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Quelques aperçus des emplois dysphémiques des noms propres servant de base aux palimpsestes verbo-culturels

100%
Konowska A.
Romanica Wratislaviensia
|
2015
|
vol. 62
49 - 61
EN
The aim of this paper is to analyze dysphemic uses of complex proper names which serve as a basis for the creation of what Robert Galisson (1994, 1995, 2000) called “palimpsestes verbo-culturels” (verbo-cultural palimpsests). We consider proper names as fixed sequences which can undergo the process of “défigement” (deconstruction) in the same way as any other complex lexical unit. We analyze the reasons for the creation of what we call “palimpsestes verbo-culturels propriels” (proprial verbo-cultural palimpsests) as well as the effects of meaning produced due to this creation and the means which make it possible.
2
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Transgresser le tabou du pouvoir politique : le défigement comme outil argumentatif dans le discours

54%
Konowska A.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
|
2017
|
issue 12
171-189
EN
Assuming the existence of the authority taboo, which manifests itself as a form of a linguistic censorship that concerns the criticism of the ruling class of the country by its opponents, the article aims to analyze the role of delexicalization in the negatively polarised argumentation in discourse. This paper will attempt to analyse the breaking of the authority taboo’s linguistic manifestations in new media discourse which appeared with Web 2.0. The corpus on which this study is based consists of short humorous messages (mostly internet memes) containing delexicalized lexemes (lexies simples) and complexemes (lexies complexes).
FR
En posant l’existence d’un tabou du pouvoir, qui se manifeste sous forme de censure linguistique touchant la critique de la classe dirigeante d’un pays de la part de ses opposants, cet article a pour objectif d’analyser le rôle du défigement linguistique dans l’argumentation polarisée négativement, c’est-à-dire visant la disqualification de la cible du discours. Il se veut une tentative d’analyse des manifestations linguistiques de la trangression du tabou du pouvoir dans le discours des nouveaux médias, né avec l’apparition du Web 2.0. Le corpus sur lequel est fondée cette étude est constitué de messages humoristiques brefs (majoritairement de mèmes numériques) contenant des lexies défigées simples et complexes.
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