Search results

1

Rozwój zawodowy rzemieślników

100%

Prószyński M.

Polityka Społeczna

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2014

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vol. 41

|

issue 3(480) ROZWÓJ ZAWODOWY W PROCESIE PRACY

56-58

PL

W artykule przedstawiono cechy działalności gospodarczej zaliczanej do rzemiosła oraz strukturę organizacyjną rzemiosła. Przedstawiono specyfikę procesu przygotowania zawodowego w rzemiośle oraz dwa poziomy kwalifikacyjne rzemieślników: czeladnika i mistrza. Przedstawiono drogę edukacyjno-zawodową wiodącą od nauki zawodu w zakładzie rzemieślniczym do poziomu kwalifikacji mistrzowskich.

EN

This article presents of signs economic activity included to of craft and of organization structure craft. This article introduces of specific process vocational prepare in craft and the two of qualification levels of craftsman: journeyman and master. This article introduces education-professional way from learning profession in craft works to master qualification level.

2

Sztuka jako ludzkie uniwersalium: spojrzenie adaptacjonistyczne

88%

Dissanayake E.

Estetyka i Krytyka

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2009

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issue 15-16

247-263

3

Rukodělná výroba v Bulharsku od konce 19. století do současnosti Východní Rodopy. Případ podhorského regionu

88%

Machová B.

Národopisný věstník

|

2013

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vol. 30_(72)

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issue 1

26-43

EN

The paper discusses handicraft production in Bulgaria from the 19th century until now. It uses a model case of the area of Eastern Rhodopes which is located in south-eastern Bulgaria. In the field of handicraft production, Bulgarian ethnology traditionally distinguishes domestic production and specialized craft. More recent literature also characterizes domestic production. However, in the Balkan folk culture, these forms of handicraft production were not strictly separated. The paper focuses on the most important manufacturing sectors which are typical for the region: breeding of silkworms, processing of wool and goat hair, wood, natural netting, coal and pottery. Traditional production has been declining in the territory of today’s Bulgaria with the penetration of European factory products since the 19th century, but in a greater extent since the beginning and mainly mid-20th century with the development of factory production - that means it was relatively later than in our country (particularly with regard to textile production). Until 1960s and 1970s, crafts and homemade manufacturing in the researched region basically disappeared. However, homemade production maintained its importance to this day - even if in a modified form.

4

The Craft of the Late Medieval and Modern Times in the Academic Writings of Maria Bogucka

88%

Grulkowski M.

Acta Poloniae Historica

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2023

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vol. 127

37-56

EN

Maria Bogucka (1929–2020) is one of Poland’s most outstanding representatives of historiography in the period after the Second World War. She dealt with a myriad of areas, such as the history of trade, everyday life, the problem of the position of the bourgeoisie in the social structure of pre-partitioned Poland and various aspects of the history of early modern culture. In the earliest period of her academic career (the 1950s and 1960s), under the guidance of Marian Małowist, she took up the subject of the development of crafts in the late Middle Ages and early modern times, with her research focusing primarily on Gdańsk, the largest city in pre-partition Poland. In her research, she sought to isolate the features of early capitalism in the relations of production of the city’s craftsmen, and she also focused her interest on artisans operating outside the guild system. Bogucka explained the changes in the economic situation in crafts, examining the relationship between this form of production and agricultural production and trade development.

5

Wybrane historycznokulturowe aspekty frazeologii rzemieślniczej

75%

Młynarczyk E.

Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny

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2012

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vol. 11

137-150

EN

The paper is an attempt to describe systematically expressive historical and cultural contents the carriers of which are compounds referring to handicraft. The author took into account only these idiomatic expressions and proverbs that include components in a form of either a name of a craft profession or an adjective derived from the name. The need of comprehensive description of well fixed compounds that come from handicrafts as against recessiveness of a considerable part of them in modern Polish language was also indicated.

6

Pilníkářské řemeslo - technologie rukodělné výroby

75%

Michalička V.

