Results found: 2

Search results

Search:
in the keywords: avantgard

Sort By:

Limit search:

Poezja konkretna i muzyka

100%

Pieruszewska-Kobiela G.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2012

vol. 15

issue 1

267-282

The article shows the functioning of concrete poetry in the sphere dominated by techno-logical solutions, being characteristic of the culture associated with new media. Sub-jected to analysis and interpretation is the multimedia performance by Marcin Dymiter and Ludomir Franczak, who combined Polish, Czech and German literary texts with electronic music. In their vision, the life of concrete poetry develops in the dimension of the contemporary urban subculture and in the world of sound generated by various types of apparatus. The relationship between poetry and music abounds in various defects and interfer-ences, which are a deliberate effect introduced by of the authors of this artistic experi-ment. The broad range of rustles and murmurs draw on the sound tradition of modern poetry, as well as industrial music. The performance exposes the symbolic meaning of the emission of sound coming into interaction with poetic text.

„Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje

100%

Śniecikowska B.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2012

vol. 15

issue 1

121-140

The article presents detailed analyses of the irregular sound organisation of the two wings of Polish interwar avant-garde poetry: futurism and the constructivist group Awangarda Krakowska. The starting point of the research is the ‘musicality’ of symbolist poetry, expanded and overcome by the avant-gardists. Members of both groups paid special attention to the acoustics of poetry creatively employing devices such as paro-nomasia, onomatopoeia, alliteration, anaphora etc. However, the futurist practice proved more complicated, more diverse and less consistent (sometimes even dada-like). The phonostylistics of Awangarda Krakowska, although still highly innovative, was more ‘disciplined’, logical and focused on motivating the metaphors by sounds. The experi-ments of both groups were revived in the Polish post-war poetry (especially in the cur-rents such as poezja lingwistyczna and the present neolingwizm). It is usually impossible to discriminate between the futurist and constructivist inspirations in the post-war works: sound concepts typical of futurism tend to be used in a more logical, consistent and metaphor-centred way. Hence, the author introduces the term “new musicality” refer-ring to the specific and still vivid poetics of sound, first employed by the Polish avant-gardists.

Refine search results

2 Acta Universitatis Lodziensis. Folia Litteraria Polonica

2 2012

1 Pieruszewska-Kobiela G.

1 Śniecikowska B.

Search results

Poezja konkretna i muzyka

„Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje