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Shamballa - A short essay on the relationship between the city, the world and the expansion of consciousness.

100%
Crimi D. C.
Academicus. International Scientific Journal
|
2020
|
issue 22
141-154
EN
Starting from the images of the myth of the city of Shamballa, this essay intends to examine its sources and above all the power of vision which, by combining different exegetical lines, ends up assuming complete existential indifference with respect to the traditions of extraction. From this change of perspective derives a different vision of reality, a “today” gifted by instantaneous knowledge and simultaneous communication have become realities that prove more advanced than our actual progress in terms of awareness. The city manifests itself in this light in its ontological component, as a breeding ground for souls. This function, so simple and intuitive, is however far from being realized, so much so that we have to declare that we need an intellectual awakening, a liberation from oppression, both of religions and capitalism, that the ecological symptoms make us understand more and more clearly as a condition that can no longer be postponed and for which a spiritual and non-violent struggle must be fought, the only one that can lead to an effective and lasting expansion of consciousness, such as to assume the density, strength and substance of an idea of cosmopolitan, universal citizenship.
2
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Utopia as the Gift of Ethical Genius: Ernst Cassirer’s Theory of Utopia

80%
Kramer E.
Eidos. A Journal for Philosophy of Culture
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2018
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vol. 2
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issue 1(3)
96–108
EN
In this essay, I explore Cassirer’s brief discussion of utopia in An Essay on Man, as likely built upon Kant’s theory of genius as from the Critique of Judgment. This exploration of Cassirer’s theory of utopia lays the groundwork to argue that a utopia is the dynamic product (work) of the “ethical genius,” a work that advances culture by luring it, via ideal imaginaries, to new realms of possibility for ethical advancement. Utopias have their dangers and limits, but nevertheless have a critical role to play in improving our ethical life.
3
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Kim jest, może i powinien być Europejczyk? Kosmopolakiem? Z Arturem Beckerem* rozmawia Monika Wolting

71%
Wolting M., Becker A.
Transfer. Reception studies
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2019
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vol. 4
263-272
EN
Artur Becker is a Polish-German author living in Germany. He has lived in Germany since 1985. and has written novels, short stories, poems and essays and also works as a translator. Becker was awarded the Adelbert von Chamisso Prize by the Robert Bosch Foundation in 2009, and the DIALOG Prize of the German-Polish Association in 2012.
DE
Artur Becker ist ein seit 1985 in Deutschland lebender polnisch-deutscher Autor. Becker schreibt Romane, Erzählungen, Gedichte und Aufsätze und ist als Übersetzer tätig. Becker wurde 2009 mit dem Adelbert-von-Chamisso-Preis der Robert Bosch Stiftung ausgezeichnet, 2012 erhielt er den DIALOG-Preis der Deutsch-Polnischen Gesellschaft Bundesverband.
PL
Artur Becker, polsko-niemiecki pisarz, prozaik, eseista i tłumacz, zajmuje stanowisko w kluczowych kwestiach trwale obecnych w jego twórczości prozatorskiej i eseistycznej: kraj pochodzenia (Warmia i Mazury), wielokulturowość (transkultura), Kosmopolak, emigracja, literatura polityczna, polskość, niemieckość.
4
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L’hypotypose ou l’image onirique de la mer dans Écailles Alexandrines de Mona Latif-Ghattas

51%
Basta G.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
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2016
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issue 11
287-302
EN
Alexandrian Seashells is a poetic collection of Mona Latif-Ghattas, where we try to study the dream image of the sea; poet recounts her memories of youth, stranded as seashells on the beach. Hypotyposis is the best figure of speech that reflects poetic hallucinated impulses, symbolic elusive relationships or inexpressible feelings. Essentially descriptive, this figure is based on the observation of feelings, sensations or elusive impressions. It transmits the fleeting thoughts by its dynamic appearance. The multiple facets of hypotyposis, spread through the space-time items, include figures attached either to land, desert, beaches or fluid figures that derive their value from the sea. The hypotyposis is able to connect the lived memories with the emotional effect produced by the moment.
FR
Écailles Alexandrines, recueil poétique de Mona Latif-Ghattas, où l’on tente d’étudier l’image onirique de la mer; la poétesse y retrace ses souvenirs de jeunesse, ramassés comme des coquillages échoués sur les plages. L’hypotypose est la meilleure figure qui reflète les élans poétiques hallucinés, les rapports symboliques qui soulignent l’inexprimable. Essentiellement descriptive, elle se fonde sur l’observation des sentiments, des sensations ou des impressions mobiles et changeants. Les multiples facettes de l’hypotypose se répandent à travers les éléments spatiaux, regroupant les figures attachées soit à la terre, au désert, aux plages ou les figures fluides. L’hypotypose tresse les souvenirs vécus avec les états d’âme produits par l’effet du moment.
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