Národopisný věstník

|

2013

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vol. 30_(72)

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issue 1

59-79

EN

File making is a less known branch of smithery, the production of which can be divided into two basic typologically distinct groups - files and rasps. Handmaking of a range of files and rasps included a number of special operations, which led the metal processing sector into becoming a specialized and independent area. The fundamental task of file-making was to create a cutting edge on a prepared forged piece of a file or rasp item. The oldest method was hand crafting which survived from ancient times until the 20th century in almost unchanged form. Independent areas with a strong concentration of file manufacturing were established thanks to some specific conditions. In the Svratka region, a significant part of archaic technologies referring deep into the past of file manufacturing all the way to the 1950s was preserved due to the prosperity of file making.

7

Pilníkářské řemeslo - technologie rukodělné výroby

75%

Michalička V.

Národopisný věstník

|

2013

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vol. 30_(72)

|

issue 2

70-77

EN

Equipment of file manufacturing handicraft workshops. The traditional handicraft form of file manufacturing required the creation of aspecific workshop environment. The disposition breakdown of file workshops was not too complicated and it reminded of a smithery in many aspects. File making required highly specialized tools focused on forging and grinding of items, cutting of blades, annealing and tempering. With the narrow specialization, small home-based workshops were established in the Svratka region, in which craftsmen and home-based workmen attended to partial tasks. A strong professional layer of residents also brought the professional language of file makers to the countryside. It did not disappear until the second half of the 20th century. The traditional handicraft manufacturing in the Svratka region disappeared quickly in early 1950s. Hand crafting file makers either entirely ceased their activities or moved on to factories in Jihlava and Hlinsko.

8

Materiały z dwóch najstarszych ksiąg miejskich do dziejów garncarzy i Wzgórza Garncarskiego w Zgorzelcu w XIV w.

75%

Fokt K.

Śląski Kwartalnik Historyczny Sobótka

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2019

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vol. 74

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issue 1

81-100

EN

In the article, contents of two oldest city register books of the town of Zgorzelec related to Wzgórze Garncarskie [Potter Hill] were listed and briefly commented.

9

Kompetencje pracowników młodocianych kończących naukę w Rzemieślniczej Szkole Zawodowej – raport z badań

75%

BOBEK M.

Edukacja-Technika-Informatyka

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2018

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vol. 9

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issue 4

282-287

PL

W artykule przedstawiono analizę z badań nad stanem kompetencji pracowników młodocianych kończących naukę zwodu w warunkach rzemiosła. Zaprezentowano wybrane ustalenia terminologiczne. Dokonano oceny umiejętności, które są potrzebne do realizacji zadań w wyuczonym zawodzie. Przedstawiono, jak rzemieślnicza szkoła zawodowa jako środowisko wpływa na kształcenie kompetencji.

EN

This article presents the analysis related to the research about the competencesof youth workers finishing the education/professional training in craft. It provides selected definitions of the competences. The skills that are needed to carry out tasks in their profession have been assessed. It is discussed how a professional vocational school as an environment influences the development of the competences.

10

„Zrób to sam/Do it yourself”. Nowe oblicza rzemiosła i rękodzieła w kulturze współczesnej

75%

Orszulak-Dudkowska K., Uniwersytet Łódzki I. E. i. A. K.

Zeszyty Wiejskie

|

2016

|

vol. 22

EN

The article presents the “do it yourself” (DIY) phenomenon which is popular in culture nowadays. It constitutes a distinctly noticeable sign of the return to craftwork based on manual work. The author treats this phenomenon as a modern continuation of old handicraft and craft traditions, while at the same time she notices its new functions and socio-cultural meanings. The author recalls historical contexts of the “do it yourself” philosophy in the culture of the West, as well as in native cultural traditions; she also presents current examples of activities of this kind, taken from websites and internet blogs. In the author’s view, the DIY phenomenon is situated in the circle of current trends of design, it is an expression of the criticism of consumerist society and is an ecological attitude towards the natural environment. It also remains strongly connected with the outlook of the involved people and social groups, as well as constituting evidence of people’s creative involvement in their relations with the material world.

11

Językowa kreacja rzemiosł i rzemieślników w powieści Wiesława Myśliwskiego Ostatnie rozdanie

75%

Janicka-Szyszko R.

