Search results - CEJSH

1

The avant-garde roots of Polish design in the Socialist Realism period. A case study

100%

Sumorok A.

Art Inquiry. Recherches sur les arts

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2017

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vol. XIX (XXVIII)

307-324

EN

Due to the pragmatic orientation and continuation of modernist artistic solutions, it is difficult to find explicit Socialist Realist traits in the Polish design of that time, especially as the term “Socialist Realist design” remains undefined. Design that is neutral in form can be linked to the doctrine on the level of the socialist concept, aiming at consequent changes in the socialist forms of life. However, the idea of socially oriented design combined with modernization unquestionably had its roots in the broadly understood avant-garde movements. We should not treat this phenomenon as an ideological contradiction. In spite of their avant- -garde pre-war provenance, many ideas were (successfully) put into practice at that time as the design of life for a better tomorrow of the egalitarian (socialist) society.

PL

Trudno w sztuce użytkowej i designie lat 1949-1956 doszukiwać się cech jawnie socrealistycznych. Zresztą trudno byłoby je też precyzyjnie zdefiniować. Socrealistyczność designu, formalnie neutralnego, tkwić mogła co najwyżej w sferze socjalistycznego kontekstu, wytworzenia w konsekwencji zmian ustrojowych socjalistycznej formy życia. Ale sama idea zorientowanego społecznie designu połączonego z kwestią modernizacyjną wywodziła się z szeroko pojętych ruchów awangardowych. Relacja polskiego designu z okresu realizmu socjalistycznego z modernizmem i awangardą wcale więc nie jest oczywista. W powszechnym dyskursie dominuje jednoznaczne przeciwstawienie modernizmu socrealizmowi zakorzenione w odwilżowym micie przełomu 1956 roku. Problem ten zaś wymaga większego niuansowania, zwłaszcza w odniesieniu do designu.

2

ТЕОРЕТИЧНЕ ОБҐРУНТУВАННЯ МОДЕЛІ ФОРМУВАННЯ УПРАВЛІНСЬКОЇ КОМПЕТЕНТНОСТІ МАЙБУТНЬОГО ВИКЛАДАЧА ВИЩОЇ ШКОЛИ У ПРОЦЕСІ МАГІСТЕРСЬКОЇ ПІДГОТОВКИ

94%

Козлов Д.

Педагогічні науки: теорія, історія, інноваційні технології

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2014

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issue 8(42)

287-298

EN

The theoretical grounding of administrative competence formation of higher school teachers is given in the article. The idea is defended, that the aim of the model development consists of the necessity of administrative competence formation of a future higher school teacher image in the conditions of master’s degree preparation. The following components of the investigated process are distinguished: conceptually-having a special purpose, semantically-developing, judicially-technological, evaluation-effective. A conceptually-having a special purpose component envisages determination of a setting, a goal and the tasks of administrative competence formation of a future higher school teacher that gives an idea about the general vectorial orientation of master’s degree preparation. The conceptually-having a special purpose component reflects a system idea, competence, personality orientated approaches, leading postulates of theory of pedagogical management and quality of education. Judicially-technological is an important component of the pedagogical system and includes forms, methods, technologies by means of that maintenance opens up and arrived at aim of formation of administrative competence of future teachers of higher education institutions. Evaluation-effective block of the model of administrative competence formation of a future teacher allows to reduce the results of the process of administrative competence forming on the basis of certain criteria and indexes, within the limits of qualimetric approach. The pedagogical terms of effective administrative competence formation of model realization of a future higher school teacher in the process of master’s degree preparation are outlined. The analysis of scientific sources has provided the possibility of removing the theoretical basis of constructing model of competence of a future teacher of higher education. The model is defined as a subjective reproduction in the mind and the external display the most essential features, characteristics and qualities to a particular object, process, system, objectively inherent in them and give an overview of this phenomenon. Modeling is considered as a creative process of design-focused designing, analytic-synthetic activity to reflect the object (system) as a whole or its essential components that determine the functional orientation of the object (system) providing the stability of his (her) existence and development. Thus, the purpose of the model development process of formation of competence of a future high school teacher in the master’s degree preparation is the need to play its ideal image in terms of magistracy, its conditionality system methodology, competence, individually oriented approaches.

