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„A dialecticis libera nos, Domine!“

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EN
This study is concerned with the controversy between thinkers of the eleventh century which is traditionally called the dispute between dialectics and anti-dialectics. The group of dialectics, among whom one might mention Berengar of Tours (c. 1010–1088), Anselm of Besate (dubbed Peripateticus, born c. 1020), and perhaps also Roscelin of Compiègne (c. 1050–1123), attempted to reappraise the interpretation of several Christian dogmas, even flaunting their general indifference to doctrinal themes, and directing their attention to, for example, the reading of Aristotelian and peripatetic (and other) logical writings, the conclusions of which they further developed. This approach did not always meet with understanding and a whole range of scholars stood opposed to it, often directing verbal attacks against the use of dialectic and logical methods in theological studies. The present study aims to analyse the key theses of this debate and to reveal its roots and its real character. The basic question then posed is: Is it really proper to speak simply of two polarities (where then should Anselm of Canterbury, for example, or Lanfranc of Pavia, be placed?) with Aristotle’s, or Aristotelian, logic standing on one side and God’s omnipotence hand-in-hand with Holy Scripture standing on the other? Attention is centred on the so-called anti-dialectics and on their theses denying dialectics. Among the figures included is, above all, Peter Damian (c. 1007– 1072), as well as Otloh of St Jimram (c. 1010–after 1070) and Manegold of Lautenbach (c. 1040–after 1103). By approaching the dispure from their standpoint one may better understand what actually the dialectics were aiming at and what really provoked their opponents. An attempt is also made to pinpoint the possible reasons for the opposition of the anti-dialectics’ to the so-called dialectics, especially when their own intellectual activity often failed to match their anti-dialectical theses.
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Heglowska koncepcja tragedii

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The text presents Hegelian concept of tragedy as an integral part of philosophical system of German philosopher. Only in the context of history of Spirit one can understand the role and the meaning of tragedy which represents certain phase in dialectical history of consciousness.
EN
The paper proposes a new kind of universalism, i.e., a philosophy of “mankind-for-itself.” This conception which deals with the human world is based on some essential features of the western cultural world, indicated by the author, as well as on Karl Marx’s and Georg W. F. Hegel’s ideas and conceptions.
PL
The Assayer of Galileo Galilei is a classical text of the Italian literature. It was written in the context of discussions on comets and is a response, word by word, to the Libra astronomica ac philosophica signed by Lotario Sarsi but in fact written by Orazio Grassi. From the formal (i.e. rhetorical) point of view the  Assayer is an example of the judicial, defensive speech. However, in the book one can also see the presence of the epideictic speech. The epideictic speech praises the methodological values of the Copernican vision of the universe, and blames those involved in the Aristotelian and Ptolemaic approaches. In the sixth section of the Assayer there is a famous group of four rhetorical periods in which one can notice the presence of the new interpretation of the antique metaphor of the book. The rhetorical exercise developed in this essay tries to disentangle the complex node of this metaphor and gives its new interpretation. It seems that for Galileo the metaphor is not a trope but passes to the topica. At the end some considerations on dialectics of Galileo are also proposed.
EN
This article deals with the concept of “great questions” in Hans Blumenberg’s phi-losophy. The “great questions” are fundamental elements of the German philosophy due to their role in explaining the core of the modern paradigm. Great questions are posed as resorts, and create references to them. They can be seen as atoms on the bot-tom of the modernity foundation, while some phenomena that could make them func-tional emerge as related to them. The law that enforces the atoms bond and the possibil-ity of combinations resides in the so-called reoccupation theory that gains a good sight of what happens in immanent history. The way this work intends to clarify the great questions issue is by observing three assets of Blumenberg’s philosophy: a) the dialecti-cal orientation of history (in particular, the modernity); b) the rule of historical change; c) Blumenberg’s holistic tendencies. This article aims to demonstrate that Blumenberg’s vision not only allows freedom to be explicit in modernity, but freedom is the main asset of this epoch.
PL
The Assayer of Galileo Galilei is a classical text of the Italian literature. It was written in the context of discussions on comets and is a response, word by word, to the Libra astronomica ac philosophica signed by Lotario Sarsi but in fact written by Orazio Grassi. From the formal (i.e. rhetorical) point of view the  Assayer is an example of the judicial, defensive speech. However, in the book one can also see the presence of the epideictic speech. The epideictic speech praises the methodological values of the Copernican vision of the universe, and blames those involved in the Aristotelian and Ptolemaic approaches. In the Assayer there is a very famous rhetorical period - the ending with the proverbial aut Caesar aut nihil - in which the internal connection between both types of speeches can be analysed. The rhetorical exercise developed in the present essay tries to disentangle the complex node of these speeches in this fragment.
