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EN
The author analyzes the contribution of the Romanian Polonists to studying Polish literature on the basis of theories and methodologies that are characteristic of comparative studies, developed within the Romanian area (T. Vianu, Al. Dima, G. Calinescu, N. Manolescu). Thanks to the comparative method, Romanian specialists have extended their interpreting perspective by voicing original ideas on motifs, themes, influences, parallelisms etc. that are present in the works of Polish and Romanian writers. Special attention has been granted to comparative studies about Mickiewicz – Asachi, Sienkiewicz – Sadoveanu, Reymont – Re-breanu. In conclusion, the comparative method becomes a basic tool in the critical approach of foreign Polonists.
EN
It was during Witold Hensel’s studies at the University of Poznań and the first years of his working at the Poznań University right before the Second World War when his interests and the main trends of his scientific career were crystallized. It was only just when the medieval archaeology in Poland, as the result of some spectacular discoveries in the main centres of the first Piasts’ State, namely in Gniezno and Poznań, was developing. At the same time in the Poznań Centre an interdisciplinary cooperation between humanities (ethnography and history) and natural sciences started. Comparative studies were also widely carried, supported by intensive international contacts. Witold Hensel, a young archaeologist at that time, was an active participant of them. As the sum of all that, it was nobody else but Witold Hensel who in 1946, not long after the WWII was over, formulated a new research project, met with enthusiasm by other scientists, to celebrate the first millennium of the rise of the Polish State, which was soon to come. It was the first so widely planned interdisciplinary project in humanities (and it is worth mentioning that palaeobilogists were also involved) and the obtained results were immense. For the Polish medieval archaeology it was the time of a huge increase in terms of appearance and development of institutions and methodology as well as in number of scientists interested in the subject. It all led to some sort of “outflow” of the members of the Polish archaeological school to the West-European countries (Italy, France and further on also to some others) what, to a large extent, gave the basis for some studies carried on in the field in those areas. The other Witold Hensel’s research trends, later on followed by a huge number of his students, were concerned with settlement studies based on detailed inventarisation and publication of archaeological sources, as well as comparative studies carried out on a large scale. The latter were fulfilled by Witold Hensel not only in his scientific publications (especially some editions of “Słowiańszczyzna wczesnośredniowieczna” (Early medieval Slav lands). He also created and edited a new interdisciplinary periodical titled “Slavia Antiqua”, which was his attempt to continue ideas formulated by specialists of different Slavic disciplines already before the war. Above all however, there was his active participation in foundation of the International Union of Slavic Archaeology. The Union, by its congresses and symposia as well as publications, positively influenced studies in medieval archaeology in general.
EN
The article assesses well-being in the Czech Republic compared to other Visegrad countries (Slovakia, Hungary, Poland) and neighbouring Germany and Austria. By employing various approaches designed by several international organisations it takes an aggregate perspective to assess both the current well-being and its sustainability into the future. All employed indicators that relate to current well-being evaluate the well-being in the Czech Republic as moderate among the OECD countries. The results indicate that the position in well-being rankings improves with the growing number of dimensions or subjective factors included in the well-being measure, mainly due to the reduction in relative importance of income dimension and higher emphasis on the multidimensionality and complexity of well-being. In the case of sustainability, large differences can be identified in evaluation stemming from Happy Planet Index and Sustainable Society Index perspective. Although both of them agree on unfavourable situation as regards environmental sustainability in the Czech Republic, different accent on economic area alters the final result substantially. The analysis shows that for any well-being assessment, the choice of indicators is crucial and a large portion of caution is necessary when interpreting these.
