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EN
At the centre of our interest is the construction of relationship between the work and the private life, based on empirical material from the PREWORK research project, devoted to the experiences of young Poles on the labour market. The main thesis of the paper is that within the context of the construction of relationships between the work and the private life of young Poles suffering from the construction of relationships between the work and the private life of young Poles suffering from precarious situation, the sphere of work is dominating the sphere of private life. The private life, in turn, just as professional career, is subject to secondary precarisation. On the basis of selected empirical cases (autobiographical narrative interviews using the method developed by Fritz Schütze) we analyze the ways in which the relationships between the work and the private life are presented in biographical materials. We place main emphasis on relationships between those two spheres as part of deepening or mitigation of precariousness which is treated as a potential source of trajectory, in the sense given to the latter term by Fritz Schütze.
EN
The article presents a general characteristic of Stanisław Rospond’s academic and organizational activity in Silesia in the first years after World War II. This Polish and Slavic linguist, born near Cracow, a graduate of the Jagiellonian University, fascinated by the history of Silesia, moved to Wrocław in 1945. In that city, together with a group of professors from Lviv (Polish: Lwów), he set about rebuilding Polish academic research, organizing Polish linguistics with a focus on Silesian studies.
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EN
Professor Tadeusz Skulina (1929–1992) was born in Katowice but from the Second World War he was connected with Great Poland. Also in Poznań, he studied Polish Studies and following his graduation became employed at Adam Mickiewicz University in Poznań where he completed the consecutive stages of his scholarly career. As a disciple of Professor Władysław Kuraszkiewicz he conducted research on the Polish language of the Old-Polish era and of the 16th century. His doctoral thesis (1964) was devoted to historical phonetics and historical dialectology but soon he changed his scholarly interests and entered the field of Slavic studies, especially East-Slavic languages. In his habilitation thesis he discussed the question of the Old-Ruthenian anthroponymy. This thesis, published in 1973, was the first original, so extensive and detailed thesis about the Old-Ruthenian names. As we know, in the period following the receipt of his habilitation degree Professor Tadeusz Skulina had plans to prepare a monograph about Polish feminine onomastics. He had pursued this for years, however, unfortunately, never managed to prepare a synthesis. He only left an unfinished editorial draft of this book. Apart from research activities, Professor Skulina was involved in didactics and also performed responsible administrative functions at the Institute of Polish Philology, was a member of numerous scholarly societies. For his achievements, he received many awards and honours. Professor Tadeusz Skulina died in 1992 after a long and emaciating illness. The scholarly achievements he has left inspire the successive generations of researchers. He also left unfinished written works and ideas which he never managed to realize.
EN
Life history is a term usually assigned in the history of historiography to the Italian school of microhistory. In fact, it is a concept typical for the natural sciences in the case of which it is a framework focused on studies of life history strategies as well as life cycles. Life history analysis has become the subject of numerous studies around the world and has been gaining in popularity in social sciences. The author presents life history as a certain research perspective for historical studies which is capable of incorporating both natural and cultural approaches. He draws inspirations of the life history perspective from recent research into history of modern Poland.
EN
The aim of the paper is to outline the phenomena which tend to be subsumed under the term of “new biography”, especially in the English-speaking discourse in the British Isles and the USA. This is due to the fact that, as it turns out, theorists and practitioners of biographical writing apply the designation to several different phenomena. In order to characterize the tenets of new biographical writing, the paper introduces the essence of the classical biography, which constitute a natural point of reference for the “new biography”. The latter emerged in 1918 with the English modernist Lytton Strachey, who opposed the fossilized Victorian tradition and its flagship model of panegyrical biography. Strachey effected a breakthrough in European biographical writing, by creating biographies which demythicized their protagonists, approaching them with an ironic distance and highlighting the biographer within the narrative. His model would soon become a new standard in  biographical writing. Another “new biography” discussed in the paper is the set of biography rules presented by Leon Edel in 1984, to which the originator refers as “New Biography”, a term he also applies to the biographies he authored. Still, Edel drew to a large extent on Strachey, attaching particular importance to the predisposition and talent of the biographer themselves. The latter’s contribution to a “new biography” consists chiefly in identifying and relating the “most profound” truths about the life of the protagonists, which provide a key to the understanding and narrative portrayal of their character and personality. The last of the biographical scholars discussed in the paper, Jo Burr Margadant, does not continue in the Stracheyan or Edelian spirit in her 2000 The New Biography but unfolds a novel, feminist perspective on biography, founded on the concept of multiple selves. She argues that that one’s identity is a kind of performance, and seeks that “new biography” in the narratives of life of eight eminent French female figures of the 18th century. Still,  in the contemporary scholarly discourse relating to biographical writing, “new biography” is most often used as reference to the Stracheyan model, even though  a century has passed since it was conceived. At the same, time, biofiction gains ever greater popularity in biographical writing today, being in my opinion the “new biography” of the postmodern era, which I demonstrate using a number of examples.
