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1

Karneval s mrtvacima (Miroslav Krleža: Kraljevo)

100%
Pieniążek-Marković K.
Slavica Wratislaviensia
|
2019
|
vol. 168
495-505
EN
Carnival with the dead (Miroslav Krleža: Kraljevo) Kraljevo, a one-act play written by Miroslav Krleža in 1915, is a representation of “carnival” events accompanying a church fair day in the cathedral of St. Stephen in Zagreb. Among the participants of the fair party, are the suicides condemned to eternal wandering between the worlds of the dead and of the living. The article’s goal is to reflect on the function of death’s anthropomorphization in the expressionistic image of Zagreb society. Krleža exposes how loftiness is replaced with base erotic instincts, and reveals that when society is immersed in medieval rituals, what results is a cannibalistic vision of (non)reality of hell, which serves to render Zagreb at the beginning of the 20th century. The author’s carnival with the dead reverses values, orders, and hierarchies, and undermines at least three essential components of identification: ludic tradition derived from local folklore, Catholic pathos, and Croatian patriotism.
PL
Karnawał ze zmarłymi (Miroslav Krleža: Kraljevo) Jednoaktówka Mirosława Krležy z 1915 roku, zatytułowana Kraljevo, jest zapisem „karnawałowych” wydarzeń towarzyszących dniu odpustu w zagrzebskiej Katedrze świętego Stefana. W jarmarcznej zabawie uczestniczą samobójcy skazani na wieczne błądzenie pomiędzy światami żywych i umarłych. Celem artykułu jest namysł nad funkcją antropomorfizacji śmierci w ekspresjonistycznym obrazie zagrzebskiego społeczeństwa. Krleža pokazuje wzniosłość zastąpioną przez niskie erotyczne popędy, społeczeństwo zanurzone w średniowiecznych rytuałach, rysuje kanibaliczną (nie)rzeczywistość piekła — Zagrzebia początku XX wieku. Krležiański karnawał ze zmarłymi odwraca wartości, porządki i hierarchie, a także podważa co najmniej trzy istotne elementy identyfikacyjne: ludyczną tradycję wyrastającą z folkloru, katolicki patos i chorwacki patriotyzm.
2

Folklor iak krinica kamitschkaga u poezii Boguslava Lesmiana i Maksima Bogdanivutsha

71%
Anaprenko N.
Studia Slavica
|
2013
|
vol. 17
|
issue 1
53-64
XX
The article is devoted to examining works by Polish poet B. Lesmyan and Belarusian poet M. Bogdanovich in the context of Slavonic literary connections of the beginning of the 20-th century, in the period of intensification of integration process which witnessed typological connection of the world literatures, their productive and many-sided reciprocal influence. The analysis of world outlook and aesthetic searches in poetry of the Belarussian and Polish poets who have caused the direct reference to the correlation of the folklore and literary traditions is carried out. Features of the individual style of each poet have been shown not only in connection with the literary tradition, but with their original method and their evolution of views; specific character of author’s reflection and poeticization of the reality, typological parallels in the interpretation of motives have been defined.
3
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Nowa rozmowa ze Śmiercią

62%
Donefner J.
Przegląd Humanistyczny
|
2020
|
vol. 64(4 (471))
84-86
PL
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