EN
Today’s infotainment clutter puts pressure on advertisers to come up with more surprising and more memorable ads. This need for novelty, creativity, and astonishment does set the expectation bar high, steering ads towards various means of eliciting surprise, including humour, shock, and taboo. In this paper, the author will try to investigate a set of multimodal advertising messages which use (debatable) humour and surprise, with a view to finding trans-cultural similarities and differences in terms of ad appreciation. The primary objective of this paper is to explore attitudinal responses of Taiwanese informants to controversial humorous advertisements in English; to this end, an online survey was conducted to ask them about their interpretations of and feelings towards a selection of ads. Its results will be compared with those obtained from Polish respondents, described in the author’s previous study (Stwora 2020).
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PL
This article contains a selection of notions from the Guidebook to the Novels of the West Slavs (a working title). The Guidebook is addressed predominantly  at researchers involved in comparative studies of the literatures of the West Slavs and it will cover fifty years (1945–1995) of novels written by West Slavic authors: Kashubian, Polish, Slovak (from Slovakia and the so-called  Lower Land), Czech as well as Upper and Lower Lusatian, and how they changed. Each entry will consist of a brief presentation of a novel’s content, bibliographical information (the subsequent editions, possible translations;  reception in the other languages will be limited exclusively to the West Slavs area), interpretation, a novel’s significance to a writer’s achievements,  specific national literature and, finally, the West Slavs’ novels as a whole, a selection (maximum five items) of the most important literature on the subject.
EN
The author of the present study tries to answer the question from the title about the contemporary state and the future of Slavonic literary studies in connection with other disciplines, e.g., comparative and genre studies, their crises and shifts of methodological emphases. According to the author, the future perspectives of Slavonic studies are associated with the relatively constant entity of the subject, the Slavonic phenomenon or the Slavonic world as marking or delimiting the boundaries of Slavonic studies as an independent or autonomous discipline, and with their open or semi-open character in the philological framework, dynamic borders and transcending towards the cultural-area concept without losing their philological kernel.
EN
Report from seminar: Research on Journalists in Poland: Problems, Dilemmas and Methodological Challenges
EN
The study of the Holocaust literature in Poland goes a long way back but as a separate discipline it has existed for a very short time. This is mostly due to the fact that until recently it had been part of other fields of study, including, mostly, war literature. A specific feature of this process is that the transformation from literary studies dealing with the Holocaust as one of the themes of proper Holocaust (literary) studies in Poland has been developing under strong influence of foreign – mainly American – Holocaust studies as an already evolved discipline. Therefore, Polish Holocaust studies have practically assumed the shape it has already had, but under a different name. In the paper I call this process academic (auto)colonialism and make an attempt to indicate its core features.
PL
Polskie badania nad literaturą Zagłady toczą się od dawna, dyscypliną stały się jednak niedawno. Nie jest to jedynie wynikiem późnego wykształcenia się instytucjonalnych ram tego nurtu badań, ale przede wszystkim jego zanurzenia w innych nurtach, np. w badaniach nad „literaturą wojny i okupacji”. Przekształcanie się polskiego literaturoznawstwa zajmującego się m.in. Holocaustemw literaturoznawstwo holocaustowe, tj. Holcaust studies, zachodziło przy tym w otoczeniuuformowanej już gdzie indziej – w tym przede wszystkim w USA – dyscypliny. Paradokswspółczesnego etapu formowania się tego obszaru badań w Polsce polega więc na tym, żeprzyjmuje ono z zewnątrz wzorce, które istnieją w nim już od dawna. Proces ten w niniejszymtekście nazywam akademickim (auto)kolonializmem i wskazuję jego najważniejsze cechy.
PL
Artykuł zawiera założenia projektu mającego dać podstawy do językowo-kulturowych badań porównawczych współczesnej wsi słowiańskiej. Pozyskanie w miarę pełnego materiału z odpowiednio wybranych mikropól tematycznych ma także dać podstawy do szeroko zakrojonych badań korpusowych.
EN
The article presents assumptions of a project laying foundations for linguistic and cultural comparative research into the contemporary Slavic village. Relatively complete material obtained from carefully selected thematic micro-fields is intended to give the basis for large-scale corpus research.
