Search results - CEJSH

1

Dezintegracja w złożeniach jako wyraz interpretacji świata

100%

Ochmann D.

Język a Kultura

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2015

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vol. 25

169-176

EN

The article describes how new, very numerous compound words, which are derived by means of a disintegration of a stem, function in contemporary Polish in the context of social and cultural disintegration observed by researchers. A multi-functional model offers the possibility of naming and evaluation of typical contemporary social phenomena, organizing various, sometimes complicated experiences, and playing with form, which can build various communities of users. This makes it very productive and attractive in the eyes of users of the Polish language.

2

On Composition of Lyrical Discourse: Completion of a Theme as a Foregrounding Marker

100%

Zeldowicz G.

Półrocznik Językoznawczy Tertium

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2019

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vol. 4

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issue 1

EN

The paper discusses a highly productive foregrounding strategy employed in lyrical discourse. Considering, first, that the most fundamental compositional divide in lyrical poem is that between fragments devoted to some experience open to the lyrical hero and a fragment in which a discovery of a significant, usually quite general truth is made due to this experience, being this fragment normally the foreground, and, second, that it strongly tends to be located towards the end of the poem, one may hypothesize that if some semantic, pragmatic or structural theme develops in the lyrical discourse, its exhaustion will systematically coincide with the foreground, thus serving as a highlighting device. Several Russian poems are analyzed in the paper, which, first, support this assumption, second, show that this strategy may be realized in a number of different ways. W artykule omawiana jest rozpowszechniona strategia wyznaczenia podziałów kompozycyjnych w dyskursie lirycznym. Biorąc pod uwagę to, że, po pierwsze, w takich tekstach podstawowy podział kompozycyjny przebiega pomiędzy fragmentami relacjonującymi pewne doświadczenia podmiotu lirycznego a fragmentem, w którym ten ostatni dokonuje odkrycia pewnej istotnej prawdy, oraz, po drugie, to, że fragment „odkrywczy” z reguły znajduje się na końcu utworu, można przypuszczać, iż w przypadkach, gdy w wierszu rozwija się ten czy ów temat semantyczny, pragmatyczny bądź strukturalny, jego wyczerpanie powinno najczęściej następować we fragmencie „odkrywczym” i być wykładnikiem takiej właśnie jakości tego fragmentu. W artykule analizuje się kilka wierszy rosyjskich, które popierają wymienioną tezę, a zarazem pokazują, na ile rozmaite mogą być konkretne środki służące do realizacji opisywanej strategii.

3

Utwory klawesynowe Weroniki Ratusińskiej-Zamuszko – między przeszłością a współczesnością

100%

Woźniak M.

Kwartalnik Młodych Muzykologów UJ

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2022

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issue 2(53)

33-58

EN

The article is devoted to two works by Weronika Ratusińska-Zamuszko: the cycle Nymphs for soprano saxophone and harpsichord, and the miniature For Berenika. A miniature in the Baroque style. The introduction contains information about the composer and basic facts about the pieces in question. In the following sections of the article the author analyses: harmony (tonal arrangement and harmonic relations), form (formal models, motifs, rhythms), texture and sound as well as aesthetic aspects. Based on these elements, the key determinants of the composer's style are presented, referring to the Baroque techniques as well as those typical of the postmodern musical language, also discussing the issues of non-musical content resulting from the programme titles of the works. In the analytical part, the author presents an innovative analytical method consisting in reducing the notation of the harpsichord part to the basso continuo notation to verify the thesis that the choice of the instrument (in this case, the harpsichord) determines the style of the composition. The analytical argument leads to interesting research conclusions and is an attempt to define the composer's musical language.

4

Creation through Polychronization

100%

Matthias J.

Avant

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2017

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vol. 8

EN

I have recently suggested that some of the processes involved in the collaborative composition of new music could be analogous to several ideas introduced by Izhikevich in his theory of cortical spiking neurons and simple memory, a process which he calls Polychronization. In the Izhikevich model, the evocation of simple memories is achieved by the sequential re-firing of the same Polychronous group of neurons which was initially created in the cerebral cortex by the sensual stimulus. Each firing event within the group is contingent upon the previous firing event and, in particular, contingent upon the timing of the firings, due to a phenomenon known as “Spike Timing Dependent Plasticity.” I argue in this article that the collaborative creation of new music involves contingencies which form a Polychronous group across space and time which helps to create a temporary shared memorial space between the collaborators.

5

Creation through Polychronization

100%

Matthias J.

