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EN
The article omits the role of the Krakow Festival Office in the Krakow cultural system. Krakow Festival Office is the institution which organizational profile and a kind of proposed cultural events is quite different from the traditional cultural institutions that have been characterized so far. Krakow Festival Office implements projects that are far broader and far more expensive than other institutions. It is difficult not to notice that Krakow Festival Office is privileged when considering international cultural projects in the Strategy of Culture Development in Krakow. Theatres and exhibition institutions have some chances for growth considering the statements in the Strategy. However the situation of libraries and cultural houses ma get worse. The strength of cultural institutions lies also in the strength of cultural houses and libraries. It seems though that the authors of the Strategy neglect the role of institutions mentioned above in the social capital building. Reading the Strategy of Culture Development in Cracow one may have justifies doubts whether the interests of the local citizens are sufficiently taken care of. It seems that the Strategy centrates more on promotional marketing for the Krakow brand and ess on the cultural needs of Krakow’s citizens. Both directions of cultural policy do not exclude each other. The proper research on the needs of Krakow’s citizens is missing. Thus it is difficult to rationalize the spending on culture in Krakow including the need of Krakow’s citizens as well as the investment in the promotion of culture in Krakow in the international area.
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Wartość oferty muzeum w mniemaniu zwiedzających

75%
PL
The purpose of this text is to review and conduct preliminary analysis of visitor evaluations of the museum offer with particular emphasis on their views on exhibitions. This will help identify the needs of the museum guests and make an attempt to determine the mechanisms for constructing a hierarchy of the importance of their expectations regarding museum activities. The term «opinion» in the title has been used as the equivalent of a judgment that is not necessarily substantive not necessarily formulated on the basis of the knowledge of the subject. It is based on strong, first impression caused by a museum visit. The value, in turn, is defined here as something precious, in the context of the organization and in relation to what is socially expected, defined as «this should be», and what is good. This is the value that is determined by the type of social mentality, and at the same time recognizing what has the characteristics of autotelic validity. It applies to the civic, aesthetic and organizational dimension. Values take the form of not always explicitly expressed preferences, interests, norms. The value indicator is any offer assessment included in the guest notes entered in the exhibition book in Museum Varmia and Masuria in Olsztyn.
PL
The purpose of this text is to review and conduct preliminary analysis of visitor evaluations of the museum offer with particular emphasis on their views on exhibitions. This will help identify the needs of the museum guests and make an attempt to determine the mechanisms for constructing a hierarchy of the importance of their expectations regarding museum activities. The term «opinion» in the title has been used as the equivalent of a judgment that is not necessarily substantive not necessarily formulated on the basis of the knowledge of the subject. It is based on strong, first impression caused by a museum visit. The value, in turn, is defined here as something precious, in the context of the organization and in relation to what is socially expected, defined as «this should be», and what is good. This is the value that is determined by the type of social mentality, and at the same time recognizing what has the characteristics of autotelic validity. It applies to the civic, aesthetic and organizational dimension. Values take the form of not always explicitly expressed preferences, interests, norms. The value indicator is any offer assessment included in the guest notes entered in the exhibition book in Museum Varmia and Masuria in Olsztyn.
PL
Przez ostatnią dekadę wzrosło zainteresowanie turystyką miejską, ogromna ilość badań została poświęcona tej tematyce. Jednakże badania te skupiały się przede wszystkim na centrum miasta – czyli obszarze najbardziej „dotkniętym” przez turystykę. Dopiero od niedawna naukowcy koncentrują się na rozwoju turystyki w dzielnicach poza śródmiejskich, czyli tych obszarach, wykraczających poza utarte ścieżki, którymi przemieszczają się turyści. Szczególnie tych, które mają charakter poprzemysłowy, są dzielnicami imigracyjnymi, zróżnicowanymi etnicznie bądź zamieszkałymi przez niższe klasy społeczne. Uchodzą one za autentyczne. Tendencja jaka obecnie panuje w turystyce, czyli większe zindywidualizowanie i zróżnicowanie sposobu podróżowania, doprowadziła do znaczącej dywersyfikacji zainteresowań i pragnień turystów, a także zwiększyło pragnienie podróżnych do wyjścia poza główne obszary dedykowane turystom i poznanie kultury i atmosfery miasta. W niniejszym artykule została przeanalizowana oferta kulturowa dzielnicy Berlina – Friedrichshain-Kreuzberg – która stała się jednym z obowiązkowych punktów programu w mieście.
EN
The interest in urban tourism has increased a lot over the last decade. Huge amount of research has been devoted to this topic. However, lots of studies were focused primarily on a city center - which was originally the most 'affected' by the tourism. Recently researchers have focused on development of tourism in areas outside the center, those 'beyond the beaten path'. In particular, districts which are industrial, which has developed ethnic or immigrant enclaves or other neighbourhoods where people on the margins of urban society live and work. They are considered to be authentic. The trend which currently prevails in the tourism - the individualization and diversification of ways of traveling has led to a significant diversification of interests and desires among travelers. It has also increased travelers' need to go beyond the main areas dedicated to tourists and experience culture and atmosphere of a city.
