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Changes of the thermic seasons in Warsaw in the period 1933-2004

100%
Kossowska-Cezak U., Mikulska M.
Miscellanea Geographica. Regional Studies on Development
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2006
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vol. 12
87-94
EN
The beginning dates and the lengths of thermic seasons in Warsaw (1951-2004) were analysed. These characteristics of seasons are very variable, especially in winter. The changes of winter length influence strongly the dates and length of adjacent seasons, that is, of early winter and early spring. The current warming is best visible exactly during these seasons: winter becomes shorter, while early winter and - to an even longer degree -early spring become longer. The period of spring, summer and autumn is characterised by grater stability. These seasons showed a very weak tendency to change on even its lack, both as regards the length and the beginning date.
2
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Zmierzch w literaturze i malarstwie austriackim na przełomie XIX i XX wieku

100%
Hurnik E.
Świat i Słowo
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2013
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vol. 11
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issue 2(21)
187-200
EN
The literature and arts in Austria at the turn of the 19th century developed in the atmosphere of decadence. The Austrian-Hungarian monarchy was falling into a decline and paradoxically, at the same time, the art experienced a tremendous boost. Secession was the main style in architecture and painting as well as impressionism, symbolism and decadence in literature. All the fields of arts reflected the feelings of transition, decline, premonition of death. They gained their deepest expression in the poetry of Georg Trakl, in which the end of a certain historical and cultural formation combined itself with the feeling of self-destruction, one’s own annihilation.
3
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„W jesień wiodący zaułek” - o doświadczeniu melancholicznym w wierszu Do pożegnanej Andrzeja Trzebińskiego

100%
Kłapacz J.
Ogrody Nauk i Sztuk
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2011
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issue 1
PL
W skromnym, ocalałym od ogni powstania warszawskiego dorobku poetyckim Andrzeja Trzebińskiego, redaktora „Sztuki i Narodu”, utwór Do pożegnanej zajmuje miejsce szczególne. Przywołane w nim pojęcia braku i opuszczenia oraz katastroficzno-destrukcyjny wydźwięk całości, aktualizują interpretację wiersza w duchu melancholicznym. Zderzenie treści wiersza z ustaleniami takich znawców zagadnienia jak: Zygmunt Freud, Julia Kristeva, Antoni Kępiński czy Marek Bieńczyk pozwala na dostrzeżenie melancholicznego wymiaru utworu na płaszczyźnie językowej, obrazowej oraz metaforycznej.
EN
In the modest, surviving the fires of the Warsaw uprising, literary output of Andrzej Trzebiński, the editor of “Sztuka i Naród”, the poem Do pożegnanej has a remarkable place. The terms of loss and desolation summoned in it as well as its catastrophic and destructive overtone, actualise the poem’s interpretation in the melancholic spirit. The confrontation of the poem’s content with the statements of such experts on the topic as: Sigmund Freud, Julia Kristeva, Antoni Kępiński or Marek Bieńczyk makes possible the noticing of the melancholic dimension of the poem on a lingual, imaginary and metaphorical level.
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