3

Symbiosis stylisis trends in culture xix – early xx centuries

94%

Barna N. V.

Journal of Modern Science

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2016

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issue 3(30)

357-368

EN

The problems of it is actual another interesting dimension of the art of reality, which is associated with the Gothic Revival. The Gothic Revival – it is not Gothic at all, as other eclectic styles. It is a cultural metaphor of imitation of Gothic tradition. The verticality by itself, like an arrow slits – all this becomes so, as we say, image, denies represent classical facade. Neorussion or Byzantine style, Neorenaissance were associated with ethnic tradition, with regeneration of ethnic culture. Ethnic culture becomes the subject of professional interests. If classicism can not see national traditions, everywhere simply and clearly put axis, that are formed by spatial syntagms, so the eclecticism fueles the interest to the national roots. We can see a certain nostalgia for our own ‟golden age”. That is, if we return to reflexive interpretations of culture, as it was mentioned above, it could be argued that it polystyle shows permanent deployment of metaphysical searches that already tend to aplently reality, to polycentrism, the center (axis) in the composition as the sole source of unity of the whole has become impossible. Here is felt a certain pluralism and a certain ‟postmodern” if it can be called postmodern, though postmodernism appears as nomination is in the middle of the XXth century

4

Design w kontekście zrównoważonego rozwoju i ergonomii – projekty Simo Heikkilä

94%

Wiśnicka A.

Artifex Novus

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2018

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issue 2

102-123

EN

The article aims to focus on Simo Heikkilä’s projects in the context of sustainable design, functionalism and ergonomics – namely the three main fields of global research which determined his artistic activities. At the beginning the text provides a concise historical conditions and basic rules of questions regarding sustainable design, regionalism and ecological design, functionalism and ergonomics to serve as a background for any further deliberations on the matter. The very first question touched upon is sustainable design together with regional and ecologic approach. The strong bonds with nature, in Simo Heikkilä's case, were present in his praise for wood as well as for patina, manifested in various projects. Pieces such as Tupa or wood waste benches present the beauty of raw materials and wood’s endless possibilities. The idea was to design pieces which would recall the utilitarian concept of high quality in a simple form, suitable for mass production, which would serve for generations to come. Following comes the matter of ergonomics. Being a student of Yrjö Kukkapuro, Heikkilä had a chance to see how the principles of ergonomics were put into practice. The simplicity of form, suitable for the office environment, was linked with carefully designed backrests and armrests which provided the user with a comfortable work position. The most vivid example of the search for the ergonomic solution in Heikkilä's works were all the versions of the Divaani chaise longue. It was the quintessence of ergonomic design, as it had derived straight from the shape of the human body, underlining the connotation with an anthropomorphic shape. His experiments with various components resulted in different effects, from very organic ones, which combined natural materials such as wood or rattan with the shape or contrasting the form with such a cold material as steel. Regardless the final effect, the basic concept inspired by the shape of the human body made the project deeply rooted in nature, which was typical of many Heikkilä's projects. Simo Heikkilä's style in terms of furniture design is a very distinctive one, however, it had been influenced by his origins, provenance, education, and both national and world-wide achievements. He intuitively combined local materials and evanescent techniques of local craftsmen, which were part of his earliest art-related memories with innovative ideas introduced by modernism. Hence, in his projects materials such as wood, plywood and steel, often combined with each other for a strong stylistic effect, can be seen. The forms he used were simple, underlining the basic construction ideas, as it can also be considered a part of the design. All of the factors, in combination with Simo Heikkilä's design rules regarding ecology, recycling and regionalism, make his projects unique on the scene of contemporary industrial design.