Język. Religia. Tożsamość

|

2017

|

issue 2(16)

169-186

EN

The article attempts to analyse and evaluate the linguistic creation of the craftsmen world with special consideration to the craft terms and vocabulary present in Wiesław Myśliwski’s novel Ostatnie rozdanie. In order to create the world of crafts, the author uses crafts general vocabulary as well as terminology characteristic of sewing, shoemaking and carpentry. The analysis of the examined vocabulary points to the richness and functionality of the terminology used, which served the writer in recreating with utmost precision the world of crafts (customs, tools they used, materials and craft products). By using craft terminology W. Myśliwski pictures the process of disappearance of traditional crafts in the times of Polish People’s Republic and simultaneously points out the reasons which led to the rebirth of craft community today.

12

Vincenz Janke (1769–1838), malíř na pomezí „vysokého“ umění a zlidovělé produkce

63%

Kafka L.

Český lid: etnologický časopis (Český lid: Ethnological journal)

|

2018

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vol. 105

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issue 2

219-240

EN

This paper focuses on the work of a North-Bohemian painter, Vincenz Janke (1769–1838). While active, this author belonged among the most important representatives of craft painting on glass. His importance is evidenced by a collection of over 200 extant pieces which can be directly attributed to V. Janke or a family workshop operating in today’s Nový Bor, which was run by him in the first third of the 19th century. The painter’s work is exceptional due to its undoubtable artistic and drawing qualities which derive from high art. However, it also bears discernable features coincident with those of mass-produced goods destined for wide popular classes (e.g. thematic selection, production in series, contours favoured over painting). According to a widespread thesis, folk painting on glass originates in the artistic expression of professionally trained painters who were primarily oriented on a bourgeois customer base. Based on the analysis of extant work, it may be claimed that the production of authors such as Vincenz Janke represents the imaginary link between “high” and folk artistic expression.

CS

Podle obecně přijímané teze byl jedním z genetických východisek zlidovělé malby na skle malířský projev řemeslně vyučených malířů, kteří se primárně orientovali na měšťanské odběratelské zázemí. Příspěvek se věnuje tvorbě severočeského malíře Vincenze Jankeho (1769–1838), jenž byl naším nejvýznamnějším představitelem řemeslné malby na skle sklonku 18. a první třetiny 19. století. Vychází z rozboru více než 210 dochovaných exemplářů, které se dají připsat tomuto malíři a rodinné dílně, která působila v dnešním Novém Boru. Malířova produkce se vyznačuje nespornými výtvarnými a kresebnými kvalitami, které vycházejí ze slohového umění. Jsou v ní však patrné rovněž shodné rysy s hromadně vyráběným zbožím pro nejširší lidové vrstvy (např. tematický rejstřík, sériovost výroby, kontury prosazující se na úkor malby). Na základě výzkumu lze konstatovat, že tvorba autorů, jako byl Vincenz Janke, skutečně představuje pomyslnou spojnici mezi „vysokým“ a lidovým výtvarným projevem.

13

PECULIARITIES OF JOURNALISM EDUCATION IN THE USA AND CANADA: THE WAY FROM CRAFT TO PROFESSION

63%

Hrytsko K.

Педагогічні науки: теорія, історія, інноваційні технології

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2016

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issue 5(59)

12-18

EN

The article dwells upon the stages of journalism education development in the USA and Canada. It traces back the history of the first journalism schools and how the profession of a journalist emerges at the university level. The article also describes attempts to launch educational programs for printers and publishers and explains the most significant reasons for the failure of this experiment: the first one is because of the lack of funding and another one is the contradictory attitude of professional community toward the idea of journalism education. The main part is focused on the features of journalism education in the USA. It informs about the first well known journalism school at the University of Missouri in 1908 and various theories of American scholars concerning journalism. It is necessary to emphasize the fact that the emergence of Bachelor, Master and Ph. Degrees in the USA universities played a key role in journalism education. The article also shows the ways how journalism moves from craft to profession and difficulties which it faces up. In contrast to the USA, the article provides the specific peculiarities of journalism education in Canada. It is determined that Canada takes the Anglo-American tradition of journalism but it also has some distinguished features. It is found out that the journalism education was developed much more slowly by comparison to the USA. Besides differences some similarities are defined: like in the USA there are the stages of moving journalism from craft to profession, some drawbacks in working out curricula, lacking of funding etc. Another fact typical for both is based on the lack of establishment of vocational journalism trainings and courses which will give more chances to obtain professional knowledge, skills and qualifications. It was pointed out that the tendencies in higher education reforming of Canada and the USA are distinguished including higher education on a large scale; increased requirements for quality education and active participation in the improvement of curriculum. Taking into account the information said above, it is found out that social changes which occur in both countries influence the journalism education and need to be further researched.

