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EN
The article presents the issue that is associated with the concept of dialectal stylization, as well as the disparities in the interpretation of the phenomenon, which may be found in the literature of the subject. The author conducts a critical discussion about the views of such researchers of the issue as: S. Dubisz, A. Wilkoń, T. Kostkiewiczowa, T. Skubalanka. As the analytical basis, the author acknowledges the stylization theory of M. R. Mayenowa. Not every implementation of the dialectal items to the texts indicates a stylization. The dialectal stylization is realized mainly in the texts of an artistic style, but in the literary works the dialectal units may also be citations or elements of reality of a represented world that function on the basis of a given theme. The author of the article discusses and illustrates the issue of the boundary between the prolific use of a dialectal style with the intention of stylization and the non-stylized use. Furthermore, he discusses the status of the texts that are written in a dialect and the phenomena of hybrid and double-coded texts. The empirical material of the article constitutes the prose works of the youngest generation of the Polish authors, which were published in the last few years. Those involve the novels written by: Maciej Płaza, Ignacy Karpowicz, Wojciech Kuczok, Szczepan Twardoch.
PL
Artykuł przedstawia problemy związane z pojęciem „stylizacji gwarowej” i rozbieżnościami w interpretacji zjawiska, jakie odnajdujemy w literaturze przedmiotu. Autor dokonuje krytycznego omówienia poglądów takich badaczy problematyki, jak S. Dubisz, A. Wilkoń, T. Kostkiewiczowa, T. Skubalanka. Za podstawę analityczną przyjmuje teorię stylizacji M.R. Mayenowej. Nie każde wprowadzenie do tekstu elementów gwary oznacza stylizację. Stylizacja gwarowa realizuje się przede wszystkim w tekstach stylu artystycznego, ale w utworach literackich jednostki gwarowe mogą być też cytatami bądź elementami realiów świata przedstawionego funkcjonującymi na zasadzie motywu. Autor artykułu omawia i ilustruje problem granicy pomiędzy stylotwórczym użyciem gwary z intencją stylizacyjną a użyciem niestylizacyjnym. Omawia status tekstów pisanych gwarą oraz zjawiska tekstów hybrydowych i dwukodowych. Materiał empiryczny artykułu stanowią utwory prozatorskie najmłodszej generacji polskich twórców opublikowane w ostatnich kilku latach, są to powieści Macieja Płazy, Ignacego Karpowicza, Wojciecha Kuczoka, Szczepana Twardocha.
EN
In this article, I focus on the dialectal jargon stylization in “Kujawskie legendy, gawędy i gadki” (Wrocław 2012, hereinafter referred to as KL) collected and adapted by Antoni Benedykt Łukaszewicz, to subsequently answer the question to what extent the linguistic exponents fall within the system of the Kujawy dialect and whether the texts compiled in the KL can be regarded as representative for the Kujawy region. As the material is fairly extensive, I limited the excerption to phonetic stylistic exponents, which I firstly compared with other studies of the Kujawy dialect and later with the scientific syntheses linked with the Polish dialectology. Based on the analyzed material I came to a conclusion that the most frequently applied exponents are narrowing of the vowels, de-nasalization of the nasal consonants, onset preiotation and labialization, and consonant reduction. Deviations from the ablaut or inter-word voicing phonetics are quite rare. The majority of these phenomena occur in the regions of Wielkopolska, Northern Poland and Mazowsze. They are characteristic not only of Kujawy but of a broader dialectal complex. Undoubtedly, their use in Kujawy appears to be common and the frequency of their occurrence in the text may point out to application of reconstructive stylization, which to a large extent is closer to the basis, i.e. the stylization model signifying the author’s attempt at a fairly consistent reflection of the systemic features of the Kujawy dialect.
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