Search results

1

Antropologia antyku greckiego. Zagadnienia i wybór tekstów, red. W. Lengauer, P. Majewski, L. Trzcionkowski, Warszawa 2011

100%

Bednarczuk A.

Rocznik Antropologii Historii

|

2013

|

issue 2(5), Genealogie kultury

329-334

XX

Review article of the book "Antropologia antyku greckiego. Zagadnienia i wybór tekstów", red. W. Lengauer, P. Majewski, L. Trzcionkowski, Warszawa 2011, ss. 737.

2

Wzajemny wizerunek sąsiadów. Metodologiczna propozycja badań kulturoznawczych - Rosjanie w oczach Polaków

100%

Boroch R.

Acta Polono-Ruthenica

|

2006

|

vol. Tom 1 Nr XI

179-190

EN

The research of cultural transmission between Russia and Poland has been carried out since 1990 in wide range of contexts as a) sociological; b) psychological; c) political; d) cultural anthropology; e) religiousness.

3

Antropologia „walczącego środka”. Uwagi na marginesie lektury: Clifford Geertz’s Interpretative Anthropology. Between text, experience and theory

100%

Piasek W.

Rocznik Antropologii Historii

|

2016

|

issue 9, Dziedzictwo kulturowe

317–335

XX

Review: Katarzyna Majbroda, Clifford Geertz’s Interpretative Anthropology. Between text, experience and theory, Frankfurt am Main 2016.

4

„Antropologiczne badania dziedzictwa”. I Kongres Antropologiczny

100%

Klekot E.

Rocznik Antropologii Historii

|

2014

|

issue 1(6), Semiotyka historii

371-375

XX

Report on the proceedings of the cultural heritage section of the 1st Anthropological Congress in Warsaw (October 23-25, 2013).

5

4'33" Dźwięki ciszy

100%

Borchardt M.

ER(R)GO: Teoria – Literatura – Kultura

|

2016

|

issue 33

EN

August 29, 1952, in Maverick Concert Hall, Woodstock: a historic event takes place. The pianist David Tudor closes and opens the piano lid three times, without touching the keyboard itself, during the premiere performance of John Cage’s new composition. This piece, called 4′33″ has been written for a “silent piano.” It is a composition that is NOT to be played! Critics and the audience find he joke poor. Today, depending on the individual point of view, 4′33″ might be interpreted in hundreds of different ways.

PL

29 sierpnia 1952 roku w sali Maverick Concert Hall w Woodstock w stanie Nowy Jork ma miejsce historyczne wydarzenie wielkiej wagi. Podczas premierowego wykonania nowego dzieła Johna Cage’a pianista David Tudor trzykrotnie otwiera i zamka klapę fortepianu ani razu nie dotykając jego klawiatury. Kompozycja zatytułowana „4’33” napisana jest na „milczący fortepian”. To utwór, którego się NIE gra! Dla krytyków i publiczności żart jest kiepski. Dziś, w zależności od indywidualnego punktu widzenia „4’33” można interpretować na setki sposobów.

6

Nienasyceni – o tym, co jedzą bohaterowie (dramatów) Witkacego

80%

Bahneva K.

Postscriptum Polonistyczne

|

2011

|

issue 2(8)

207-223

EN

The article is dedicated to culinary practices in Stanisław Ignacy Witkiewicz's drama. They are considered in relation to the idea of metaphysical insatiability and a “creative hunger” of exceptional individuality. Culinary tastes that dominate in Witkacy's writings are being ana-lysed on the bases of the critical approaches of Lévi Strauss and Barthes as well as Malinow-ski's important works on cultural anthropology (Argonauts of the Western Pacific, 1922; The Sexual Life of Savages in North-Western Melanesia, 1929). The article concentrates also on the works of some well-known representatives of the inter¬ war period (Čapek, Schulz, Kafka) that are relevant to the subject.

7

Zabytki dziedzictwa narodowego a problem stosunku do przeszłości

80%

Klekot E.

Rocznik Antropologii Historii

|

2016

|

issue 9, Dziedzictwo kulturowe

295–300

XX

Reprint: "Konteksty. Polska Sztuka Ludowa", 2004, R. LVIII, nr 3-4, s. 206-208.

8

Sekcja Metodologiczna Polskiego Towarzystwa Ludoznawczego

80%

Majbroda K., Mokrzan M.

Rocznik Antropologii Historii

|

2014

|

issue 1(6), Semiotyka historii

375-377

XX

Report on the activities of the Methodological Section of the Polish Ethnological Society.

9

Antropologia i historia. Symetrie oglądu przeszłości. Kolokwium Sekcji Antropologii Historii PTL w Toruniu

80%

Kowalewski J.

Rocznik Antropologii Historii

|

2014

|

issue 1(6), Semiotyka historii

359–377

XX

Report from the conference "Anthropology and history: Panorama symmetries of the past" (Toruń, November 14-15, 2013).

