Search results

1

À la croisée des chemins, le sens de la lecture (chiffrage et déchiffrage)

100%

Hüe D.

Orbis Linguarum

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2018

|

issue 50

225–236

EN

The Sense of Reading: Ways in and out of the Textual Crossroad Considering the questions of encoding and decoding a text in the High Middle Ages, this paper deals with the political dimensions of poetical and literary matter. The central point of the article is the work of Rabanus Maurus.

2

Etyka zawodowa w rachunkowości

100%

Garstka M.

|

2014

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vol. 17

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issue 1

61-72

EN

Recently we have observed the high volatility and complexity of law and business transactions, as well as the assumption of prepared valuations and self-shaping principles in accounting. Greater independence in a changing environment increases the risk of unethical behaviour. There have been many cases of negative behaviour in accounting, known as a creative, aggressive or fraudulent accounting. Responsibility for bankruptcy and financial failures was pinned on accounting, which shattered the reputation of the accountants concerned. Professional requirements for accountants are high and they have greatly increased, especially in the financial operations sector. However, it is expected that employees will also act ethically. Professionalism is associated in the same way with professional competence and ethical standards. The Code of Professional Ethics in Accounting introduces important ethical principles for accountants. It is worth noticing how the principles refer to human traits, virtues and considering whether to accept and obeying them as an act of conscience. Accountants are facing ethical dilemmas that affect their private life.

3

50-lecie kodeksu postępowania cywilnego z dalekiej i bliskiej perspektywy

88%

Machnikowska A.

Kwartalnik Prawa Prywatnego

|

2015

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vol. 24

|

issue 3

551-587

EN

Civil Procedure Code, which came into effect in 1965, was preceded by a particular preparation of new legal system and accompanying changes in political system. It was supposed and as such declared at that time to be an example of avant-garde socialist law. In fact, the content of the code was a compromise between the solutions developed by Polish jurisprudence and the assumptions of Soviet law. Traditional lawsuit rules, including contradictoriness, availability and formal equality of parties were significantly limited by the rule of objective truth and inquisitional approach. It was the result of shifting the borders between private and public law in favour of the public one. Literal meaning of law was as important as its interpretation. Authorities demanded purposive law interpretation which was supposed to lead to its strong instrumentalisation. In practice, it wasn’t the case on a large scale due to the attitude of judges and the representatives of law who respected universal standards of civil procedure. As a result, Polish civil procedure remained in strong relation with European legal tradition. After 50 years of being in force the civil procedure code is still used, though, it was necessary to reform some of its rules and adjusting it to the standards of civic society and market economy. The history of code development and its implementation may constitute a significant experience for the development of future changes in civil procedures.

4

Kodeks pracy czy kodeks pracownika?

88%

Jarski Ł.

Społeczeństwo i Edukacja. Międzynarodowe Studia Humanistyczne

|

2012

|

issue 2

293-299

EN

So-called “codes” were intended to be tools regulating social positions but they do not meet general expectations in the current form. They contain lots of semantic and construction defects, and they are, above all, strongly relativised. It gives their commentators plenty of possibilities to manipulate the regulations existing in codes in a decidedly arbitrary way. The formal parts of the code do not display their subjective character, which negatively impinges on their social reception itself. The future editing of codes has to go in the direction of “homo-hominis”, but not in their excessive formalisation. The herewith draft has made up only modest illustration of a considerably wider phenomenon culturally called “an excessive formalisation of social life, simultaneously with tendentiousness of its reception”.

5

Kodeks pracy czy kodeks pracownika?

88%

Jarski Ł.

Społeczeństwo i Edukacja. Międzynarodowe Studia Humanistyczne

|

2012

|

issue 2

293-299

EN

So-called “codes” were intended to be tools regulating social positions but they do not meet general expectations in the current form. They contain lots of semantic and construction defects, and they are, above all, strongly relativised. It gives their commentators plenty of possibilities to manipulate the regulations existing in codes in a decidedly arbitrary way. The formal parts of the code do not display their subjective character, which negatively impinges on their social reception itself. The future editing of codes has to go in the direction of “homo-hominis”, but not in their excessive formalisation. The herewith draft has made up only modest illustration of a considerably wider phenomenon culturally called “an excessive formalisation of social life, simultaneously with tendentiousness of its reception”.

6

Code-switching among Polish university students

88%

Golubiewski M.

