Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 1 Język a Kultura

Years help

  1. 1 2014

Authors help

  1. 1 Gregori A.

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  contemporary popular music
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Perswazja i dyskurs Zła we współczesnej muzyce popularnej na przykładach Rolling Stones i Extremoduro

100%
Gregori A.
Język a Kultura
|
2014
|
vol. 24
253 - 270
EN
Dealing with discourses produced in contemporary popular music, it is usual in contemporary youth’s imaginary to find rock considered as metonymic with authenticity, remaining as a movement an outstanding extension of Romanticism. Then, when drawing out its motifs from Satanism, successful rock lyrics need a rhetorical stylization in order to construct persuading songs beyond traditional morals. The main goal of this article is to analyze and compare this kind of stylization in the Rolling Stones’ Sympathy for the Devil and Jesucristo García, written by the Spanish band Extremoduro, taking them both as examples of popularized dramatic monologues that present the topic of attraction of Evil performed by devilish figures.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.