10

Cultural anthropology of Bronisław Malinowski and reflections on the economic crisis

80%

Szulczewski G.

Annales. Etyka w Życiu Gospodarczym

|

2017

|

vol. 20

|

issue 6

53-67

EN

The paper revisits two theories from the cultural anthropology. The first theory is by Bronisław Malinowski, and the second one by Karl Homann. Malinowski criticizes economism and moralism. I present further stages of this criticism, with special importance placed on the concept of homo oeconomicus. Malinowski demonstrates how moral norms are implemented in primitive cultures by means of magic, cults, customs and rituals and rites. Malinowski also argues for the significance of cultural institutions in stabilizing the functioning of primitive communities. These institutions sheltered the communities from the kind of crises that are also experienced in the present times, thus, giving the older schools of thought in cultural anthropology their deserving place within the contemporary thought.

11

Czy triumf natury nad kulturą? Franz Boas i jego Umysł człowieka pierwotnego w perspektywie historycznej, (Franz Boas, Umysł człowieka pierwotnego)

80%

Drozdowicz J.

Rocznik Antropologii Historii

|

2012

|

issue 2(3)

359–364

XX

A review of Franz Boas' book pt. Umysł człowieka pierwotnego, Wydawnictwo Nomos, Kraków, 2010.

12

Wkład antropologii kulturowej w studia nad niepełnosprawnością

80%

Borowska-Beszta B.

Interdyscyplinarne Konteksty Pedagogiki Specjalnej

|

2016

|

issue 15

15-41

PL

Interdisciplinary studies on disability are conducted in the world by scholars from different disciplines and sub-disciplines, including special education. This article deals with an analysis of the evolution of the concept of disability studies and its’ implementation in anthropology that was narrowed to cultural anthropology, primarily of American roots with references to British social anthropology. The basic question, which I answer from the perspective of the cultural anthropologists, is formulated as follows: why cultural anthropology is important in the disability studies? I give answers in the context of: ontological, epistemological, rhetorical and political issues. Anthropological analyzes are preceded by definitions of disability studies after Stteven aylor, Bonnie Shoultz, Pamela Walker; Colin Barnes; Dan Goodley; Sharon L. Snyder; David T. Mitchell and Ronald J. Berger.

13

Znaczenie recepcji dorobku Bronisława Malinowskiego dla rozważań etyki gospodarczej nad kryzysem finansowo-gospodarczym

80%

Szulczewski G.

Annales. Etyka w Życiu Gospodarczym

|

2011

|

vol. 14

|

issue 1

101-113

EN

The paper presents two theories from the area of cultural anthropology. The first is B. Malinowski, who criticized economism and moralism. I present further stages of this criticism, with special importance placed on the concept of homo oeconomicus. Malinowski also showed how moral norms are implemented in primitive cultures by means of magic, cults, customs and rituals and rites. Another important section is devoted to Malinowski’s analysis of how cultural institutions were important for stable functioning of primitive communities. They sheltered those communities form crisis of the kind that we experience today. The second theory is economical ethics of K. Hofman, one of the newest achievements of German business ethics. So works of cultural anthropology are worth being read again.

14

Displaced Objects and Meanings. A Few Remarks on the Fang Mask, Masawa Canoes and Kachina Dolls

80%

Kisielewski A.

Kultura i Edukacja

|

2018

|

issue 2(120)

97-112

EN

Each of the artefacts mentioned in the title is an exemplification of products of the anthropological “Other”. Each of them comes from a distinct geographical region and represents an entirely different culture. However, all of them have been connected together in the Western culture realia as a result of a particular type of displacements. The first displacement involved their physical migration – first to European museums of natural history and ethnological museums. The next one resulted in their emergence on the market of exotic “oddities” whereas yet another displacement located them within the conceptual framework delimited by the artistic discourse. This last displacement shows that it is very difficult to understand or “translate” one culture into another because the conceptual framework of the “translator” is always determined by their own culture.

15

Fieldwork jako fakt (nie tylko) lekturowy (Teren w antropologii. Praktyka badawcza we współczesnej antropologii kulturowej, red. T. Buliński, M. Kairski)

80%

Majbroda K.

Rocznik Antropologii Historii

|

2012

|

issue 1(2)

349–358

XX

Review of the book "Teren w antropologii. Praktyka badawcza we współczesnej antropologii kulturowej", red. Tarzycjusz Buliński, Mariusz Kairski, Wydawnictwo Naukowe UAM, Poznań 2011, ss. 340.

16

Ku antropologicznej historii współczesności

80%

Kleśta-Nawrocki R., Piasek W.

Rocznik Antropologii Historii

|

2012

|

issue 1(2)

13–18

XX

Introduction to the volume Rocznik Antropologii Historii, in which the relations between contemporary anthropology and contemporary history are discussed. According to the authors, anthropology and history inspired by each other have a special role to play in the reflection on contemporary culture.