Avant

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2017

|

issue 8

EN

I have recently suggested that some of the processes involved in the collaborative composition of new music could be analogous to several ideas introduced by Izhikevich in his theory of cortical spiking neurons and simple memory, a process which he calls Polychronization. In the Izhikevich model, the evocation of simple memories is achieved by the sequential re-firing of the same Polychronous group of neurons which was initially created in the cerebral cortex by the sensual stimulus. Each firing event within the group is contingent upon the previous firing event and, in particular, contingent upon the timing of the firings, due to a phenomenon known as “Spike Timing Dependent Plasticity.” I argue in this article that the collaborative creation of new music involves contingencies which form a Polychronous group across space and time which helps to create a temporary shared memorial space between the collaborators.

6

Об одном способе маркировать дискурсивную перспективу в лирической поэзии, Композиция и референциальные связи, или В чем неправы П. Хоппер и С. Томпсон

100%

Zeldowicz G.

Linguistica Copernicana

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2015

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issue 12

245-270

EN

The paper focuses on one of the devices serving to mark the foregrounded part of a lyric poem, which is the break of referential continuity. It is shown that in many instances the most salient part of the poem, corresponding to the discovery of some important truth or some other change in the author’s attitude towards the world, is constructed in such a way that its referential links to the preceding text are either interrupted or seriously weakened. The important implications which this fact has for the general theory of grounding are discussed at some length.

7

Chemical Composition and Particle Size Analysis of Kaolin

88%

Yahaya S., Jikan S. S., Badarulzaman N. A., Adamu A. D.

Path of Science

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2017

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vol. 3

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issue 10

1001-1004

EN

The mineral and elemental composition, crystal structure and particle size distribution of kaolin clays have been determined to ascertain its industrial significance. The mineral composition is evaluated by X- Ray Fluorescence (XRF), crystalline structure by X-Ray Diffraction (XRD) and particle size distribution using low angle laser light scattering (LALLS) technique. The results shows the presence of eight elements expressed in percentages in form of their oxides as: SiO2, Al2O3, Fe2O3, MgO, CaO, K2O, TiO2 and P2O5. Five crystalline structures are revealed by XRD result. The particle size distribution shows that kaolin particles are mainly in the range of 25–35 µm, while few particles have size distribution varied between 0.4–0.75 μm. The report is found to be in agreement with other researchers.

8

LA MUJER EN LOS REFRANES DE DON QUIJOTE. ESTUDIO CONTRASTIVO DE LAS TRADUCCIONES RUMANAS

88%

TITI CĂLIN A.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

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2014

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vol. 6

153-171

EN

This paper aims at investigating paremiological units from the Romanian translations of the novel Don Quixote de la Mancha, bearing in mind Cervantes‘ original text. The contrastive analysis is based on linguistics and translation studies, its main objectives being to indicate the changes resulting from the translation process and to pursue the conservation of the paremiological essence, highlighting incongruences deriving therefrom. We have considered the translation from 1969 done by Edgar Papu and Ion Frunzetti and the translation from 2004, by Sorin Mărculescu. Prior to these remarks, we also conducted a paremiological analysis (Pavel Ruxăndoiu, 2003). First of all, we mentioned the situational-generic context, that is, we pointed out what exactly generated the evocation of the proverb, which character used it and when. Secondly, we specified the functional context, namely, a pragmatic perspective at the level of speech, and finally, we examined the composition, from lexical, grammatical and stylistic points of view. The research was only confined to the proverbs whose central figure is the woman and since they synthesize every aspect of the life of a community, its fundamental attitudes, its relations with the world (Avram, 2011: 3), the role or status of women in the society of the time can be depicted in the proverbs about women used by Cervantes.

9

A Composition of Fuzzy Sets

88%

Levin V. I.

Studia Humana

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2015

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vol. 4

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issue 4

39-46

EN

A new operation on fuzzy sets - the r-composition of n-sets - is introduced. The particular cases of this operation are logical conjunction (r = 1) or disjunction (r = n). In the general case (1 < r < n), this operation is purely fuzzy and has no analogs among the operations on fuzzy sets. The operation of r-composition is applied to the solution of control problems under uncertainty.

10

Styl i sztuka pisarska według Bolesława Prusa

88%

BOGOŁĘBSKA B.

Stylistyka

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2013

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vol. 22

65-74

EN

Bolesław Prus’s fascicles and notes on his works from 1886 to 1904 were published 120 years after they had been written. Thanks to it, we can discover Prus’s ideas on style and his art of writing. The author of the paper reviews such concepts as creation, composition, macrostyle and text, form of utterance, stylistic sentence, topics and literary ideas, persuasion strategy and source of inspiration, context placement in the aspect of Prus’s work. In his notes, Prus presented scientific, normative and taxonomic concepts.

11

О некоторых особенностях интернет-поздравлений в различных культурах

88%

ЛАССАН Э.