PL
The aim of this article is to analyze and interpret way in which a topos of Cain was evoked in literary works and other texts of culture in the light of the concept of transgression. An approach adapted in analysis will be inspired by comparative hermeneutics, yet not only literary contexts will be taken into consideration, but also religious, philosophical, and scientific ones. In the very structure of the topos one can discern a series of binary oppositions, which become valuated in various ways in different historical contexts. It is above all the opposition between destructive and constructive component of the theme. Interpretations of the topos in the works of George Byron, Władysław Orkan, and Jerzy Andrzejewski are discussed deeper. The analysis leads to the conclusion that in the historical development of a significant change in its valuation is taking place. Regarded as a symbol of evil in the Middle Ages, it is ennobled as a patron of rebels, reformers and creators in the twentieth century.
PL
The aim of the article is to analyse musical ways of creating a text. Based on the prose of Bruno Schulz, the author examines the organization of the sound layer in terms of sound techniques used in them (rhythm, lead motif, instrumentation, anagram, situational rhythm, polyphony). Describing the musical entanglements of the text not only shows Schulz’s ingenious writing technique, but also allows to read his work anew – including the modestly discussed perspective of his work.
EN
The article is a result of the collaboration between Polish and Czech scientists who explore the issues of applying the resources from e-learning environment by academic teachers. The presented studies were conducted in 2015-2016 within the IRNet project – International research network for study and development of new tools and methods for advanced pedagogical science in the field of ICT instruments, e-learning and intercultural competences in Poland (University of Silesia in Katowice, Faculty of Ethnology and Educational Science in Cieszyn) and the Czech Republic (University of Ostrava, Pedagogical Faculty). The undertaken research was aimed at learning the opinions of academic teachers on their preparation for distance classes and for the stimulation of students’ learning process. In the studies, the constructivist perspective was applied, which highlighted (in the educational process) the learner’s activity resulting in the subject builds their educational reality. What was referred to due to the comparative nature of the research was Harold J. Noah’s model of comparing the quality of University education. The cases of Poland and the Czech Republic were discussed.
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EN
This paper was prepared in 1964 as a thesis for the Tokio ISFNR conference report, but the author couldn’t participate in this conference. This report deals with identical motifs in the European (Czech and Moravian) folklore and in the non-European sources, namely in the Near East ones. It mentions cooperation of folkloristics with comparative linguistics and archeology. Benefit of this cooperation is evident especially in the ancient culture studies, when the folkloristics can utilize the results of the archeological discoveries. A thorough study of those ancient discoveries proves that roots of some European literary traditions may be found already in Mesopotamia (motifs of dragons and demons, etc.).
EN
The article analyzes the multi-faceted personality of the Kazakh blacksmith in ethnotraditional perception compared with the culture of other nations. Such parameters as birth and “magical” diversion of hereditary gift, professional etiquette and the social status of the blacksmith have been considered. The attention has been paid to such qualities of the blacksmith as spiritual self-control, lack of greed, strength and nobility of character. The mentioned is justified by the idea that the moral defects of a master can enter into conflict with his sacred activities which could lead his family to misfortune.
EN
Developments that have been observed in the last decades (globalisation, postmodernism, postcolonialism) have influenced changes in European critical discourse and brought cultural phenomena to the fore. One of the consequences of this new postcolonial consciousness is the challenging of the 19th century concept of Weltliteratur, which is based on Western European tradition. The author of the article refers to the postcolonial writings of E. Said, G.Ch. Spivak and H.K. Bhabhy as well as the concept of cultural dialogue by H. Gadamer, E. Levinas, P. Ricoeur and regards Polish contemporary literature from the perspective of Western research where the traditional, Platonian model of European culture as being a universal culture, is replaced by a dynamic, intercultural interaction. Confronting “homeliness” with “foreigness” produces less narrow assessments. Hierarchies and conditions disappear here and common cultural experience seems to be most important.