17

C. Lévi-Strauss, Wszyscy jesteśmy kanibalami

80%

Piasek W.

Rocznik Antropologii Historii

|

2015

|

issue 8, Antropologia i historia

317–329

XX

A review of Claude Lévi-Strauss's book "We Are All Cannibals".

18

Antropologia historii/historyczna w Polsce. Pojęcia – dziedzictwo – perspektywy.

80%

Barański J., Godlewski G., Jeszke J., Kizik E., Milewska M., Moraczewski K., Pessel W., Radomski A., Rodak P.

Rocznik Antropologii Historii

|

2011

|

issue 1-2

233–269

XX

The text is a record of answers to questions posed to leading representatives of Polish humanities related to cultural anthropology and history. The questions were as follows: 1. What do you think is the anthropology of history / historical anthropology? 2. What heritage, sources of inspiration and research categories can be considered the most important for the anthropology of history / historical anthropology? 3. What are the perspectives for the development of anthropology of history / historical anthropology in the field of Polish humanities?

19

Grand Theatre, Oratory and Anthropology in the Documentaries of Andrzej Fidyk

80%

Fiołek-Lubczyńska B.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

|

2014

|

vol. 15

|

issue 24

137-144

PL

The article centres on the documentary works of Andrzej Fidyk. The director is fascinated by cultural anthropology. Showing diff erent aspects of social life in a theatrical manner is an omnipresent motif in his movies. A fi lm in general, by its nature, is a spectacle, but the director depicts within its reality diff erent kinds of spectacles: parades, as in the title of Th e Parade, musical scenes in Yodok Stories, and carnival in Carnaval…. Th e crown jewel in this double, increasing spectacularity is Carnaval. Th e Biggest Party In Th e World, and the movie inside the movie – Cameramen from Calcutta. A religious spectacle can be found inside Staszek’s Dream abstracts314 in Teheran. Scenes of muslim grief three years aft er the death of Chomeini, inside a country considered to be exemplary in its religiousness are compared to “the trend of going to orthodox churches” in Russia. Th e most interesting by the criteria of spectacularity is Carnaval…, which has been the subject of many analysis and interpretations by cultural theorists, anthropologists and sociologists. Fidyk in his movie shows the nature of this spectacle with great fi nery.

20

Historia, tradycja, antropologia – tezy na nowo przemyślane

80%

Robotycki C.

Rocznik Antropologii Historii

|

2011

|

issue 1-2

217–221

XX

Reprint: Cz. Robotycki, Historia, tradycja, antropologia – tezy na nowo przemyślane, [w:] Atena i Arachne, która z nich piękniej tkaninę wyplata. Historia i antropologia, red. J. Eichstaedt, K. Piątkowski, „Colloquia Ethnologica”, t. 2, Ożarów, s. 31-40.

Refine search results

Antropologia antyku greckiego. Zagadnienia i wybór tekstów, red. W. Lengauer, P. Majewski, L. Trzcionkowski, Warszawa 2011

Wzajemny wizerunek sąsiadów. Metodologiczna propozycja badań kulturoznawczych - Rosjanie w oczach Polaków

Antropologia „walczącego środka”. Uwagi na marginesie lektury: Clifford Geertz’s Interpretative Anthropology. Between text, experience and theory

„Antropologiczne badania dziedzictwa”. I Kongres Antropologiczny

4'33" Dźwięki ciszy

Nienasyceni – o tym, co jedzą bohaterowie (dramatów) Witkacego

Zabytki dziedzictwa narodowego a problem stosunku do przeszłości

Sekcja Metodologiczna Polskiego Towarzystwa Ludoznawczego

Antropologia i historia. Symetrie oglądu przeszłości. Kolokwium Sekcji Antropologii Historii PTL w Toruniu

Cultural anthropology of Bronisław Malinowski and reflections on the economic crisis

Czy triumf natury nad kulturą? Franz Boas i jego Umysł człowieka pierwotnego w perspektywie historycznej, (Franz Boas, Umysł człowieka pierwotnego)

Wkład antropologii kulturowej w studia nad niepełnosprawnością

Znaczenie recepcji dorobku Bronisława Malinowskiego dla rozważań etyki gospodarczej nad kryzysem finansowo-gospodarczym

Displaced Objects and Meanings. A Few Remarks on the Fang Mask, Masawa Canoes and Kachina Dolls

Fieldwork jako fakt (nie tylko) lekturowy (Teren w antropologii. Praktyka badawcza we współczesnej antropologii kulturowej, red. T. Buliński, M. Kairski)

Ku antropologicznej historii współczesności

C. Lévi-Strauss, Wszyscy jesteśmy kanibalami

Antropologia historii/historyczna w Polsce. Pojęcia – dziedzictwo – perspektywy.