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O destereotypizacji odczytań tekstu oryginału w przekładzie — rozważania o słoweńskim tłumaczeniu kulinariów w "Panu Tadeuszu" Adama Mickiewicza

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Muszyńska-Vizintin A.
Przekłady Literatur Słowiańskich
|
2013
|
vol. 4
|
issue 1
37-60
HR
Gospod Tadej ali zadnji maščevalni pohod na Litvi Adama Mickiewicza — poljska narodna epopeja, napisana v obdobju romantike — je mojstrovina, ki velja za neprevedljivo. Vsebuje in kodificira določeni „vzorec poljskosti”: stereotipne predstave vsega, ki naj bi veljalo za tipično poljsko, neločljivo povezano s poljskim (kulturnim, zgodovinskim, literarnim, političnim) kontekstom in okoljem. V razpravi je izpostavljena teza, da številni pojmi oz. predstave, ki veljajo v določeni kulturi za stereotipične, v prevodu spreminjajo svoj status: niso več shematične in očitne (izgubljajo svojo stereotipnost) Postopek „destereotipizacije” se dogaja v glavnem zaradi prenosa besedila v drug jezik, drugi kulturni kontekst ter zaradi kulturno drugače vzgojenega sprejemnika (bralca), ki interpretira tekst s popolnoma drugega, novega vidika.
EN
Adam Mickiewicz’s Sir Thaddeus, or the Last Lithuanian Foray — Polish national epic poem, written in the Romantic period — is a masterpiece, considered to be untranslatable. It contains and codifies certain “patterns of Polishness”: stereotypical depictions of everything that are typically Polish, and indivisibly connected with the Polish (cultural, historical, literary, political) context and environment. In the article it is asserted that a number of terms and depictions, which, in a certain culture are considered as stereotypical, in a translation change their status: they are neither schematic nor obvious anymore (they lose their stereotypy). The process of “destereotypization” takes place mainly because of the transfer into another language and into another cultural context, and because of the receiver’s (reader’s) different cultural education, who interprets the text from a completely different, new point of view.
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