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EN
In this paper, paratheatrical activities are defined and archaeological finds that may confirm their presence are indicated. They are first of all manifested through the burial type and certain forms of artefacts. The analysis of the phenomenon focuses on the Bronze Age in Central Europe. It is discussed in the context of the following archaeological cultures: the Únětice culture, the Tumulus culture, and the Urnfield culture.
EN
Cremation burials of Stone Age hunter-gatherers were found at 21 sites across the European Plain (including southern Scandinavia). In total, there are 54 graves and deposits containing bones of at least 89 individuals. Sites with Mesolithic cremations are unevenly spread over the European Plain and there are some regions where this type of burial was more common, such as the Seine Valley and the Low Countries, southern Scandinavia or north-eastern Poland. In all of these regions, the oldest burials are dated to the Early Mesolithic, which indicates a parallel and independent origin of this custom. Moreover, each region or even cemetery has its own features of the cremation rite. In both the Western European Plain and southern Scandinavia, most burials are dated to the Middle Mesolithic and there are only a few examples linked to the Late Mesolithic. North-eastern Poland, including the Dudka cemetery, is probably the only region where cremation was practised on a wider scale in the Late Mesolithic and para-Neolithic. The share of cremations among all burial types differs between regions and cemeteries. It was probably a dominant practice in the Middle Mesolithic in the Netherlands. In other cases, cremation probably involved a large part of the local hunter-gatherer society, for instance at the Dudka cemetery in Masuria or in the Middle Mesolithic of Vedbæk Fiord (Zealand), whereas at the cemeteries in Skateholm it amounted to only a few percent, suggesting that it was practised in the case of the deceased of particular status or in unusual circumstances only.
PL
The aim of this article is to present issues concerning the presence of so called situlas (pottery vessels, no bronze) in Wielbark culture inventories from Wielkopolska. These vessels are very rare within cemeteries and settlements as well. And until now the criteria of such spatial distribution have remained unknown. In this paper so called situlas from Wielkopolska will be characterised, particularly in the context of their deposition in individual graves and within the necropolises, as well as within settlements. Further parts of this article deal with research problems connected with the role and meaning of so called situlas in Wielbark culture burial rite in Wielkopolska, in particular in the light of anthropological analysis results. The paper also presents the hypothesis explaining sparsity of so called situlas occurrence and very specific localisation of these vessels in the area of Wielkopolska. At the end of the article research demands and questions will be presented. They will enable and give direction for further discussion on the compelling issue of phenomenon of so called situlas of full spatial and chronological aspects of their occurrence.
EN
The paper discusses the issue of deposition of shafted weapons in Early Medieval graves in the Polish lands, with particular stress on the location of spearheads near the feet of the deceased. The analysis of distribution of spearheads in the space of the grave pit points to a diversified manner of burying the dead with the weapon in question. Three zones can be identified (cf Fig. 1): I – upper part of the torso with the head (61 graves); II – vicinity of the pelvis and the femora (6 graves); III – vicinity of the feet and the tibiae (25 graves; cf Figs. 2-5). Attempts at clarifying this diversity in the deposition of shafted weapons in the space of the grave pit have hardly been undertaken in scholarship. Furthermore, they do not offer a satisfactory explanation of this phenomenon This paper presents an interpretation which is somehow different than those hitherto proposed. The deposition of spearheads in Zone III probably expresses a certain scheme of thinking which is founded on a mythical order of the world, especially on an archaic motif of the “divine duel”. It was an outline of numerous tales, images and beliefs. Its essence was the fight of a positive hero against a dragon or another monster which represents powers of chaos and destruction. Following this path, the dead for whom the weapon was deposited near his feet, may have been posthumously honoured due to his especially remarkable deeds (of war or other ones) done during his life. These deeds were considered significant for the maintenance or restoration of the social order.
EN
An urn grave 93 from cemetery of the Przeworsk culture was furnished with opulent set of arms: a sword, two spearheads and shield fittings, all ritually destroyed according to burial custom of the Przeworsk culture. A shield-boss, of type Jahn 7, has broken spike. Bronze rivets, coated with silver sheet are flattened. Inside the boss were stored small objects, a not rare phenomenon in the Przeworsk culture. A shield grip, of type Jahn 8, has rectangular bronze plates covered with thin layer of silver, with small silver studs, and decorative rosettes. Crests separating rivet plates from a handle are covered with silver sheet, and decorated with filigree plait. A big number of iron U-shaped edge mountings, elaborately destroyed, allows a cautious reconstruction of a shield-form – it should be rectangular/oval. An evidence, that shields of such shape were used in the Przeworsk culture, could be finds of miniature shields (e.g. Siemiechów, grave 46). Some analogies are also outside the Przeworsk culture, e.g. preserved in situ shield from grave 19 in Hunn, Norway. Grave 93 is dated to phase B2 of the Roman Period. All finds have no traces of fire, so they weren’t put on the pyre but were deposited directly in grave pit. A shield was disfigured. Edge mountings were irregularly dispersed in grave pit, some pieces were inside shield boss. They must be torn away from the shield planks. A shield boss was deposited more then 40 cm apart from the grip. The urn were placed in the middle.
EN
Amongst urns associated with the Pomorska culture there is a small number of those with representations of carts, mounted steeds, horses and footsoldiers. Those atypical representations made on items of huge eschatological significance seem to play an important role in their makers’ religious system. Some of narrative scenes shown on them suggest, that they are images of funeral games – horse, cart or foot races and fight competitions, which we know from historical and literary sources describing various Indo-European societies. It shows, that similar rituals were propably performed by people of the Pomorska culture. By putting their images on urns used in funeral, their makers, people with mythical perception of reality implemented their effects without performing them in physical way.
EN
In 2011, the expedition of the Czech Institute of Egyptology (Faculty of Arts, Charles University in Prague) excavated one of three tumuli on one of the settlement terraces at the late prehistoric site of Fox Hill (SBK.W-21) at Jebel Sabaloka and the Sixth Nile Cataract in central Sudan. The excavation brought to light a standard burial of an archer dated to the early post-Meroitic period with important series of archaeobotanical (pollen, macro-remains, charcoal) and palaeomalacological (land snails) data. The results of the multi-disci - plinary investigation of the tumulus discuss ed in this paper illustrate the marked, but so far only little exploited potential of these monuments, omnipresent in the archaeological land - scapes of central Sudan, for extending our knowledge of not only the burial rites, but also of the supra-regional distribution of artefacts, the character of the environment and, last but not least, of subsistence strategies in this particular period.
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