14

The Art and Craft Divide – on the Exigency of Margins

63%

Ługowska A.

Art Inquiry. Recherches sur les arts

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2014

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vol. XVI (XXV)

285-296

EN

The subject of the art/craft distinction continues to occupy a marginalized position in the history of modern and contemporary art and remains almost invisible as an object of critical inquiry. The marginalization of craft will be pointed out here, yet the article does not aim at a unilateral defense of craft as art, since reversing the hierarchy of art and craft or dismissing it outright seems to be a mistake. Rather, it will focus on the changing dynamics of the hierarchy of art and craft and will present the marginalization of craft as an illuminating example of power and authority at work in the art world. The article aims to show how craft – typically marginalized or even invisible as a force shaping the art scene under modernism – was implicitly central to modernism’s constitution and has explicitly become one of the most prolific spheres of artistic activity today. The article primarily aims to present the moment of the emergence and perpetuation of the historical distinction between art and craft. Then, it goes on to shed some critical light on one particular medium that was traditionally associated with craft, namely fiber and the way this material was showcased in American art in the 1960s and 1970s. The article demonstrates how three different groups of artists negotiated the boundaries between art and craft. Finally, it goes on to present how contemporary artists embrace craft and how craft continues to act as a touchstone of what is designated as art, aesthetics, their centers and margins.

PL

Rozważania dotyczące relacji pomiędzy sztuką a rzemiosłem nie są często podejmowane przez historyków sztuki, estetyków czy filozofów. Z tego względu nadrzędnym celem artykułu jest ukazanie historycznej marginalizacji rzemiosła. Nie ucieka się on jednak do jednostronnej obrony rzemiosła jako prawowicie należącego do dziedziny sztuk pięknych, a raczej ukazuje zmienną dynamikę konstruowanych hierarchii oraz przedstawia marginalizację rzemiosła jako przykład działania władzy i autorytetu w świecie sztuki. Artykuł, ukazując szersze tło relacji pomiędzy sztuką a rzemiosłem, opisuje związki istniejące pomiędzy sztuką a rzemiosłem w latach sześćdziesiątych i siedemdziesiątych XX wieku w Stanach Zjednoczonych. Praca analizuje trzy odmienne grupy artystów tworzących w tym czasie prace z filcu i w efekcie trzy odmienne sposoby rozumienia relacji sztuka–rzemiosło będące rezultatem marginalizacji rze-miosła. Ostatnia część artykułu ukazuje liczne punkty przecięcia istniejące pomiędzy rzemio-słem a współczesnymi praktykami artystycznymi. Ich analiza umożliwia rewizję naszych po-glądów dotyczących tego, co uważamy za sztukę, estetykę, ich centrum oraz marginesy.

15

Traje de luces: The Daub, the Art, or the Craft?

63%

Ziółkowska-Kuflińska M.

Kultura i Edukacja

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2015

|

issue 4 (110)

103-114

EN

Corrida the toros is considered a symbol of Spain. Corrida as a spectacle similar to a theatre spectacle is subject to rules. All elements of the spectacle, stages as well as tools used during corrida fall under strict rules, the same applies to the costumes worn by “actors” taking part in the corrida. Traje de luces – a lucent costume, which next to the bull itself is regarded as the most recognisable symbol of corrida. Matador’s outfit is considered as a piece of art by ones, others will see it as a ostentatious costume. What is it in reality? The answer to this question is not easy and obvious. The delicate handwork and fivestar materials position the costume of the matador as a work of art; however, garish colouring and exaggerated embellishments seem rather gaudy. Traje de luces should be always considered in a wider context, because only in that case its symbolism and meaning can be actually interpreted. Outside the corrida de toros the bright costume of the matador is only a colourful outfit, however in its natural environment, that is on the arena, it gains a completely different meaning. In this article, I will introduce various points of view on the topic.

