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The author discusses and argues with some problems dealt with by Z. Brochwicz and M. Dimitrova-Valkhova in their article „The Structure of the 17-t.h — Century Mural Paintings in St. George Orthodox Church at Weliko Turnovo, Bulgaria” that appeared in „Ochrona Zabytków” vol. XXV, 3, 172, pp. 143— 159. The discussion has been focused on the claim that the paintings were executed on dry plaster support. Making use of his own experience and quoting the old written sources the author attempts to prove the incorrectness of conclusions made by the authors of the afore-mentioned work.
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