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Art, Memory and Angel by Czesław Dźwigaj

100%
Wijas J.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
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2018
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vol. 13
19-28
EN
The article analyses the process of implementing the idea of commemorating the victims of December 70 in Szczecin. Disputes, discussions and decisions accompanying this monument are doubly symptomatic: they reveal a problem with the presence of contemporary art in public space, and the question of who and what should be the main purpose of commemorative sculpture. After 1989, the Szczecin agora reflected the political transition of the state, additionally characterised by the “short duration” complex (existence as a “Polish city” only after 1945). Art plays a role in ordering (and subordination) of public sphere, and, as such a tool (building politically handy identity symbols), it is perceived by the authorities. Its specificity, however, allows it to escape social and political control. The second area of consideration is the analysis of the relationship between commemorative function (desired by the founders) and the operation of contemporary art, in reference to the theory of cultural forms of memory. The three-dimensional urban game of visibility was played out in Szczecin around three public sculptures: two unrealised designs, and the final work by Czesław Dźwigaj.
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Медиадискурс национальной идентичности: Россия и Германия

75%
Kaminskaya T.
Przegląd Wschodnioeuropejski
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2021
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vol. 1
357-368
EN
The media discourse of both Russia and European countries today seems to be a representative and relevant object for the study of national identity. The discourse of national identity in the media is presented as media texts directly related to the topic, and included in it through the comments of the recipients. The leading sub-discourses or thematic dominants in this case are major sports competitions, international competitions and commemorative practices of the past. The vast majority of assessments of national characteristics in the comments of the recipients of journalistic publications are negative, due to the criticality and self-criticism of commentators.
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