Search results - CEJSH

1

Znaczenie personalistycznej krytyki artystycznej w poszukiwaniu sensu sztuki

100%

Winnicka-Gburek J.

Estetyka i Krytyka

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2011

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issue 2(21)

167-178

EN

I perceive the art criticism as the philosophical reflection on art. It is possible to ask question about the sense of art only on the basis of philosophy including, among others, peronalism. In this text, the concept of Tymon Terlecki’s personalistic criticism based on Emmanuel Mounier’s philosophy is analyzed to assess the usefulness of its main assumptions and design a model of the contemporary artistic critic. The analysis of such concepts as person, personal movement, freedom, transcendence, symbol and view leads to the conclusion that a critic personalist is not supposed to be satisfied only with deciphering the sense of art. However, s/he is to extend the scope of her/his reflection with the context of the work’s potential impact on an artist and a viewer.

2

Problem stylizacji w tłumaczeniu dzieł Witolda Gombrowicza. Przegląd badań nad angielskimi i włoskimi przekładami

100%

Salmeri C.

Między Oryginałem a Przekładem

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2015

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vol. 30

139-152

EN

This research study deals with an area which has largely escaped the attention of researchers so far, i.e. linguistic equivalence and the limits to the translatability of Gombrowicz’s convoluted style, an effective deterrent for other translators. This article investigates the English and Italian translations of various works of Gombrowicz. Particular attention must be paid to the way in which translators have rendered the Polish original, and above all to the vocabulary, phrasing and structure of the language used by Gombrowicz in the Italian and English languages.

3

Wielokulturowa przyszłość Polski wobec krytyki polityki wielokulturowości

100%

Skoczylas Ł.

Przegląd Zachodni

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2013

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issue 3(348)

47-63

EN

The article characterizes seven sources of the criticism of the policy of multiculturalism in the context of the recently voiced opinions of the western European political leaders. The described sources of criticism are: the financial crisis and the need to reduce the social spending, the pessimistic visions of the future of the European culture, the globalization, the increasing number of the immigrants and their descendants, understanding the multiculturalism as an unification rather than co-existence of different cultures, the decreasing impact of the historical and political events that were an inspiration to the politics of multiculturalism and finally the still high unemployment rate among the immigrants and their descendants.

4

Critical paradigm of the Nazi legacy in the Federal Republic of Germany

100%

Jartyś J., Zamana J.

Reality of Politics

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2017

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issue 8

154-175

EN

The objective of this article is to present a critical analysis of selected elements of Nazi legacy in the Federal Republic of Germany (Deutsche Bundesrepublik, BRD). The remnants of the Nazi system have been tolerated, and even sheltered by the authorities of West Germany in almost all aspects of life. A question arises, then, about the effectiveness of the denazification after the Second World War and about a change in mentality in German society, as it should be noted that some elements of Nazi legacy were abandoned only in the 21st century, and therefore the Federal Republic of Germany has not managed to fully make reparations to the victims of Nazism. This article also discusses the fact that in a post-totalitarian state it is extremely difficult to find ‘pristine’ biographies, considering the number of former members of NSDAP who filled important offices in the BRD.

5

Die langsame Entstehung eines wissenschaftlichen Diskurses über Kunst und Literatur um 1800 im Licht des Briefwechsels zwischen Goethe und Schiller (1798–1805)

88%

Abraham B.

Germanica Wratislaviensia

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2016

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vol. 141

31-44

DE

Aus der Begegnung zwischen Goethe und Schiller im Juli 1794 in Jena wird eine tiefe Freundschaft, die sich durch einen intensiven Briefwechsel bis zum frühzeitigen Tod Schillers im Jahre 1805 nähren wird. Dieser formal klassische Briefwechsel, der dem Brief öfters einen kritischen Freiraum verleiht oder ihm die Funktion eines Labors des künstlerischen oder literarischen Schaffens gibt, zeichnet sich durch Originalität am Übergang vom 18. zum 19. Jahrhundert aus, übt Kritik am Dualismus und öffnet die Perspektiven hinsichtlich einer Versöhnung zwischen bis dahin getrennten Denkgebieten. Die Originalität in den Briefen zeigt sich am Vorschlag, die Wissenschaften und die Literatur nicht mehr einander entgegenzustellen, sondern sie zu artikulieren und somit die Möglichkeit eines wissenschaftlichen Diskurses über das literarische Werk in Betracht zu ziehen.