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czy Heglowska diagnoza sztuki jest aktualna?

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EN
The text presents the Hegelian idea of the end of art as well as her meaning for theoretical comprehension and the practical understanding of artistic facts. Author subjects hermeneutical analysis system and empirical premises Hegelian thesis, confronting it with current state of art as well as artistic consciousness and her interpretation in the philosophical aesthetics.
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Jeden istnieje tylko model...

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EN
The article seeks to explore factors behind the diversification and contradictory nature of existing approaches to translation. We also attempt to establish a research perspective which would be instrumental in unravelling some universal mechanisms underlying the development of theories of translation and would help to look through the multifaceted spectrum of translation theories in order to find traits that they all seem to share. As an interpretive instrument we used the dialectics, with her typical “duality of orientation: towards unity and towards division”. Such a point of reference for our explorations is a result of fact, that the answers of the fundamental questions that theories of translation (or particular tendencies therein) ask are contradictory. From our point of view this situation is connected with the dialectic nature of translation itself and with the oppositions between elements of translation chain and between such factors as langue and culture. We discussed several dialectical moments and oppositions.
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The paper deals with the phenomenon of changing quantity into quality as it is developed in Hegel’s Science of Logic and its chapter on measure. First, the relation of measure to the concept of number is analyzed, particularly with respect to the concept of real numbers and their birth from the practices of counting and measuring. After that, the measure is treated as a category of speech devoted to the application of theoretical or quantitative differences within the qualitatively given experience. As such, Hegel’s talk about the transformation of quantity into quality, as well as his talk about double negation and bad infinity, are contrasted with their interpretation in Marx’s and Engels’s political economy.
DE
Der Artikel befasst sich mit dem Phänomen des Wandels von Quantität zu Qualität, der in Hegels Wissenschaft der Logik und dort im Kapitel zur Kategorie des Maßes erörtert wird. Zunächst wird das Verhältnis des Maßes und des Zahlbegriffs analysiert, insbesondere in Bezug zum Begriff der reellen Zahl und deren Entstehung in der Praxis des Rechnens und Messens. Anschließend wird das Maß als Kategorie der Sprache erfasst, die die Anwendung theoretischer oder auch quantitativer Unterscheidung auf eine qualitativ gegebene Erfahrung betrifft. In diesem Sinne werden Hegels Ausführungen zum Wandel der Quantität in Qualität, ebenso wie seine Verwendung der doppelten Negation und der schlechten Unendlichkeit in Kontrast zur entsprechenden Interpretation in der politischen Ökonomie von Marx und Engels gesetzt.
PL
The study focuses on the characteristically Pascalian attempt at synthesizing of contradictory and intensely remote extremes of existence. Assuming the form of existential dialectics, the paradox of Pascalian vision refers in particular to the human, demonstrating the non-reducible tension between the intuitive (irrational) and the rational (panlogical); between the heart and the mind, between faith and knowledge. The conviction of human misery or the worldly vanity is fused here with the simultaneous sense of human greatness (the power of thought). The tension which therefore spans those dichotomous ontological-ontic dimensions is the determining factor of the constitution of individual existence.
EN
The scientific methodology of management science (MSc) is consistent in terms of direction with the overall methodology of sciences. Still, it continues to pose significant challenges. One such challenge is the problem of system characteristics of MSc methodology at the highest level of scientific practice, i.e. praxeology and systems theory. There are also the problems of MSc synthesis, i.e. the definition of its universal scope, in the light of its increasing diversity and specialisation of domains. This paper aims to elaborate on the achievements to date in management science on the grounds of the systemic-praxeological approach, scientific synthesis of methodology, with a particular focus on the role of reasoning and inference.  My assertion is that methodology is a subsystem of the core of primary scientific activity of MSc, comprising the com- ponents of scientific practice focused around the scientific method (methods). Its objective domain extends beyond the cognitive function, also encompassing value assignment, determination of post-diagnosis scientific action, decisions about scientific models and implementation of scientific models –CARNI system. The scientific methodology of MSc is specifically a product of scientific problems as well as the goals, principles and methods used to solve them, forming an exceedingly complex system. 