Stylistyka

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2012

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vol. 21

141-158

EN

Online greetings in Russian, Polish and German are analyzed in this article. The author treats greetings as a speech act that helps the addresser remind the addressee about his warm feelings towards him/her on the basis of a particular occasion - for instance, the birthday of the addressee. The author analyzes this speech act in relation to peculiarities of communicative and mental scenarios of the culture to which the speaker belongs. The entirety o f standard speech acts and the combination o f intentions of the speakers form a genre. The genre o f modem online greetings seems contiguous to folklore genres because most of the texts do not have authors. Moreover, these texts move from one Internet site to another. Therefore, there is a wide circle of ‘implementers’ - users. The author distinguishes some typical characteristics of online greetings in three cultures. The emphasis on the figurę o f the speaker and incantation character are typical to Russian greeting texts. Happmess, health and etemal youth are the key objects o f Russian greetin g texts Russian nreet gs are related to the futurę. German greetings are mainly related to the birthday celebration itself. Greetings are often related to the review of a life: it is wished that this day the addressee has madę surę that he/she has lived this year in the right way. Word courage (Mut) is constantly repeated in German greetings while this word is absent in Russian greetings. The figurę of the speaker is marginally expressed in Polish greetings. The sweetness of life is present in Polish greetings, whereas it is not observed in German and Russian texts. May all your dreams come true is a cliche element o f Polish greeting texts.The author relates detected specific features of online greetings with the ideas ot philosophers and historians on the peculiarities o f the expression of national character.

12

Пространства Марины Цветаевой

88%

Voitekhovich R.

Studia Rossica Posnaniensia

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2021

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vol. 46

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issue 2

27-49

EN

The hallmarks of space in Tsvetaeva’s poetic world are vertical orientation, two-worldness (many-worldness), measurability, and “immensity”, often expressed by asymmetry. Tsvetaeva’s model of the double world is presented both in its pure form and in a multilayer one (the model of “matryoshka” according to Lotman) with a hierarchical vertical correlation of spaces. The vertical sets the plots, stylistics, system of characters, system of time and expectations of the reader. Tsvetaeva is a bright representative of irrational tendencies in art, which manifest themselves against the background of rational ones, through their violation. Thus, The Attempt of a Room (1926) builds on an imaginary effort to present a hexagonal box of a rendezvous, but fails. The last poem I Keep Repeating the First Verse… (1940) is a poetic reaction to the “mistake in counting”: there should be not six but seven souls at the table. In one of her poems, Tsvetaeva calls herself “one who has edited the miracle with numbers”. This formula aphoristically expresses the nature of creativity asfirst intuitive search, and then rational design. The mathematical calculation of the composition of her books is an analogue of the metric-stanzaic “frame” of her lyrics. In the given proportions she often uses a deliberate failure by one unit (for example, in the collection From Two Books she adds one extra poem, which was originally missing in these two books).

13

Dramaturgia muzyczna

88%

Wąchocka E.

Przestrzenie Teorii

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2021

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issue 36

73-91

EN

In her paper, Ewa Wąchocka examines the phenomenon of recent dramatic works becoming increasingly more ‘musical’ and the terminological shift it brought about, i.e. the inclusion of the term ‘musical dramaturgy’ in writing for the stage. The author argues that far from being limited to the sounds of speech and language in general, musicality also encompasses a variety of non-musical sounds, the unravelling of the play’s narrative and the psychological makeup of its characters; it also penetrates deeply into the structure of the text. In the analysis of plays by W. Murek, A. Grzegorzewska, and S. Bogacz, the author demonstrates how essential the inspirations sourced from musical culture are for recent dramatic works: the 20th-century experiments with music, the discovery of how potent sound expression can be, or the most technologically advanced methods of sound reproduction. By presenting the many and varied dramatic strategies, the author shows that contemporary playwrights not only use musicality to represent the sound landscape of the world but, first and foremost, to create the ontology of an internally conflicted world.

14

Ad duo templa precor: Poetry, Astronomy, and the Authorial Persona in Manilius’ Astronomica, I

75%

Komorowska J.

Eirene. Studia Graeca et Latina

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2016

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vol. 52

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issue 1-2

341–355

EN

The contribution analyzes the construction of an authorial persona in the proem of the Astronomica, emphasizing the dual nature of the endeavor itself, as well as the intricacies of the poet’s position with respect to the subject matter of his song. The focus on the proem to Astronomica I allows for a more precise tracing of the techniques and devices employed to acquire the authority and credibility necessary for a didactic enterprise.

15

Ornament a sztuka abstrakcyjna. Florenski, Kandinsky, Malewicz

75%

Sury P.