Beyond Philology: An International Journal of Linguistics, Literary Studies and English Language Teaching

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2012

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issue 9

25-40

EN

Code-switching is an interesting linguistic phenomenon which is becoming increasingly common especially among young people. The following article is an introduction to a broader project, which aims to analyze the extent to which foreign words and expressions are being used by Polish students. The examples quoted in the text illustrate the most important kinds of code-switching and were collected by students themselves, which proves their authenticity. Most of the quoted examples support the thesis that currently English is the most popular source of lexical items used in code-switching, though there are also cases in which other languages are involved. A further and deeper analysis of the mentioned phenomenon may provide us with a better understanding of the motivations behind why people so often use and adopt words of foreign origin; this may also help to find some explanations as to how the process of borrowing works.

7

Interkulturowe festum folkloricum jako konstrukt i metakomentarz społeczno-kulturowy

75%

Dziadowiec J.

Prace Etnograficzne

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2014

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vol. 42

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issue 2

135–145

EN

This paper, based on the results of a field research, presents an intercultural folklore festival, along with the world of cultural heritage and folkloristic traditions, as a dynamic and self-updating sociocultural construct, that despite the strong institacutionalization, mythologizing and hegemony still has a large potential for emancipation. This event is not entirely artifi cially created by widely understood experts, activists and leaders of folkloristic movement, according to presumed needs and preferences of festival audiences, but it is also an immanent reality, constantly being created by all participants. It is a metacommentary of contemporary folk actuality, constructed and negotiated in the course of interactions, activities and meaningful social practices which have highly performative character.

8

Etyka zawodowa żołnierzy Wojska Polskiego

75%

Wach M.

Rocznik Europeistyczny

|

2018

|

issue 4

85-96

PL

Celem niniejszego artykułu jest przybliżenie problematyki etyki zawodowej żołnierzy zawodowych Wojska Polskiego. Autorka bada również zasadność wprowadzenia etyki zawodowej do zawodów mundurowych. Odwołując się do obecnie obowiązującego Kodeksu Honorowego, podjęto próbę charakterystyki żołnierza zawodowego w kontekście jego etycznych powinności. Zwieńczeniem artykułu jest próba scharakteryzowania żołnierza na podstawie owych regulacji.

EN

The aim of this article is to consider the nature of professional ethics of the members of the regular Polish army. The author also examines the legitimacy of introducing professional ethics for uniformed professions. According to the currently binding Code of Honour, the author tries to characterize a professional soldier in the context of his ethical duties. An attempt to characterize a soldier based on these regulations is the culminating point of this article.

9

SEMIOTIC ANALYSIS OF CAFÉ NOIR’S COMMERCIAL "THE MIME’S DATE"

75%

Vitkauskaitė L.

Czech Journal of Social Sciences, Business and Economics

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2015

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vol. volume 4

|

issue issue 1

34-42

EN

This paper focuses on audiovisual commercial. The aim of the article is to apply semiotic analysis to Café Noir’s video commercial “The Mime’s Date”. The first part of the article reviews the commercial and the way it is realised. The following part of the article analyses the commercial video “The Mime’s Date” discussing the symbols and codes present in it and analysing their possible meanings. Advertising is an industry of promises. It promises more than the product advertised can give. The creators use a lot of signs and symbols in their works. The creators “play” with the psychology and the subconsciousness of people. The commercial “The Mime’s Date” by Café Noir is not an exception. Having analysed this commercial video, the meaning of the visual message has been revealed. This commercial wants to create an illusion that coffee can “transport” everyone into a life full of luxury, elegance and pedantry. It also reveals that the coffee pod alone can seduce the opposite sex. Therefore, certain instances of contrafacts are prevailing in the situation.

10

Życzenie jako gatunek tekstu

75%

FILIP G.

Stylistyka

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2007

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vol. 16

566-578

PL

Greetings and wishes comprehended as acts of etiąuette expressed at different occa- sions are the subject of the article. The author analyses wishes sent on post cards prepared for various occasions dating to the 20,h and 21st century. The point of reference for such expression are:1. local newspapers and magazines - the published ready wishes,2. electronic mail - electronic versions of cards for different occasions.The common feature of the above is the possibility of joining the graphic and the lan- guage codę as well as the possibility of sending the wishes on a massive scalę.The relationship between text and time is treated as the influence of time on the text of the wishes. The aim of the article is the observation whether the wishes undergo a change with the passing of time, for example in the course of the century, which aspects - styli- stic-language aspect or the universal hierarchy of values - undergo change and finally for which reasons.

11

Коммуникация в вербальном тексте, вербальный текст в коммуникации

75%

Галло Я.

