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Mozaika etniczna Ukrainy południowo-wschodniej – wzmianka historyczna i stan obecny na przykładzie Zaporoskiego Przyazowia

100%
Pavliuk O.
Postscriptum Polonistyczne
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2019
|
issue 2 (24)
205-213
EN
Migration and emigration processes have always had and continue to have a significant impact on the socioeconomic and political situation of the whole world. The Zaporizhia Oblast will serve as an example of a multicultural area of Ukraine, as an attractive area for many newcomers since the 15th century. The multicultural borderlands of south¬ eastern Ukraine discussed in the paper are to demonstrate the influence of migration processes on the formation of individual identity, including in particular Polish identity. Nowadays, many in-habitants of the studied area are unable to clearly define their cultural identity.
2
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К ВОПРОСУ О МУЗЫКАЛЬНОЙ КУЛЬТУРЕ ПШЕМЫСЛЯ ПЕРВОЙ ПОЛОВИНЫ ХІХ ВЕКА

63%
Новакович М.
Ars inter Culturas
|
2016
|
issue 5
305-316
EN
The article is devoted to the musical life of Przemysl, which in the first half of the nineteenth century was the area of cultural borderland, where different cultural identities were constructed, particularly Ukrainian. In the Greek Catholic Church the singing school was established, and in 1829 the choir, headed by wellknown Czech composer Alois Nankе was formed. An example for Nankе and his students, among whom was the famous Ukrainian composer subsequently M. Verbitsky, were spiritual choral concerts of the famous Ukrainian composer D. Bortniansky. The music by Bortniansky became an excellent example of creativity for Ukrainian composers of the nineteenth century in Galicia.
3
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Środowisko artystyczne w Białej Podlaskiej pod rządami Hieronima Floriana Radziwiłła: malarze i rzeźbiarze

51%
Paliušytė A.
Rocznik Lituanistyczny
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2017
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vol. 3
PL
Artykuł traktuje o środowisku malarzy i rzeźbiarzy w Białej Podlaskiej za księcia Hieronima Floriana Radziwiłła (1747–1760). Zostaną w nim poruszone kwestie dotyczące kształtowania się grupy artystów dworskich, ich pochodzenia oraz życia społecznego i artystycznego, a także sposobów współpracy artystów różnego pochodzenia. The article presents the community of artists (painters and sculptors) in Biała Podlaska under Prince Hieronim Florian Radziwiłł (1747–1760). The study focuses on the problem of artists’ origins and characterizes their social and professional life. It presents social and cultural differences between the artists of various origins, and also describes their coexistence and interactions.
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