16

Demograficzny i gospodarczy potencjał małych miast południowej Polski od końca XVI do początku XIX wieku

63%

Miodunka P.

Roczniki Dziejów Społecznych i Gospodarczych

|

2017

|

vol. 78

PL

Artykuł prezentuje nowe spojrzenie na wybrane aspekty funkcjonowania małych miast w przedrozbiorowej Polsce w kontekście domniemanych procesów agraryzacji. Na przykładzie południowej Małopolski (od 1772 r. zachodniej części Galicji) analizuje dotychczas wykorzystywane, ale i nowe źródła, np. księgi metrykalne, umożliwiające oszacowanie wielkości zaludnienia małych miast. Szeroka gama źródeł, głównie lokalnej proweniencji, została wykorzystana do ustalenia wagi podstawowych typów aktywności gospodarczej podejmowanej przez mieszczan, czyli rolnictwa, rzemiosła i handlu. Artykuł zamykają rozważania na temat roli wieku XIX dla sytuacji demograficzno-gospodarczej małych miast południowej Małopolski. Demographic and economic potential of small towns in southern Poland from the end of the sixteenth to the early nineteenth centuryThe article captures some aspects of functioning of small towns in the pre-partitioned Poland in the context of alleged processes of agrarisation of towns. On the example of southern Poland (from 1772 on, the western part of Galicia) it analyses historical sources, both already used and new ones, such as parish registers which make it possible to estimate the population of small towns. A broad array of sources, mainly of local provenance, was used to establish the value of basic types of economic activities undertaken by townsmen, i.e. farming, crafting, and trading. The article closes with the reflections on the role played by the nineteenth century in the demographic and economic situation of towns in southern Lesser Poland (Małopolska).

17

Definicje terminów rzemieślniczych w internetowych słownikach haseł krzyżówkowych. Część 1. Nazwy wykonawców czynności

63%

Janicka-Szyszko R.

Język. Religia. Tożsamość

|

2016

|

issue 1(13)

55-67

EN

The article attempts to analyse the definitions of crossword entries belonging to the craft terminology, which have been registered in two internet lexicons. 7 names of craft in wood activity performers have been recorded, for which 75 crossword definitions have been allocated. The analysis of crossword terms allows to formulate conclusions concerning both the structure of the given definitions and the way craftsmen are perceived by language users. The definitions are formulated in several ways and the building material of most of them is the vocabulary belonging to the general Polish language. Technical terms, colloquial vocabulary and figurative word meanings are also used. The terms from crossword entries create the image of handicraftsmen in wood as esteemed professionals, skilled craftsmen, who know how to make unique custom made products.

18

Definicje terminów rzemieślniczych w internetowych słownikach haseł krzyżówkowych. Część 2. Nazwy ogólnorzemieślnicze

63%

Janicka-Szyszko R.

Język. Religia. Tożsamość

|

2017

|

issue 1(15)

103-118

EN

The article attempts to analyse the definitions of crossword entries belonging to the craft terminology, which have been registered in two internet lexicons. For 7 names of craftsmanship customs performers there have been allocated 97 crossword definitions The analysis of crossword terms allowed to formulate conclusions concerning both the structure of the given definitions and the way craftsmen are perceived by language users. The definitions are formulated in several ways and the base of the formed words is the vocabulary belonging to the general Polish language, with rare usage of colloquial vocabulary and local dialect. The semantic analysis of the gathered crosswords definitions enables the reconstruction of the positive image of both: craftsmanship and craftsmen. It also shows the way the crosswords authors interpret the before mentioned part of the reality.

19

"A co tam kogo obchodziło, gdzie on szedł i co z niego robili". Kamienie Suwalszczyzny

51%

Cobel-Tokarska M.