Studia Rossica Posnaniensia

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2019

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vol. 44

|

issue 1

309-318

RU

The article is dedicated to general issues concerning verbal text and communication and the analysis of the communicative structure of a literary text. In the introduction, the interest to research not only text but also the phenomenon of a more complex character – communication – is expressed. The problem of the text as a part of communication process is also discussed taking into account the verbal means. In the first part, the attention is focused on the verbal text in the aspect of communication. The characteristics of implicit parts of the communication process (an author, code, text, channel, recipient, communicative situation) is presented as well. In the third part, there is the analysis of the specific type of a complex semiotic text – a literary verbal text and its communicative comprehension in both productive and receptive aspects. The connection of the text with textual subjects is studied as well. In the last part of the text, the conclusions of presented problems are drawn.

12

Kościół, lewica, dialog Adama Michnika jako oswajanie Kapłana i błazna Leszka Kołakowskiego

75%

Woźnowski R.

Społeczeństwo i Polityka

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2021

|

issue 4(69)

13-24

EN

This text is an evaluative analysis of the issue which is broaden by analogies. It is a case study whose purpose is to show that it is essential to reach the fundamentals of Michnik’s beliefs in order to understand them. They have their roots in Kołakowski’s beliefs. It can be seen in a book entitled “Church, the Left, dialogue” where Michnik employs the figures of a priest and a clown. In defiance of Kołakowski, he wants to break that peculiar antagonism. The interpellation of private member’s club “Znak” indicated a new division. Instead of the Right and the Left, there was a division into supporters and opponents of totalitarianism. The glory years of Solidarity Movement is a crescendo of the dialogue. The triumphant church broke off the dialogue. Michnik repeats after Kołakowski that the culture must be protected in order not to fall. Being mindful of this need, some tones (especially those authentic ones – of a priest and a clown) must be tempered. In a community life inauthenticity is really useful.

PL

Tekst jest krytyczną analizą zagadnienia, poszerzoną o analogie. To studium przypadku. Celem autora jest wskazanie, iż dla zrozumienia myśli Adama Michnika niezbędne jest sięgnięcie do podstaw jego poglądów. Owe podstawy zakotwiczone są w poglądach Leszka Kołakowskiego. Tę zależność widać w książce Kościół, lewica, dialog, w której Michnik stosuje figury kapłana i błazna. Ten swoisty antagonizm Michnik chce (wbrew Kołakowskiemu) przezwyciężyć. Interpelacja koła poselskiego Znak wskazała nową linię podziału. Zamiast linii: prawica-lewica, zaistniał podział na przeciwników i zwolenników totalitaryzmu. Apogeum dialogu to okres świetności Solidarności. Kościół triumfujący zerwał dialog. Michnik, podążając za Kołakowskim, powtarza tezę o potrzebie obrony kultury przed upadkiem. Mając na uwadze tę potrzebę, postawy (szczególnie autentyczne – kapłan i błazen) muszą być łagodzone. W życiu wspólnotowym bardzo użyteczna jest nieautentyczność.

13

Performativna snaga imena u zbirci priča „Inšallah Madona, inšallah” Miljenka Jergovića

75%

Lujanović N.

Poznańskie Studia Slawistyczne

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2013

|

issue 4

EN

The names play a main role in understanding of Miljenko Jergović’s literary works and it is argued through analysis of collection of stories called Inšallah Madona, inšallah. The names have their history, they describe and determine actors, and function as axioms with initial stabile meaning. By decoding of related code, new complex components of semantic field of the name as symbol are revealed to us. In chosen text, the names operate as curse in form of general principle. Through curse as a main motive, it is implied performative dimension of the names which symbolize pain or misery, evoke tragedy and in the end fulfill inscribed curse.

14

Sens istnienia dziennikarskich kodeksów etycznych i ich trudna przydatność

75%

Ulita M.

Komunikacja Społeczna. Czasopismo elektroniczne

|

2012

|

issue 1

34-46

EN

The problem faced by journalistic ethics is twofold. Firstly - incomprehensible desire of “making formal” ( objective ) so smooth and " undescribeble " matter , which is ethics ( in a social context often confused with morality ) . Secondly - incomprehensible belief that the description (eg . In the form of a code ) of a slice of reality will change the outlook of people and almost automatically affect its compliance . Another issue related to the present theme is the internal contradictions within the existing codes of journalistic ethics . The problem that I would like to submit for consideration in the context of this article , boils down to search for the answer to the question whether, having regard to the problems of a formal nature , but also socio-cultural , journalistic ethics trial of being formal and objective makes any sense.

