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The essay examines Hungarian theatrical productions of Shakespeare's history plays in the post-1989 period, pointing out the paradoxical qualities of the genre that can make these plays at once distant and foreign to non-British audiences. Nevertheless, these dramas' representations of political conflict and power struggles may also explain their adaptability to local socio-historical and political contexts. After an overview of the stage history of the chronicle plays on Hungarian stages, including possible reasons given for the noticeable popularity of certain works over others, this article also reflects briefly on the new attitudes to Shakespearean translation since the post-1989 period. The final section focuses on three contemporary productions of Shakespearean history plays, comparing and contrasting the way they make use of the early modern practice of doubling. Ways in which textual strategies are employed as well as how casting and scenographic choices infuse the dramas with political interpretations rooted in the here and now of the performances are also considered.
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EN
Actors’ ensembleThis article analyses how actors’ ensembles function as an alternative to the star system of actors’ participation in film. 
PL
Actors’ ensembleThis article analyses how actors’ ensembles function as an alternative to the star system of actors’ participation in film.
PL
Przedmiotem artykułu są misy do zawieszania przy pasie (lub tzw. wiszące misy) z epoki brązu znane z terenu Polski i Łotwy. Omówiono ich funkcję, pochodzenie, produkcję oraz formy i ornamentykę jako elementy kluczowe w studiach nad tradycją i interakcjami kulturowymi.
EN
The article focuses on bronze Bronze Age belt-bowls (or hanging vessels) from Poland and Latvia. It examines their role, provenance, production, and especially form and decoration as keys to understand their cultural interactions and tradition.
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