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[review] Jeremy Howard, Art Nouveau. International and national styles in Europe

100%
Szczerski A.
Modus. Prace z historii sztuki
|
2000
|
vol. 1
100-102
2
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Bibliological communication and the World Wide Web

100%
Kotuła S.
Zeszyty Prasoznawcze
|
2014
|
vol. 57
|
issue 4
661-677
EN
The theme of the work is the bibliological communication understood as a process of placing books in social circulation. It consists of the following stages: creation of work, production, dissemination and reception of the book. The article attempts to answer the question about changes that take place in the model of bibliological communication and in its subject (book), when it is implemented in a Web environment, making full use of network capacity and hypertext. From the perspective of bibliological communication, i.e. referring to the concept and terminology of bibliological communication, it was possible to characterize and describe the phenomena of the use of digital and/or networked information technology in bibliological communication. The paper proposes a scheme of bibliological communication and describes the role and place of the Internet, the World Wide Web in particular, and the information technologies in the bibliological communication.The electronic book, digitized book, and/or networked book  became a tool of communication. In addition, the course of bibliological communication changed and began to take digital and digital-network forms. The result of the analysis is a description of the two new forms of bibliological communication. The first of them was called digital bibliological communication. It was analyzed and characterized (i.e. its course and forms it may take) and a model of digital bibliological communication was also proposed. The second was called network bibliological communication. It was also the subject of description, and the author’s model of network bibliological communication was also proposed.
3
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O kwadratowym modlitewniku Henryka Wańka

63%
Kadłubek Z.
Śląskie Studia Polonistyczne
|
2015
|
issue 1(6)
229-237
EN
At the very beginning of his review, the author indicates that Notatnik i modlitewnik drogowy by Henryk Waniek is a remarkably eccentric piece of writing (in accordance with the etymology of this word as located outside centres), placing itself outside dominant discourses and modes. In Waniek’s book artistic competence and talents merge as it also contains some prints by the author. Despite the absolute originality of the title, it has been taken from a certain semantic field of meanings close to Waniek and well known to him from his Silesian peregrinations. Therefore, it can be said that the nomadic prose of this publication is part of the geopoetic trend (the author sees Silesia, sees a road, sees space for its own sake), yet it also remains characteristic of Waniek’s writing in being esoteric, esseistic, reminiscent and metaliterary
FR
Tout au début, l’auteur du compte rendu mentionne que Notatnik i modlitewnik drogowy de Henryk Waniek est un ouvrage particulièrement excentrique (conformément à l’étymologie de ce terme : se plaçant en dehors du centre), se situant à l’extérieur de la majorité des centrales qui orientent les discours et les modes. Étant donné que la publication contient des gravures de l’auteur, on peut y trouver des compétences et talents artistiques qui se croisent. Malgré son originalité, le titre a été conçu dans un certain champ de significations qui sont proches à Waniek et qu’il connaît très bien grâce à ses pèlerinages silésiens. On peut donc constater que la prose nomade de cette publication s’inscrit dans le courant de la géopétique (l’auteur voit la Silésie, il voit un chemin, il voit des espaces pour eux-mêmes), mais elle reste traditionnellement waniékien : elle est ésotérique, propre à l’essai et aux souvenirs, métalittéraire.
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