15

Поэтика игры в романе М. А. Булгакова «Мастер и Маргарита»: образ кота Бегемота

75%

Golikova G.

Przegląd Wschodnioeuropejski

|

2018

|

vol. 1

321-329

EN

The article deals with the question of the functioning of the game code of M. Bulgakov’s novel “Master and Margarita”. The focus of the researcher is the image of the cat Begemoth, one of the members of the Woland suite. The article explores the connection between the image of the cat and the figure of Hans Sachs, a well-known representative of the German Renaissance. Principles of game conjugation of two figures are buffoonery, carnival, satire. At the same time, the three hypostases of the cat Begemoth (the cat – fat man – a boy with a knight (pazh) refer the reader to the figure of Leo Taxil (the French writer Gabriel Zhogan Pazhes), the punning allusion which is found in the last chapters of the novel and is determined by the writer’s position in depicting the religious question.

16

Motivul muzicii şi al mării în proza lui Anton Holban

66%

Teodorowicz J.

Studia Romanica Posnaniensia

|

2014

|

vol. 41

|

issue 2

109-114

EN

The purpose of the present article is to discuss two literary motifs that can be traced throughout Anton Holban’s prose works: music and the sea. Holban, who wrote also music reviews for newspapers, had a genuine passion for music, which is reflected in his novels and short stories. Music appears in Holban’s literature as the highest form of artistic expression, and, at the same time, as a special and unique code used by lovers to communicate with each other, which isolates them from other people. Music seems to be more important than a relationship with a woman and even than literary creation. It may become an obsession. Listening to music in solitude gives the narrator an opportunity to explore his inner world and to be himself. The sea means much more than a landscape in Holban’s works. Like music, it has a symbolic dimension, being for the protagonists a source of extatic, almost mistic experience, as well as a witness to their deepest and most intimate feelings. From philosophical point of view, the sea means infinity, eternal movement and perfection.

17

Koniec ery kodeksów?

63%

Kaczor J.

Przegląd Prawa i Administracji

|

2020

|

vol. 120

|

issue Tom 1

55 - 66

PL

Autor stawia pytanie, czy współcześnie jest jeszcze miejsce na kodeksy w takiej formie, w jakiej były one tworzone w XIX wieku. Przede wszystkim zmieniły się warunki, w jakich powstawały ówczesne kodeksy, oraz postulaty wobec nich stawiane. Nie oczekuje się już obecnie, że akty te będą całkowicie i wyłącznie regulować daną dziedzinę życia społecznego. Nasiliło się zjawisko dekodyfikacji, polegające na regulowaniu materii właściwych kodeksom w innych ustawach, co rodzi problemy na tle ich wzajemnych relacji. Utrudnieniem dla procesu kodyfikacji jest także brak współpracy pomiędzy nauką prawa i sądami, które do tej pory wspólnie wypracowywały rozwiązania, wpisywane następnie do treści kodeksów. Zdaniem autora kodeksy mogą jednak nadal odgrywać ważną rolę i pełnić funkcję w pewnej mierze symboliczną. Najważniejszym zadaniem kodeksów jest bowiem tworzenie aksjologicznych podstaw danej dziedziny prawa, przede wszystkim formułowanie katalogu zasad decydujących o jej autonomii.

EN

The author of the article asks the question whether there is still space for codes in the form in which they were created in the nineteenth century. The conditions for the creation of codes have changed. Lawyers do not require codes in order to completely regulate a given field of social life. The occurrence of decodification is very strong. Lack of cooperation between legal science and the courts makes it difficult to create new codes. However, in the author’s opinion, codes can still play an important and symbolic role. The most important function of codes is to create the axiological foundations of a given branch of law.

18

Seks, przemoc i kosmici. Kod telewizyjny w malarstwie Wasilija Cagołowa

63%

Zambrzycka M.

Przegląd Wschodnioeuropejski

|

2015

|

vol. 1

123-130

EN

The subject of the text is to analyze the television code in paintings of Vasily Cagolov - a contemporary Ukrainian artist. The works of Cagolov are presented through the perspective of semiotics and analyzed in the context of today’s “spectacles of violence”. As the “spectacles of violence” the author understands all the cultural messages that concern violence, fear and pain, and shows them in the framework of “show”, directed to a mass audience. These are: films, computer games, certain sports and documentaries, as well as some literary genres (horror, thriller, crime) and art inspired by the code of such messages. In the article theoretical works were used. The authors of these works were: Boris Uspienski, Jurij Lotman. The author was also inspired by texts of Susan Sontag, Janusz Tazbir, Olek- sandr Soloviov. The author believes that contemporary paintings of Cagolov can be “read” as a cultural text that can be entered through the broader context of cultural phenomena.