PL

Niniejszy tekst prezentuje wybrane projekty fińskiego designera Simo Heikkilä w kontekście zrównoważonego rozwoju, ekologii i regionalizmu oraz funkcjonalizmu i ergonomii. Wszystkie te kwestie stanowiły podstawę, na której oparta została jego filozofia projektowa. W swoich pracach Heikkilä odwoływał się do szeroko rozumianych idei ekologicznego designu, o czym świadczy wtórne wykorzystanie drewnianych odpadów przemysłowych, gloryfikacja patyny oraz filozofia wielopokoleniowego życia przedmiotów. Korzystając z lokalnie występujących materiałów oraz kultywując rzemieślnicze tradycje Północy wpisuje się również w nurt regionalizmu, który charakterystyczny jest dla designu fińskiego. Poszukiwania Heikkilä na arenie funkcjonalizmu oraz ergonomii, często twórczo połączone z ekologicznymi rozwiązaniami, pokazują potencjał tkwiący w designie skupionym na potrzebach użytkownika. Analizując przykłady projektów oscylujących wokół wyżej wymienionych zagadnień, artykuł prezentuje złożoną stylowo, acz wciąż koherentną, sylwetkę jednego z najbardziej cenionych fińskich projektantów.

5

On Some Narrations in the (Post)Industrial Design Field

94%

Możdżyński P.

Załącznik Kulturoznawczy

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2014

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issue 1

116-126

EN

This text examines main narrations of the socio-cultural design field in the postindustrial period. The author starts from the creation of the definition of postindustriality. Next he explores main trends of contemporary design (DIY; eco/social design; design for all senses; design thinking, design for experience). Finally he tries to apply for the interpretation of this topic sociological categories of Jean Baudrillard and George Ritzer, eg.: ‘madness of production’, ‘immaterial consumption’, ‘hiperreality’, ‘simulacra’.

6

The city as the place of design practice

94%

Głutkowska - Polniak A.

Anthropos?

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2015

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issue 24 Miasto i miejsce

43-54

EN

The city, one of the most polysemous spaces is perpetually penetrated by various practises, creative actions, multidimensional activity, artistic creations including also design practises. The city is a peculiar heterotopia, where also through design practices all that is practical penetrate with what is aesthetical, science with art, information with interpretation. Design practices serve integration of the things' world with the man's life. These are somehow a synonym of the human environment, which is generated by people and for people - artefactual environment. Design has an ability to tangle and involve people with the surrounding reality in a manner that they do not only contemplate or consume ambient things, but live with what is material and immaterial in close symbiosis.

7

Inflatable Life Raft Design for Operation – Novel Solutions

94%

Abramowicz-Gerigk T., Burciu Z.

Logistics and Transport

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2015

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vol. 27

5-10

EN

The paper presents the discussion of novel life raft designs. The existing solutions of life rafts available on the market have many drawbacks. In Polish industry, a company having the experience in production of life rafts is Stomil Grudziadz who are now on the way to start new production of modern life rafts. The design for operation has been proposed to introduce complex approach including life raft considered as an element of Search and Rescue System. The conclusions of the paper comprise the main problems which need to be solved in novel design of a life raft - stability in waves, reduction of non-linearity of aero dynamical coefficients, solution of safe and easy entrance to the life raft, increase of thermal protection of survivors, increase of range of detection using novel materials, based on the latest achievements in nanotechnology.

8

Design Vulnerability as the Key Element of the Logistics Efficiency of a Product

94%

Bielecki M. M., Madej M., Skoczylas A.

Logistics and Transport

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2014

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vol. 21

5-12

EN

The article highlights the importance of the influence a product itself has on the broadly understood logistics-related issues, referred to as the logistical efficiency of a product. It constitutes the foundation for the concept of design vulnerability of a product, along with its determinants. The paper shows the impact these determinants have on logistics processes on selected examples from the market. The authors of the article also suggest what actions might be undertaken in the strategic and operational sphere of the company logistics, depending on the design vulnerability of a product.