EN

Following their meeting in Iena in July 1794, Goethe and Schiller developed a strong friendship and kept up intense correspondence until Schiller’s premature death in 1805. This exchange of letters opens up the space for a critical debate and confers upon the letter the status of a laboratory for artistic and literary creation. The correspondence also encodes one of the more original aspects of the late 18th- to early 19th-century thought: a critique of dualism which leads to the perspective of a reconciliation between science and literature, fields of thought hitherto kept separate. Articulating rather than opposing these fields, Goethe and Schiller conceive of the possibility of holding a scientific discourse on literature.

6

Kritik, Kritisieren vs. Rezensieren aus der Perspektive eines Sprachwissenschaftlers

88%

Krauz M.

tekst i dyskurs - text und diskurs

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2018

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issue 11

103–116

EN

By analysing the meaning and the use of terms criticism and review criticizing and reviewing theauthor discusses similarities and di erences between the notions mentioned in the title. Starting with the sense of the verb to criticize the emphasis is placed on the di erence between lite- rary criticism and criticizing as the negatively assessing speech act. Taking into account linguistic means used in critical texts, the author discusses types of review and their constitutive features, and de nes reviewing as linguistic activity. An attempt is also made at answering the question whether considering the critic and criticisms to be dead is not premature.

7

Dominique Fernandez: Psychobiographical Criticism or Psychobiographical Fiction?

88%

Jișa S.

Lublin Studies in Modern Languages and Literature

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2016

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vol. 40

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issue 2

DE

Der Band enthält die Abstracts ausschließlich in englischer Sprache.

EN

Dominique Fernandez is the author of a method of analysis for artists and their works that he calls “psychobiography”. It establishes parallels between the analysis of works and events in the life of an artist, insisting on the identification of a childhood trauma that left an indelible mark on the style of the artist. In this article we show how he applies this method in his biographical novels: La course à l’abîme, Tribunal d’honneur and Dans la main de l’ange. We analyze the way in which biographemes are reconstituted in order to give a coherent vision of the biographee. We emphasize the thin line that separates reality from fiction, or biography from novel.

FR

Le numéro contient uniquement les résumés en anglais.

RU

Том не содержит аннотаций на английском языке.

8

Aksjologiczny zamęt wyzwaniem dla współczesnego człowieka

88%

Kmiecikowski W.

Kultura-Społeczeństwo-Edukacja

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2018

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vol. 13

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issue 1

71-82

EN

The article presents the category of axiological confusion understood as an important trait of reality that can be experimentally experienced by a modern man. The man is losing the ability not only to appropriately grasp one’s own human nature and the essence of the moral good, but also the ability of cognitive opening oneself to the intelligibility of being. A modern homo sapiens neutralises the need to seek the truth. After all, the truth ceases to be both a transcendental property of being and a superior value that is the very foundation of a rational discourse on the philosophical imponderabilia.

9

Ksenofanes z Kolofonu i greckie źródła problemu poznania

88%

Kubok D.

Analiza i Egzystencja. Czasopismo Filozoficzne

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2013

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issue nr 23

5-24

EN

Criticism is nowadays broadly defined firstly, as a cognitive attitude consisting in investigation of rightness of one’s beliefs and considering true only those statements which are substantiated. Secondly, it is a cognitive attitude opposed to dogmatism (e.g. skepticism understood not as negative dogmatism but as zeteticism and ephecticism), which allows the possibility of changing one’s opinion as a result of occurrence of new facts or theories. Cosmological-ontological interpretation of early Greek philosophy, which is currently dominant, may be complemented (or even overcome) by a critical one. The article presents elements of Xenophanes’ philosophy (especially Xenophanes’ theological fragments) in the light of the problem concerning the historical origins of philosophical criticism. In this paper I try to recognize Xenophanes’ theological fragments not as a positive theology, but rather as an attempt to construct a dialectical metaphor (like in case of Gadamer’s interpretations of Plato’s polis), which has emphasized the epistemological assumptions of his philosophy.

10

"Moci už nechtít." K Schopenhauerově kritice Kanta

88%

Sikora O.

Filosofický časopis (Philosophical Journal)

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2022

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vol. 70

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issue 1

23-41

EN

The aim of the paper is to provide an interpretation of Schopenhauer’s criticism of Kantian philosophy in its three pivotal areas: the notion of metaphysics, the basics of epistemology and ethical theory. The study shows the grounding of this criticism in the rehabilitation of the world in its immediate givenness. The next point of discussion is an analogy of Schopenhauer’s ethics in relation to Kant, its inner contradiction related to the concepts of compassion and resignation, as well as their inspiring character.