Studia Regionalne i Lokalne

|

2013

|

issue 1(51)

107-124

PL

Głównym celem artykułu jest przedstawienie znaczeń i sensów wiązanych w różnych dyskursach z kamieniami Suwalszczyzny. Kamień to wszechobecny element suwalskiego pejzażu, postrzegany przez turystów i innych przybyszy z zewnątrz jako jego wyjątkowy wyróżnik. Autorka próbuje sprawdzić, czy ta wyjątkowość znajduje odzwierciedlenie w sposobie myślenia mieszkańców, czy postrzegają „swoje” kamienie pozytywnie, czy negatywnie? Druga część artykułu dotyczy wizerunku regionu prezentowanego w różnego rodzaju opracowaniach, na stronach internetowych i w innych publikacjach. Porównanie tych dwóch dyskursów – codziennego i odświętnego (skierowanego celowo na zewnątrz) pozwala pełniej rozpoznać miejsce, jakie zajmują kamienie w obrazie Suwalszczyzny.

EN

The main objective of this article is to present the way in which people from the Suwalki region perceive their coexistence with rocks, which are ubiquitous in the region and constitute a kind of its trademark. The first question is: how do local people perceive rocks, and how do they assess their presence? The second important question is how the rocks ft into the image of the region, created and distributed as a tourism product? Does their history contribute to the mysteriousness of the region which permeates touristic narratives?

20

Dual Vocational Education in the Context of Human Capital Management in Crafts

51%

Goroszkiewicz M.

Zoon Politikon

|

2019

|

issue 10

75-101

EN

The article is an attempt to determine the area of research related to the importance of dual vocational training of adolescents in the process of human capital management in craft enterprises. Craft companies belong to the category of SME’s. People management model in SME’s is different from the popular models of management knowing from large organizations. The subject of my considerations – craft enterprises, are characterized by a characteristic element in the process of managing people – the stage of dual vocational education of adolescent. I make a goal of my work to diagnose significance of dual education of adolescent for HRM in Polish craft companies.

Refine search results

Rozwój zawodowy rzemieślników

Sztuka jako ludzkie uniwersalium: spojrzenie adaptacjonistyczne

Rukodělná výroba v Bulharsku od konce 19. století do současnosti Východní Rodopy. Případ podhorského regionu

The Craft of the Late Medieval and Modern Times in the Academic Writings of Maria Bogucka

Wybrane historycznokulturowe aspekty frazeologii rzemieślniczej

Pilníkářské řemeslo - technologie rukodělné výroby

Pilníkářské řemeslo - technologie rukodělné výroby

Materiały z dwóch najstarszych ksiąg miejskich do dziejów garncarzy i Wzgórza Garncarskiego w Zgorzelcu w XIV w.

Kompetencje pracowników młodocianych kończących naukę w Rzemieślniczej Szkole Zawodowej – raport z badań

„Zrób to sam/Do it yourself”. Nowe oblicza rzemiosła i rękodzieła w kulturze współczesnej

Językowa kreacja rzemiosł i rzemieślników w powieści Wiesława Myśliwskiego Ostatnie rozdanie

Vincenz Janke (1769–1838), malíř na pomezí „vysokého“ umění a zlidovělé produkce

PECULIARITIES OF JOURNALISM EDUCATION IN THE USA AND CANADA: THE WAY FROM CRAFT TO PROFESSION

The Art and Craft Divide – on the Exigency of Margins

Traje de luces: The Daub, the Art, or the Craft?

Demograficzny i gospodarczy potencjał małych miast południowej Polski od końca XVI do początku XIX wieku

Definicje terminów rzemieślniczych w internetowych słownikach haseł krzyżówkowych. Część 1. Nazwy wykonawców czynności

Definicje terminów rzemieślniczych w internetowych słownikach haseł krzyżówkowych. Część 2. Nazwy ogólnorzemieślnicze

"A co tam kogo obchodziło, gdzie on szedł i co z niego robili". Kamienie Suwalszczyzny

Dual Vocational Education in the Context of Human Capital Management in Crafts