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EN
The article discusses the relationships with places formed by two writers: Adam Mickiewicz and a forgotten Philomath from the region of Podlasie–MichałRukiewicz.Theauthorusesthemethodologiesdeveloped within geopoetics and humanist geography to discover how the biography is related to a specific physical place and to demonstrate how the two writers shaped their geobiographies. Rukiewicz left his mark on the places with activism within local communities; Mickiewicz textualized them in artistic gesture. The Philomath from Podlasie was happy to give himself to his nation but the Lithuanian poet spoke more through emotion and faith.
EN
The article presents the way of domesticating the space of the health resort and hospital in three works of Miron Białoszewski: The Heart Attack, Konstancin and The Letters to Eumenides. The illness – in 1974 first and then in theyear 1983, second heartattack – forces thewriterto stay consecutively in unfamiliar health resorts, and at the same time it opens a new stage in his life and work. Following the assumptions of geopoetics that the way of seeing space is associated with the activity and the perception of the entity, as well as taking into account the causative role of the places, I analyze the changes occurring in Białoszewski’s health resort texts. I further present the stages of constructing the “self” and demonstrate the importance of space of the health resort and hospital in each of the stages. 
EN
The article is a voice in the reflection on the culture-forming role of Laski, where Róża Czacka has been running the Society for the Care of the Blind since 1922. It is also a haven for those who have lost their sight of faith, a place of evangelical work and many creative inspirations. I show how the Laski community influenced Jan Twardowski’s post-war debut and his poetry. Referring to M. Czermińska’s article, I call Laski the poets autobiographical place. I interpret poems inspired by Twardowski’s stays and meetings in Laski, emphasizing the theme of sensual experience, mainly touch
PL
Artykuł podejmuje refleksję nad tekstową reprezentacją Houston w twórczości Adama Zagajewskiego, co staje się pretekstem do zastanowienia nad specyfiką amerykańskich miast oraz ich wizerunkiem utrwalonym w kulturze europejskiej, jak również próbą skonfrontowania mitu z rzeczywistością. Kluczowymi pojęciami dla niniejszych badań literackich, wzbogaconych o perspektywę antropologiczną, są: zaproponowana przez Małgorzatę Czermińską kategoria miejsca autobiograficznego oraz kategorie obcości, wyobcowania i bezdomności rozważane w kontekście tożsamości. Celem artykułu jest również zbadanie, jak przestrzeń miejska oraz dynamiczny rozwój cywilizacyjny wpływają na kondycję jednostki, a w szczególności emigranta, przybysza zza oceanu.
EN
The article reflects on the text representation of Houston in the literary works of Adam Zagajewski, which is also a pretext to reflect on the specificity of American cities and their image embedded in European culture, as well as an attempt to confront the myth with reality. The key concepts for my literary researches augmented with the anthropological perspective are the category of autobiographical place proposed by Małgorzata Czermińska and the categories of strangeness, alienation, homelessness considered in the context of identity. The aim of my paper is also to show how the urban space and the dynamic development of civilization affect the condition of the individual, and in particular an emigrant, the newcomer from the ocean.
EN
This essay is an attempt to portray the Hindenburg O.S. in Upper Silesia as an autobiographical place in the works of the German writer Werner Heiduczek. The space of the town, which he discovered in his childhood and early adolescence, runs through various literary texts that gradually add to and transform the vision of this place. The life on the border of cultures and historical events was his personal experience that contributed to his perception of the hometown and the region.
PL
Artykuł jest próbą odczytania twórczości Leo Lipskiego (inaczej niż robiono to dotychczas) poprzez kategorie przestrzenne i narzędzia geopoetyki. Wskazuje na istotną ewolucję, jaka dokonywała się w tym pisarstwie, polegającą na odejściu od penetrowania doświadczeń wewnętrznych ku geograficznym dominantom organizującym sensy kolejnych dzieł. Odwołując się do pojęć wprowadzonych wcześniej przez badaczy w innym kontekście (Małgorzaty Czermińskiej „miejsce autobiograficzne” i Edwarda Saida „geografia wyobrażona”), proponuje uzupełnienie taksonomii pierwszego z nich o kategorię „miejsca traumatycznego”, w przypadku zaś drugiego wskazuje na możliwość innych zastosowań. W prozie Lipskiego geografia wyobrażona manifestuje się bowiem poprzez kreację „miejsca wyobrażonego uprawdopodobnionego”. Kategorie te pozwalają także widzieć prozę Lipskiego jako szczególny przypadek literatury wygnańców.
EN
The article is an attempt to read the works of Leo Lipski (unlike until now) through spatial categories and geopoetical tools. It points out to the significant evolution taking place in this writing, which consisted in moving away from penetrating internal experiences to geographic dominants organising the meanings of subsequent works. Referring to the concepts previously introduced by researchers in different contexts (Małgorzata Czermińska “autobiographical site” and Edward Said “imagined geography”), the author proposes supplementing the taxonomy of the former with a category of “traumatic place”, while in the case of the latter he indicates the potential of employing other sets of applicability. In Lipski’s prose, the imagined geography manifests itself through the creation of a “place imagined as probable”. These categories also allow Lipski’s prose to be seen as a special case of literature of the exiled.
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