions; desemanticization of prepositions; the semantic load of double object, the specificity of the imperceptive mood, the abundance of pronominal forms) and subjective factors associated with creative behavior of the translator (lack of necessary pedantism; moments of inattention or fatigue, inadequate linguistic and extra-linguistic competence). In the end of the paper the possibility of translations and translators contributing in the development of Bulgarian-Polish lexicography is emphasized.
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