CS

Stať interpretuje hlavní body Schopenhauerovy kritiky Kantovy filosofie: koncept metafyziky, východiska teorie poznání a rozvrh etiky. Jejich společným jmenovatelem je rehabilitace bezprostředně daného světa, „v němž žijeme a jsme“. Spolu s tím se ukazuje jednak analogie Schopenhauerova projektu metafyziky vůle ke Kantově metafyzice autonomie, za druhé jeho rozporuplnost, projevující se zejména v motivech soucitu a rezignace, a nakonec inspirativní význam těchto motivů.

11

Krytyka filozofii Józefa Bańki

88%

Skorupka A.

Kwartalnik Filozoficzny

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2020

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vol. 48

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issue 3

125-136

EN

The article presents a criticism of the philosophy of Józef Bańka (1934-2019) and five charges against it concern: the idea of recentivism, the idea of simple-mindedness, a complicated language, excessive criticism of technical civilization and philosophy of civilizations. This does not mean that this philosophy is worthless, but only that, like any philosophy, it has weaknesses.

12

88%

Hurnikowa E.

|

2016

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vol. 18

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issue 1

9-32

EN

The article is devoted to reception of Austrian literature before the Second World War in Wiadomości Literackie (Literary News). It was the most popular letter, whose aim was to educate society, and popularize foreign literature and culture. The literature that was most often promoted was French literature, but also German-speaking authors (cited in the article) were discussed. Austrian literature was not treated as distinct from German literature during that time but nontheless, the articles presents artists, of Austrian origin: Joseph Roth, Stefan Zweig, Rainer Maria Rilke, Hugo von Hofmannsthal, Arthur Schnitzler, Odon von Horváth, Franz Werfel and others. The article examines interviews with these writers as well as reviews their books and other texts which appeared in Wiadomości Literackie.

18

Zerwania i ślady. O kryzysie krytyki literackiej raz jeszcze (z krakowską szkołą krytyki literackiej w tle)

87%

Muca K.

Poznańskie Studia Polonistyczne. Seria Literacka

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2019

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issue 36

309-326

EN

The article introduces the issue of a crisis of literary criticism in Poland in the 20th and 21st centuries. The crisis is linked to the spheres of culture described by the term literacy (or cultural literacy). One of the reasons for the crisis is the series of ruptures in the tradition of literary criticism. In order to overcome this crisis, it is crucial to relate the ruptured threads of narration on literary criticism. The Krakow school of literary criticism serves here as an example of a rupture between the present and the tradition (or heritage). Another problem analysed in the text is that of establishing a tradition and a school of thought. By verifying some of the elements of the discourse on literary criticism (e.g. Masters, ruptures, traces, melancholic position), some possibilities for overcoming the crisis are being considered.

19

O potrzebie powrotu do źródeł

87%

Kowalczuk U.

Poznańskie Studia Polonistyczne. Seria Literacka

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2015

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issue 26

231-240

EN

The article presents deliberations on the rules of problematisation of the dissertation, introducing critical texts collected in an anthology and a selection thereof. Attention has been paid to the arguments confirming the culture-forming impact of Zarys literatury polskiej z ostatnich lat szesnastu by Piotr Chmielowski, the issues related to the Positivist breakthrough and the related changes in his worldview. Another discussed topic is the criteria and strategies in the 19th century polemics.

20

Сравнительный анализ современных тенденций развития украинской и русской терминографической критики

87%

Петрова Т.

Studia Rossica Posnaniensia

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2020

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vol. 45

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issue 2

EN

Compiling special dictionaries in Ukraine and Russia has its own history, national specifics, significant achievements and groundworks. Terminological dictionaries play an important role – they preserve and transmit the scientific terminology fund from generation to generation, which necessitates a critical examination of each specific publication. Terminographic criticism is an integral, interdisciplinary direction which is formed simultaneously on the basis of scientific criticism and scientific communication combining their features. As a result of the study, it was established that modern Ukrainian and Russian critics in their reviews adhere to the same principles to examine terminological dictionaries: the intention to comprehensively analyse, first of all, definition and translation publications as well as reference dictionaries, regarding the representation of their mega-, macro- and microstructure parameters; determining the national and linguacultural values of branch dictionaries. The potential importance of the practical application of the results lies in improving the theoretical and methodological principles and foundations of compiling terminological dictionaries, as well as their use in the development of new models of special publications, in particular dictionaries of a new type, which will comprehensively present the terminology of a certain field of science.

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