EN
Pragmatics and dialectics are two disciplines which have been amongst the first and most important partners for argument studies in the exploration of the complex realm of communication. Treating argumentation as a construct consisting of premises and conclusion allows for investigating some interesting properties of the phenomenon of reasoning, but does not capture a variety of aspects related to the usage of natural language and dialogical context in which real-life argumentation is typically embedded. This special issue explores some of the fascinating research questions which emerge when we move beyond logic into the territory of the pragmatics and dialectics of argument.
EN
This essay aims at discussing the problem of Felix Mendelssohn’s attitude towards different religions shown in his choral piece Responsorium et Hymnus Op. 121 for male choir with cello and double bass. Considering the arguments concerning composer’s self-identity provided by Jeffrey Sposato, we could interpret the Lutheran chorale appearing at the end of this Catholic liturgical work as means by which Mendelssohn tried to manifest his Lutheran faith and therefore to criticize Catholicism. However, if we examine more carefully the very end of this composition, we would find that the musical material, characteristic for each faith, form a dialectical and dynamic relation. It seems that—instead of criticizing Catholicism—Felix showed the possibility and the necessity of different faiths to coexist, which, according to the idea of religious pluralism and tolerance proposed by composer’s grandfather, Moses Mendelssohn, is the only way to discover religious truth. At the end of this paper, I would like to propose that the reception history of Felix Mendelssohn’s work and life from the post-Wagnerian and anti-semitic criticism to so-called Mendelssohn Renaissance in the second half of 20th century also went through a dialectic course. We cannot fully understand and interpret them without taking a multi-aspect view.
EN
This essay aims at discussing the problem of Felix Mendelssohn’s atti¬tude towards different religions shown in his choral piece Responsorium et Hymnus Op. 121 for male choir with cello and double bass. Considering the arguments concerning composer’s self-identity provided by Jeffrey Sposato, we could interpret the Lutheran chorale appearing at the end of this Catholic liturgical work as means by which Mendelssohn tried to manifest his Lutheran faith and therefore to criticize Catholicism. However, if we examine more carefully the very end of this composi¬tion, we would find that the musical material, characteristic for each faith, form a dialectical and dynamic relation. It seems that – instead of criticizing Catholicism – Felix showed the possibility and the necessity of different faiths to coexist, which, according to the idea of religious pluralism and tolerance proposed by composer’s grandfather, Moses Mendelssohn, is the only way to discover religious truth. At the end of this paper, I would like to propose that the reception history of Felix Mendelssohn’s work and life from the post-Wagnerian and anti-semitic criticism to so-called Mendelssohn Renaissance in the second half of 20th century also went through a dialectic course. We cannot fully understand and interpret them without taking a multi-aspect view.
EN
The purpose of the essay is to critically analyze the influence of J. Derrida’s deconstruction on David J. Gunkel’s book Deconstruction (MIT Press 2021). Gunkel’s handbook is aimed at making deconstruction a tool of critical thinking accessible to non-professionals. It turns out that accomplishing this task comes at the expense of precisely the critical potential of deconstruction itself. Gunkel is well aware that his arguments are sometimes superficial and overlook deeper problems that should be addressed. Such a failure takes the form of a fetishistic denial, which in psychoanalysis is summarized by the formula “I know well, but all the same.” In turn, deconstruction itself, insofar as it is separated from Kant’s transcendental philosophy and Hegel’s dialectics, becomes an academic ideology. Restoring its proper subversive potential can only be done by returning to a philosophy of reflection, in which the thinker himself must ultimately consider his own position as an author and bring it under criticism. This is the path that Gunkel avoids, because he could then no longer be the author of a handbook on deconstruction, rather than someone who practices deconstruction.
EN
In this paper, i analyse the components that make up the concept of so-called elements of anti-Semitism as presented by Theodor W. Adorno and Max Horkheimer. According to their multi-factorial analysis of the sources behind the development of anti-Semitism in the 20th century, we can distinguish four basic dimensions thereof: socio-economic, religious, ideological and ethical-moral. After a brief characterisation of each of the elements of anti-Semitism, i then juxtapose them with the phenomenon of contemporary Islamophobia in order to attempt to prove that the concept of the authors of the Frankfurt School has a broader and non-uniform dimension; it can be treated as a philosophical-critical foundation for theoretical research in the field of contemporary xenophobias and its sources.
