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EN
The article presents an analysis of the expressions according to communicatio idiomatum in the texts of the Lenten songs contained in the Liturgical Songbook ‘Niepojęta Trójco’ (‘Mysterious Trinity’) (vol. 1) published by the Dominican Liturgical Centre. Expressions of this kind appear in about 1/3 of the songs and almost all of them have a descending character (properties, states, typically human activities are attributed to the subject identified by the name or the title referring to divinity). It does not seem that the Christological and dogmatic carrying capacity of this kind of expressions was the main purpose of their use by the authors. Rather, it was about the rhetorical attractiveness of their paradoxical character.
EN
Maximus the Confessor is one of the first authors who use the term perichoresis. What is more important, facing monophysitism and monotheletism he defines the fundamental terms, such as substance, hypostasis and nature. On the base of these formulas he develops his doctrine of two natures in one hypostasis, underlining that we cannot use the terms: fu¢sij su¢nqetoj, mi¢a a¥plw¤j fu¢sij or mi¢a su¢nqetoj fu¢sij in relation to Christ. The only proper term is u¥po¢stasij su¢nqetoj - Son of God consubstantial with Father and with all human beings
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