19

Szyfr, kod i konwencja. Staropolskie sposoby „mówienia mitologią”

63%

Walińska M.

Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

|

2011

|

issue 17

97-110

EN

Using mythological tradition is one of the ways of enrichment the semantic level of old literature. Partially it is caused by entire nature of myths which from ancient times were interpreted as plots consisting additional, hidden senses. Allegoreze, popular especially in Mediaeval Ages, has an influence on ways of adaptating and using mythologisms in Mediaeval and Reinessance literature. Motifs and characteres appear in texts of Old Polish literature most usually with allegorical “background”. Same of that allegories have universal character (being a result of searching in myths some general truths), the others, as a result of adaptation ancient themesto Christian worldview, have lost their currency yet still play an important role in understanding texts of culture. Notions of “cipher”, code and convention, that are used in the article, mean ways of making use of mythology in Old Polish texts: from hiding specific information under the layer of literal meaning (e.g. bucolics of Szymonowic and Bartłomiej Zimorowic), by enriching text with cultural allusions (for example in poetic letters), to conventional using, in which mythologism has mainly ornamental function.

20

Z polskich prac nad kodyfikacją zasad etyki sędziowskiej

63%

Korzeniewska-Lasota A.

Studia Warmińskie

|

2017

|

issue 54

265-275

PL

W artykule autorka zarysowuje proces tworzenia kodyfikacji zasad etyki zawodowej sędziów. Sygnalizuje początki powstawania „wzorca dobrego sędziego”, a następnie toczące się w środowisku prawniczym dyskusje na temat potrzeby normatywnego ujęcia zasad etyki zawodowej w odrębny zbiór. Przedstawia przedłożone propozycje kodeksów etycznych, aż po wieńczące proces kodyfikacji dwa zbiory: uchwalony przez Stowarzyszenie Sędziów „Iustitia” Zbiór zasad postępowania sędziów oraz Krajową Radę Sądownictwa Zbiór zasad etyki zawodowej sędziów i asesorów sądowych.

EN

In the article the author depicts the process of creating the codification of judicial principles of professional conduct. Firstly, the author describes the beginnings of the “model of a good judge”, followed thereafter by discussion in judicial environment on the need of normative conceptualization of the principles of conduct, which would constitute a separate collection. The proposals of the ethical codifications are presented, together with the two concluding works: The Judicial Set of Principles of Conduct [Zbiór zasad postępowania sędziów] created by the Association of Judges “Iustitia” and The Set of Principles of Professional Conduct for Judges and Candidate Judges [Zbiór zasad etyki zawodowej sędziów i asesorów Sądowych] by the National Council of the Judiciary in Poland.

Refine search results

À la croisée des chemins, le sens de la lecture (chiffrage et déchiffrage)

Etyka zawodowa w rachunkowości

50-lecie kodeksu postępowania cywilnego z dalekiej i bliskiej perspektywy

Kodeks pracy czy kodeks pracownika?

Kodeks pracy czy kodeks pracownika?

Code-switching among Polish university students

Interkulturowe festum folkloricum jako konstrukt i metakomentarz społeczno-kulturowy

Etyka zawodowa żołnierzy Wojska Polskiego

SEMIOTIC ANALYSIS OF CAFÉ NOIR’S COMMERCIAL "THE MIME’S DATE"

Życzenie jako gatunek tekstu

Коммуникация в вербальном тексте, вербальный текст в коммуникации

Kościół, lewica, dialog Adama Michnika jako oswajanie Kapłana i błazna Leszka Kołakowskiego

Performativna snaga imena u zbirci priča „Inšallah Madona, inšallah” Miljenka Jergovića

Sens istnienia dziennikarskich kodeksów etycznych i ich trudna przydatność

Поэтика игры в романе М. А. Булгакова «Мастер и Маргарита»: образ кота Бегемота

Motivul muzicii şi al mării în proza lui Anton Holban

Koniec ery kodeksów?

Seks, przemoc i kosmici. Kod telewizyjny w malarstwie Wasilija Cagołowa

Szyfr, kod i konwencja. Staropolskie sposoby „mówienia mitologią”

Z polskich prac nad kodyfikacją zasad etyki sędziowskiej