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Domov a svět člověka : Mezi Kosíkem a Kohákem

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Author focuses on conception of world as simultaneously constituted and lived by humans in the thought of Karel Kosík and Erazim Kohák. He seeks first an overall interpretation of the thought of Karel Kosík which would bridge the apparent gap between his early Marxist thought and his later essayistic critique of modern age. He comes to the conclusion that both phases of Kosík’s thought share substantive traits and even that Kosík’s later criticism of global capitalism is possible only on the foundations laid in his early works. Susequently the author presents phenomenologically oriented thought of Erazim Kohák which in spite of differences in overall philosophical framework manifests numerous parallels with Kosík’s thought. In Kohák’s work the author traces the problem of values and of valuing in general. On that basis he then analyses Kohák’s idea of home and offers it as a possible answer to the question of anchoring and orientating of lived experience in the dynamics of a world constituted by human being and living.
EN
This paper considers the extent to which we already live in a cosmopolitan era. Resurgent nationalism is explained as a reactionary response to the success of cosmopolitanization. Cosmopolitanization is further explained as a dialectical process. Contemporary cosmopolitanism emerges against the backdrop of Eurocentric globalization associated with the colonial era. While the Eurocentric legacy must be rejected, it has left us with a cosmopolitan world. Other dialectical processes emerge in consideration of the importance of local and multicultural issues. Cosmopolitanization is a process that must work to connect global processes with local concerns. The paper situates this argument in consideration of events in Peru, in connection with the rise of Donald Trump in the United States, and in relation to several examples of the cosmopolitan dialectic. Despite some dialectical setbacks, the paper concludes that we are already operating in a world in which globally diverse ideas and practices are already in dialogue. The challenge is to continue the cosmpolitanizing conversation, while remaining responsive to the needs of local communities.
EN
In this article, invoking some terms of phenomenology and general principles of structural semiotics, I critically examine and reveal some aporetic aspects of Nishitani’s interpretation of Buddhist concept of sūnyatā presented in his seminal work Religion and Nothingness. My critics are directed to deeply ingrained claims among scholars of a “rejection of any form of dualism” and “non-substantial philosophy” as unique characteristics of the Kyoto school or “logic of the East”. My arguments are based on examining how linguistic differentiating articulation and narrative rendering that perform a fundamental role in human cognition are at work in definition of “emptiness” (sūnyatā) too. Thus emptiness is not completely empty; being certain philosophical identity it can be articulated only by differentiation from other identities, and thus different is included in it. Nishitani needed logocentric modes of thought, as a dialectical (m)other for constructing his sūnyatā ontology. Accordingly, the realms that are considered to be secondary or derivative (i.e. sensual and rational, or linguistic representations) appear to be the condition for constituting the primary (suchness of things, sūnyatā). Considering universal mechanisms of the articulation of values I am also asking whether sūnyatā paradigm indeed is so fundamentally different from Western paradigms centered on idea, God, or a rational subject as Nishitani wants to think. Since we find a clear hierarchical differentiation into truth and illusion, authentic and inauthentic modes of thought and time, and initial and derivative ontological realms, features of “strong thought” (in sense of Vattimo) are evident in his work. I am also suggesting, that possibly by considering not sūnyatā or “idea” but human languages as a universal “house of being”, we would be able to “empty” discourses of radical difference and uniqueness, and in this way become post-nationalistically modern. Philosophy, in order not to turn into a onesided ideology, should reflect on its mythological and narratological conditions, i.e. dances on certain semiotic axes. From such a perspective, the gravitational trajectory of human thought, longing for conjunction with the absolute, defined either as God or as sūnyatā, will seem similar rather than different.
EN
This study explores the fundamental traits of Adorno’s conceptual understanding of modernity. In Czech sociology, there has not been a serious discussion of Adorno’s seminal oeuvre, this article aims to fill that gap. The aim is to reconstruct the very basis of Adorno’s sociological method: firstly, the essay turns its attention to the historically specific mode of subsumption of human action to the conceptual totality of class domination. In this process, an individual adopts a positive identity within which its suppressed, ontologically negative complement – its dynamic non-identity, persists. Secondly, the study deals with Adorno’s derivation of the concept of social essence. In this respect, he draws on Marx’s Capital, but Adorno’s critical reading introduces an important conceptual innovation: under the conditions of Keynesianism, Adorno challenges the validity of Marx’s theorization of law-like objectivity of value and replaces it with the concept of exchange as the universal model of social activity. However, the study argues that Adorno’s reconstruction of Marx’s critique of political economy has reified Keynesian management of the capitalist economy.
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