94%

Kosendiak J., Cieśliński W. B.

Informatyka Ekonomiczna

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2014

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issue 4(34)

16-24

EN

The paper presents the training system design process as a part of the management system. The authors describe the essential characteristics of the design process. The process of training design involves series of successive steps which result in a set of data forming the training cycle project. It contains a set of assumptions, conditions, objectives and measures that lead to the objectives achievement. The project should be dedicated to a particular sportsman and not to a training group or a sports discipline, as well as it should not include detailed solutions, especially as for training means selection. The paper presents also the 7-step algorithm of the training system design process. The last section of the paper presents the software simplified algorithm and comments on its use.

13

NODEM - THE PAST AND PERSPECTIVES OF THE SCANDINAVIAN CONFERENCE, NETWORK AND PLATFORM OF KNOWLEDGE EXCHANGE

94%

Gottlieb H.

Muzealnictwo

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2013

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vol. 54

167-172

EN

The article discusses NODEM (Nordic Digital Excellence in Museums) – a Scandinavian initiative inaugurated in 2002 by Vision for Museums, today: the Digital Cultural Heritage Centre of Expertise at Interactive Institute in Sweden. This pioneer network deals with cultural legacy, digital technologies and design. NODEM concentrates research development institutions, schools of higher learning and cultural institutions from Nordic countries and beyond Scandinavia. Today, NODEM concentrates an active milieu composed of more than 4 000 members representing assorted research currents, i.a. interaction and exhibition projects, museological research, media studies and social communication studies, the gathering of digital resources and digital technologies. The article depicts NODEM in a historical perspective and its plans for the future as a forum for an exchange of ideas, a body awarding the “Nordic Digital Excellence in Museums” prize, a network involved in design and digital legacy as well as the digital platform nodem.org.

14

NODEM - PRZESZŁOŚĆ I PERSPEKTYWY SKANDYNAWSKIEJ KONFERENCJI, SIECI I PLATFORMY WYMIANY WIEDZY

94%

Gottlieb H.

Muzealnictwo

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2013

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vol. 54

167-172

PL

84%

Paszko M.

Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"

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2021

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vol. 9

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issue 9

93-110

PL

Wieloletnia działalność Huty „Silesia” w Rybniku wprowadziła do obiegu szeroki asortyment produktów żeliwnych: wyposażenia wojskowego, sprzętów gospodarskich, elementów dekoracyjnych oraz naczyń emaliowanych. Przedsiębiorstwo ilustruje zarówno historię miasta i regionu, uwikłaną w wojny oraz zmieniającą się przynależność narodową, jak i historię przemysłu i technologii produkcji – to także dzieje innowacji, patentów oraz modyfikacji. Niezmiennie związane z tą historią są również przemiany społeczne, które można prześledzić na przykładzie zakładu pracy silnie związanego z jednym punktem na mapie, a jednocześnie odzwierciedlającym procesy zachodzące w całym regionie. Huta „Silesia” jest interesującym polem do badań w kontekście architektury przemysłowej, daje również możliwość spojrzenia na wyroby „Silesii” jako dzieła sztuki użytkowej, wzornictwa przemysłowego czy po prostu popularnego dziś designu.

EN

During its many years of work, Rybnik’s “Silesia” Ironworks manufactured a wide variety of iron products – army equipment, household appliances, decorative elements and enamel dishes. The company illustrates the history of the city and region, entangled in wars and changing nationalities, as well as the history of industry and production technology – it’s a history of innovation, patents and modifications. As always, it is also connected with the history of social changes, which can be traced while observing the evolution of “Silesia” – a specific location on the map, that still exemplifies processes typical for the whole region. The ironworks remains an interesting field of research in terms of industrial architecture; it also presents an opportunity to look at its products as works of applied art and industrial design, which is very popular nowadays.

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