EN
Contemporary cultural changes force Polish literary critics to constantly change their views on literature. Traditional literary canon is prone to stagnation and inertia, but multiculturalism may lead to a dangerous melting in the multiplied maze of cultural interconnections. Trying to overcome such antinomies, the author of the article focuses on the criteria that are important in the reception of Polish culture abroad. Literary canon is not regarded as a standard, but it is worth taking into consideration as an exposition of some general aesthetic, axio- logical and worldview changes.
EN
A special place among the research conducted in the field of linguistics, but also other scientific disciplines, is occupied by the broadly understood issues of humour. The aim of the project is primarily to show ways and mechanisms of generating humorous effects in German and British panel shows. Spoken spontaneous humorous utterances have not undergone sufficient studies. The existence of comedy has its origin in the noticing of inconsistent elements constituting structure or content of a comical act. Emphasis has been put on presenting how humorous content is constructed. The explanations were delivered thanks to pragmalinguistic theories and GTVH. There is possibility to include methods used in cognitive linguistics as well. In the research field remain axiological elements as well as the cultural background. The compilation consisting from video clips from both- German and British panel shows, allowed the creation of a comparative base to reach linguistic and cultural conclusions revealing differences and similarities between the compared programmes of the same type that were produced in different countries.
PL
The study contains the reflection on the usefulness of the notion East-Central Europe as a historical region in the research on confessional relations in the early modern era. It begins with the description of the discussion on regionalization of European history, with particular emphasis on the frequently ideologized division into East and West. Next, the author recalls the genesis of the notion of East-Central Europe as a historical region, which was introduced after the Second World War by Oskar Halecki, and the popularization of this notion in the second half of the twentieth century. In the author’s opinion, the most important criterion in the evaluation of usefulness of this construct should be its research functionality checked not in syntheses or reviews, but in detailed research into specific problems, including comparative research.
PL
Scientific work of Professor Halina Janaszek-Ivaničková (1931–2016) can be placed in three postwar periods of Poland’s history, albeit her scientific and organizational work with regard to comparative studies was carried out on a few continents. Her scientific programme, methodological inspirations and message in each of those periods were aimed against regime limitations, but simultaneously pointed to a positive programme suggesting what can be done and what is right. Initially her programme could be placed with positivistic message and Bakhtin methodology (studies on Stefan Żeromski and Karol Čapek), only for the first lady of Polish comparative studies to become after a breakthrough Revolutions of 1989 a promotor of postmodernism in Poland and other Slavic countries (“From modernism to postmodernism”, 1996). Later she pointed to a “change of paradigm” and foresaw the decline of postmodern formation (“New face of postmodernism”, 2002).With a sharp mind she anticipated a radical “turn to the right” which we are now witnessing. In her last years she was working on a monography on Warsaw Uprising (1 August – 3 October 1944) during which her father, colonel Jan Wacław Janaszek, a soldier of antifascism Home Army, died.
EN
Scientific work of Professor Halina Janaszek-Ivaničková (1931–2016) can be placed in three postwar periods of Poland’s history, albeit her scientific and organizational work with regard to comparative studies was carried out on a few continents. Her scientific programme, methodological inspirations and message in each of those periods were aimed against regime limitations, but simultaneously pointed to a positive programme suggesting what can be done and what is right. Initiallyher programme could be placed with positivistic message and Bakhtin methodology (studies on Stefan Żeromski and Karol Čapek), only for the first lady of Polish comparative studies to become after a breakthrough Revolutions of 1989 a promotor of postmodernism in Poland and other Slavic countries (“From modernism to postmodernism”, 1996). Later she pointed to a “change of paradigm” and foresaw the decline of postmodern formation (“New face of postmodernism”, 2002). With a sharp mind she anticipated a radical “turn to the right” which we are now witnessing. In her last years she was working on a monography on Warsaw Uprising (1 August – 3 October 1944) during which her father, colonel Jan Wacław Janaszek, a soldier of antifascism Home Army, died.
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