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EN
The 16th century saw a significant transformation in Central-European clothing customs, which became evident in the emergence of national styles of clothing (German, Hungarian, Polish) and the equally rapid adoption of Spanish dress ensembles. Changes in clothing also touched the countryside, where new kinds of textiles began to replace the predominant woollen cloth in the second half of the 16th century. Woollen, cotton and silk materials were used mainly in festive clothing. At first, it was in the production of traditional garments, but increasingly new items of clothing appeared alongside them, which the countryside adopted from the urban environment after a certain period of time. The urban guild tailors were the source of the structural innovations transforming the existing cut of the women’s full skirt, from which the sleeves and subsequently the bodice were separated. By the end of the 16th century, a new ensemble of clothing articles had established itself in the countryside, containing individual garments of different origins and period, but creating a new aesthetic quality in the ensemble that lasted for several centuries.
EN
The aim of the study is to capture the process of the formation of women’s rural dress in Central Europe in the early Middle Ages. This period brought many new impulses to women’s clothing which resulted both in the emergence of national styles of clothing (Italian, German, and Hungarian), and the rapid adoption of pan-European fashion waves of Spanish and later French fashion clothing. This took root in the noble environment first, and then in the cities. The study tries to answer the question in what way these novelties were mediated to rural residents and who did this. The author shows how the field of competences of city tailor guilds spread from cities to adjacent manors, the residents in which were forced to have their garments made exclusively by guild tailors. Thanks to noble decrees, tailor pattern books served, among other things, as models for most garments made for subjected rural residents. The author analyses period depictions, inventories of estates, and estates to orphans. He shows that most hitherto written works fail when connecting the depictions and the terms for garments, the mutual relation of which is rather illustrative than comparative. The problem consists in little knowledge of cut constructions and their period terms. The solution can be brought about by the study of guild books with tailor’s patterns, which include cut constructions and period terms. From the 16th and 17th centuries, these books have survived from the various territories of contemporary Czech Republic, Slovakia, Poland, Austria, and Germany. Due to this we can conduct necessary comparative research into iconographic, constructional, and written sources in Central Europe, and to acquire new information about men’s and women’s clothing and basic garments.
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