PL
The article discusses the issue of the so-called “new biography” by underscoring ambiguity of the term and presenting the different variants of “new biography” it encompasses. In order to do that, an introduction is made where the tenets of  the classical biography are outlined. The inquiry focuses chiefly on England and the USA, although remarks are also made with respect to biographical writing in other countries. It appears that the term is contemporarily mainly associated with Lytton Strachey’s model of biography which, having been formulated in 1918, proved  a breakthrough in life writing, since it operated with ironic detachment from the protagonist. Strachey perceived biography as an art and was determined to speak openly about all spheres of the biographee’s life. The article proves that although other  attempts at creating a “new biography” were made after Strachey (by Leon Edel and Jo Burr Margadant), their newness is either derivative and supplementary to Strachey’s achievement, or advances a wholly new notion of biography, with the concept of multiplicity of the protagonist’s self. As the Stracheyan biographical model is almost a century old, one can assume that what is understood as “new biography” is not  so new after all. In the meantime, though, biographical practice has taken a turn and  a novelistic mode of writing, i.e. biofiction, has become the current paradigm. The author therefore suggests that the present-day understanding of “new biography” be reconsidered by recognizing biofiction as one of the figures of biographical “newness”.
EN
If reflection is the necessary condition for successful development of all participants of the process of foreign language teaching and learning, as well as for the evolution of the scientific discipline, as we may now call glottodidactics, it is worth looking for all possible examples of it. In the light of this, the author of this article develops the thesis that appropriately designed studies based on biographies may provide rich and useful material for reflection on foreign language learning and teaching. The author also attempts to explain why biographical research is so rarely used in Polish glottodidactic studies and if this state of affairs could be changed.
PL
W badaniach biograficznych bardzo ważnym elementem są metody zbierania danych, takich jak: dokumenty osobiste, listy, pamiętniki, wspomnienia, zapiski, dzienniki − są to źródła archiwalne. Zdecydowana większość źródeł znajduje się w archiwach: państwowych, kościelnych, uczelnianych, różnego rodzaju instytucji publicznych (np. ministerstwa, zakłady pracy, szkoły, szpitale, instytucje ubezpieczeniowe), prywatnych lub też w zbiorach prywatnych. Studenci pedagogiki, ale także historii prowadzący badania biograficzne zmagają się z różnego rodzaju przeszkodami w przeprowadzaniu kwerend archiwalnych, dlatego też artykuł ten ma na celu wspomóc ich na drodze poszukiwań biograficznych, wskazać przeszkody i zagrożenia, uczulić na napotkane źródła archiwalne. Jest publikacją o charakterze instruktażowym dla studentów, doktorantów i pracowników nieobeznanych z archiwami.
EN
An extremely important element of biographical studies is the choice of methods for collecting data, such as personal documents, letters, diaries, memoirs and notes (i.e., archival sources). The vast majority of sources are stored in the state archives, by the church, universities and various public and private institutions (e.g., ministries, workplaces, schools, hospitals, insurance companies), or in private collections. Students of pedagogy and of history conducting biographical studies encounter a variety of obstacles in their archival queries. The intention behind this article is to help them in their biographical investigations, identify obstacles and threats, and make them aware of the types of archival sources they may encounter. It is an instructional publication for students, PhD students and employees who are unfamiliar with archives.
EN
The text is an analysis of a journal kept for forty years by Mieczysław Rakowski, presenting a universal, widely used source for the recent history of Poland. Special effort is made to emphasise the various changes introduced by the diary’s author during the preparation of the text for publication in 1998–2005; this made it possible to present a thorough critique of this source and put forward postulates as to its scholarly use in the future.
PL
Tekst stanowi analizę dziennika prowadzonego przez 40 lat przez Mieczysława Rakowskiego, stanowiącego uniwersalne, szeroko używane źródło do najnowszych dziejów Polski. Szczególny nacisk został położony na uwypuklenie zróżnicowanych zmian wprowadzonych przez autora w trakcie przygotowania go do druku w latach 1998–2005, dzięki czemu tekst zawiera gruntowną krytykę tego źródła i formułuje postulaty co do jego badawczego zastosowania na przyszłość.
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