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EN
Photographs (by Chris Frazer Smith, Fritz Metsch, and also film stills) placed on the covers of Ian McEwan’s Atonement function in the non-iconic context of title, advertising buzz-words, and intermedial references to other texts, originating from books, newspapers, radio, TV, films or audiobooks. Photographs successfully assisted in launching the novel as related to the high society, and then in delivering it to the mass audience. They facilitated disseminating the social myths of social equality and of democracy threatening the elite. Polish publishers offer editions of lesser variety than the Western ones, because of the comparable social status of Polish readers.
PL
Celem artykułu jest wskazanie na zasadność wykorzystania słuchowisk i audiobooków w postępowaniu logopedycznym. Artykuł opisuje wybrane możliwości użycia słuchowisk i książek mówionych, a także ukazuje, jakie kompetencje i sprawności są kształtowane podczas odbioru utworów audialnych. Argumentuje się tutaj na rzecz tezy, że odpowiedni dobór słuchowisk i książek do słuchania oraz metod i form pracy z nimi może stanowić dobre uzupełnienie innych, standardowo podejmowanych działań logopedycznych.
EN
This article points out the utility of radio plays and audiobooks in the course of speech therapy. It describes some selected possibilities of using radio plays and audio books and shows what competencies and skills are shaped during the reception of audio works. It is argued in the analysis that a proper selection of radio plays and audiobooks, as well as methods and forms of working with them, may complement other standard speech therapy activities.
EN
The aim of the article is to show the functioning of artistic audio forms – in the commercial and mission medium. The developing and lucrative production of audiobooks using the artificial head (binaural sound) and virtualization of the radio rama in productions of Polish Radio Theatre (Dolby Pro Logic 2) are the different images of convergence culture. Experimental audiobooks and radio spectacles using the Dolby surround system are not only a sign of growing artistic offers for audiophiles. First of all, it is an attempt to promote creative ideas in the more attractive and convergence-marked formula of the new canon in media. The permeation of meanings coming from traditional and modern media has a new aspect which has attracted the attention of audiophiles. Surround sound and the “artificial head” effect are not only the instruments of new audio literature. The article attempts to show how experimental sound forms are derived from the syncretism of modern media and how they produce an autonomous art form which does not copy other forms such as film, theatre or television. To what extent is the freedom of creativity to reflect itself seen in productions of audiobooks and to what extent is this found in the adaptation and direction of radio dramas of Polish Radio? Each of these two proposals shows the different functions of artistic factors and promotes the alternative popularization of audio productions.
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