PL
Founded in the 12th century, the post-Cistercian Abbey in Ląd is a monument of great im-portance for Polish and European cultural heritage. It is marked for its significant historical, artistic and educational valour. This article opens a series of publications presenting a scientific research on the cultural activities and programs provided for tourists visiting the Abbey. The goal of the article is to gather information about that offer and assess the opinions of tourists on the issue. The research was conducted for a month (4.08 – 4.09.2013). 725 people participated in it answering a 10-point questionnaire. This article presents conclusions based on the answers to the first four questions. Ac-cording to the results, the most attractive cultural offer is visiting the church and the monastery as well as participation in the Festival of Slavic and Cistercian Culture. Further results will be presented successively in next publications.
EN
This article is the fourth of a series entitled “The Post-Cistercian Abbey in Lad as A Cultural Center”. The first and the second articles were published in “Seminare” Vol. 35, No. 3 and 4 in 2014, the third essay appeared in “Seminare” Vol. 36, No. 1 in 2015. This essay presents a résumé of the whole research conducted between September 4th and October 4th, 2013. The research results reveal the existence of a great interest in the monument and set new directions for future cultural proposals. The article points to the need of further research concerning children and youth as this age group was only marginally represented in the research. Primary school children and young people constitute an important part of all visitors to the monastery in Lad.
EN
This article is the second one of the „The Post-Cisterian Abbey in Ląd as a Cultural Centre” series. The first appeared in the 3rd issue of 2014 „Seminare”. It presents the results of research on tourists’ interest in new cultural propositions and sums up potential recipients’ assessment of the ten new cultural offers. The new propositions include scientific symposia, theatrical performances, exhibitions and a new formula of presenting the library sources
EN
This article is the third one in the series entitled “The Post-Cistercian Abbey in Ląd as a Cultural Centre”. The first two papers were published in Seminare, No. 3 and 4, 2014. The present article provides an evaluation of the research concerning tourists’ opinions on the attractiveness of the currently prepared cultural offer, its influence on the number of tourists, influence of specific factors on the reception the new offer and the attractiveness of the offer’s particular categories.
EN
The paper aims at identification of the impact of culture on the socio-economic development of the city, by referring to the more and more common trend of transforming urban economies from industrial to ‘creative’ ones. The case study concerns the city of Lodz, where the survey among inhabitants was conducted. Research method was based on a dynamic analysis of the evolution of the city as socio-economic system (evolutionist systemic approach), supported by the questionnaire interview technique. A study revealed that despite many economic struggles, this postindustrial city is able to adapt its cultural offer to today’s needs, emphasizing the territorial specificity and using the creativity of its dwellers as a factor of socio-economic development. The paper presents also selected problems and challenges, to which local cultural policy should respond.
PL
Celem artykułu jest identyfikacja wpływu kultury w mieście na jego rozwój społeczno-gospodarczy w nawiązaniu do coraz bardziej powszechnego trendu polegającego na transformacji gospodarek miejskich w kierunku gospodarek „kreatywnych”. Prezentowane studium przypadku dotyczy Łodzi. W tym celu zbadano percepcję miejskiej oferty kulturalnej wśród mieszkańców. Jako metodę badawczą wykorzystano dynamiczną analizę ewolucji miasta jako systemu społeczno-gospodarczego (podejście systemowe ewolucyjne) wspartą techniką wywiadu kwestionariuszowego. Przeprowadzone badanie wskazuje, że pomimo wielu problemów ekonomicznych, z którymi boryka się to postindustrialne miasto, jest ono zdolne do dostosowania oferty kulturalnej do współczesnych potrzeb, wyeksponowania swojej specyfiki terytorialnej oraz wykorzystania kreatywności mieszkańców jako czynnika rozwoju społeczno-gospodarczego. Artykuł prezentuje ponadto zidentyfikowane problemy i wyzwania, na które musi odpowiedzieć miejska polityka kulturalna.
EN
The article consists of three parts. In the first the authors review definitions of free time and the ways it is organized. The second, devoted to the issue of cultural activity, is based on the literature and the published results of empirical studies from official Polish social statistics. The third is a discussion of a survey carried out among Lodz cinema and theatre-goers in February 2006.
PL
Artykuł składa się z trzech części. W pierwszej autorzy dokonują przeglądu definicji czasu wolnego oraz sposobów jego zagospodarowania. Druga część poświęcona została problemowi uczestnictwa w kulturze omówionemu na podstawie literatury oraz wyników publikowanych badań empirycznych przeprowadzonych przez ogólnopolskie ośrodki badawcze. Trzecia natomiast jest omówieniem wyników badań kwestionariuszowych zrealizowanych wśród widzów łódzkich kin i teatrów w lutym 2006 r.
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