Estetyka i Krytyka

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2016

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issue 1(40)

85-104

EN

This paper attempts to exhibit similarities between an idea of abstract art by Wassily Kandinsky and Kazmir Malewicz and Pavel Florensky’s theory of ornament. The article is based on Florensky’s book Анализ пространственности и времени в художественно-изобразительных произведениях which hasn’t been translated into Polish yet. It also refers to theoretical works of Russian artists which are revealed above. According to Florensky the ornament is not just a decorative element but it appears as a representation of arrangement and structure of life. This kind of art, in his opinion, was not appreciated by people from art environment, especially abstractionists. Presentation of ideas by Pavel Florensky is the leitmotiv of this paper which appears as an opportunity for Polish receivers to become acquainted with Russian philosopher’s original interpretation of, so called, decorative art. It also leads to the question if decorative art should be included what could be referred to as non representational art.

16

Деякі аспекти термінологічної деривації (на основі термінології залізничного транспорту)

75%

Жукова [ZHukova] О. O. h. Т. T.

Studia z Filologii Polskiej i Słowiańskiej

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2019

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vol. 54

EN

Selected Aspects of Terminological Derivation: A Study of Railway Transport TerminologyThis article offers an analysis of patterns of compound term formation in Ukrainian railway transport terminology. The study identifies different types of derivatives according to the nature of syntactic relations between their elements, parts of speech to which they belong, and structural composition. It also provides an outline of productive derivational patterns of such compounds.Wybrane aspekty derywacji terminów na przykładzie terminologii z dziedziny transportu kolejowegoArtykuł przedstawia analizę modeli formowania terminów złożonych na przykładzie ukraińskiej terminologii z dziedziny transportu kolejowego. Autorka klasyfikuje omawiane przykłady pod względem relacji syntaktycznych pomiędzy ich elementami, przynależności elementów do określonych części mowy i kompozycji strukturalnej oraz przedstawia zarys modeli derywacyjnych terminów złożonych.

17

Abelian mereology

75%

Cotnoir A. J.

Logic and Logical Philosophy

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2015

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vol. 24

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issue 4 Mereology and Beyond

429-447

EN

In classical extensional mereology, composition is idempotent: if x is part of y, then the sum of x and y is identical to y. In this paper, I provide a systematic and coherent formal mereology for which idempotence fails. I first discuss a number of purported counterexamples to idempotence that have been put forward in the literature. I then discuss two recent attempts at sketching non-idempotent formal mereology due to Karen Bennett and Kit Fine. I argue that these attempts are incomplete, however, and there are many open issues left unresolved. I then construct a class of models of a non-idempotent mereology using multiset theory, consider their algebraic structure, and show how these models can shed light on the open issues left from the previous approaches.

18

Tekst Unii lubelskiej jako dokument epoki

75%

Dubisz S.

Poradnik Językowy

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2020

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vol. 779

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issue 10

31-43

EN

The union concluded at the Sejm meeting held in Lublin in 1569 established common institutions of the Kingdom of Poland and the Grand Duchy of Lithuania, thus creating the Polish-Lithuanian Commonwealth, which survived until 1795. Apart from the ruler elected jointly by the nobility of both countries, it established the common Sejm, foreign and defence policies, and the common coin. The army, treasury, legal systems, administration, and judiciary remained separate. From the philological point of view, the following markers are substantial for characterising the Union of Lublin act: the Polish language of the text and its stylistic affi nity, diversity of the forms of the names of the document signatories, text composition and its offi cial and rhetoric style markers determining its informative and persuasive functions.

19

Z badań nad językiem i kompozycją Księgi Koheleta

75%

Filipiak M.

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1970

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vol. 17

|

issue 1

23-30

PL

Die Spezifik des hebr. Textes des Koh. wird verschieden erklärt: Koh. Soll eine Übersetzung aus dem Aramäischen sein oder auf ihn hätte die griechische Forschungsmethode und schliesslich die kananäisch-fönizische Literatur einen Einfluss ausgeübt. Die letzte Meinung ist sehr wahrscheinlich. Es gibt auch zwei Äusserungen über die Koh-Komposition: einige Forscher meinen, dass es in Koh. keinen Leitgedanken gibt, die anderen sehen im ganzen Koh. eine einheitliche stilistische Struktur. Die neuesten Sprach- und Problematikforschungen zeigen, dass im Lichte der altorientalischen Parallelen die zweite Meinung wahrscheinlicher sei.

20

Ethical Problems in the Drama Duck Hunting by Alexandr Vampilov

75%

Siwek B.

Slavia Orientalis

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2021

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vol. LXX

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issue 1

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