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REŻYSER POLSKI W TEATRZE ANGIELSKIM I POLSKIM

100%

Kaut-Howson H.

Zeszyty Naukowe PUNO

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2017

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issue 5

293-306

EN

Helena Kaut-Howson, internationally acclaimed theatre director, resident in UK since 1995, describes her career and experiences as a theatre maker, looking on it from the point of view of her contribution as a Polish artist to the cultural scene of Great Britain. Born and educated in Poland, having gained her degrees and diplomas both in Poland and UK, Helena Kaut-Howson has a strong afiliation with her Polish background and cultural if not necessarily national heritage. Her views on the role of foreign artists in the largely insular theatre scene in Britain have been shaped by extensive experience of working in most major theatres in this country, from regional repertory companies to London West End and the Royal Shakespeare Company. She describes her struggles over the years to establish her position and evolve an individual style of expression, overcoming considerable resistance both as a woman and a foreigner. It was mainly as an artistic director of eatre Clwyd (Wales) a regional theatre which she raised to international prominence, that she gained reputation for enriching British theatre with her vision. Since then and for many years aer her work has been appreciated for innovatory approach and for investing her in terpretation of English classics with a new refreshing quality, oen associated with the director’s Polish background. The article points out key diverences between the theatre culture in England and in Poland both bound up intrinsically with tradition and history. Helena Kaut-Howson’s experience outside of the United Kingdom confirmed her view of a theatre as an expression of national identity, this being true of all theatres including the marginally more outward looking Polish theatre. at’s why she looks upon her role as an Artistic Caretaker of the Polish Stage Company, UK which she founded in 2004 as essentially separate and based on diverent principles (though still on the highest artistic criteria) from her work as a British and international theatre director. If the former serves to maintain and strengthen the cultural identity of Poles abroad, the latter has to play to the interests and expectations of the British, only occasionally provoking them to broaden their perspective.

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Ocena możliwości łączenia mandatu posła z zatrudnieniem na stanowisku dyrektora Centrum Kultury i Bibliotek

100%

Karczmarek A., Kościelny P.

Zeszyty Prawnicze BAS

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2020

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issue 1(65)

210-215

EN

In the opinion of the authors, employment as the director of the Centre for Culture and Libraries is not covered by the principle of incompatibility, the violation of which results in the expiry of the Deputy’s mandate. However, it is not permissible to combine a Deputy’s mandate with employment on such a post due to a prohibition resulting from the provisions of the Act on the Exercise of the Mandate of a Deputy and Senator. In the event of not resigning from that post, the Deputy will lose it by law three months after taking the Deputy’s oath.

3

Ocena możliwości łączenia mandatu posła z funkcją dyrektora SP ZOZ Sanatorium Uzdrowiskowego MSWiA

100%

Galińska-Rączy I.

Zeszyty Prawnicze BAS

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2020

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issue 1(65)

194-209

EN

The author of the opinion states that in order to avoid the consequences of violating the substantive incompatibility of a Deputy’s mandate, it is advisable to take an unpaid leave by the director of the Health Resort Sanatorium of the Ministry of Internal Affairs and Administration, as he manages an entity being a state legal person conducting a business activity with the use of state property, what is contrary to the provisions of the Act on the Exercise of the Mandate of a Deputy or Senator.

4

Theatrical documentary of performance art

88%

Podmaková D.

Human Affairs

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2013

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vol. 23

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issue 1

81-90

EN

M.H.L. is a theatrical production dedicated to the first Slovak professional female director Magda Husáková-Lokvencová, which combines documentary theatre and performance. Sláva Daubnerová wrote the script and scene concept and is director and plays the sole character in the play. She portrays the private and professional life of M.H.L. in a chronologically sequenced and mosaic-like fashion. M.H.L. is portrayed as an educated, broad-minded and intelligent woman who knows her own mind. She graduated in law and then took up theatre direction. Her private and professional life represented a series of ups and downs. Initially happy at the side of her husband, Gustáv Husák-successful early on as a politician, and flourishing in the theatre, she later had to struggle to survive and make a comeback to the theatre. Performer Daubnerová, enhanced the performance by using video art and sound design as important elements in the production.

5

Fascynacje. Peter Brook*

88%

CZOP I.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2016

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vol. 19

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issue 28

69-74

EN

Fascinations. Peter Brook The author analyses various aspects of acting in the context of Peter Brooks theory of acting. This discussion takes into account role construction, the authenticity and originality of the character, the problem of the actors identification with the character and the importance of cooperation between the actor and the director in the pre-production process and on the shoot.

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Fascynacje. Peter Brook*

88%

CZOP I.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2015

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vol. 17

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issue 26

69-74

EN

The author analyses various aspects of acting in the context of Peter Brooks theory of acting. This discussion takes into account role construction, the authenticity and originality of the character, the problem of the actors identification with the character and the importance of cooperation between the actor and the director in the pre-production process and on the shoot.

7

Cinematographic Transformations of the Gospel. A Mariological Perspective

88%

Kochaniewicz B.

Poznańskie Studia Teologiczne

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2013

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issue 27

107-115

PL

Artykuł Filmowe transformacje Ewangelii. Perspektywa mariologiczna przedstawia analizę dwóch współczesnych obrazów o życiu Jezusa i Jego Matki: pochodzącego z roku 1995 francuskiego filmu Marie de Nazareth w reżyserii Jeana Dellanoya oraz powstałego cztery lata później dzieła Kevina Konnora Mary, Mother of Jesus. Przedmiotem analizy jest filmowa interpretacja życia Jezusa i Jego Matki opisanego na kartach Ewangelii. Charakteryzując obydwa obrazy, autor zauważył, że scenarzyści położyli akcent na wymiar historyczny, społeczny, polityczny i kulturo- wy epoki. W podobnej perspektywie ukazane zostało dzieło zbawcze Chrystusa oraz pełnia objawienia Bożego, która się w Nim zrealizowała. Należy podkreślić, że reżyserzy obydwóch obrazów wykazali troskę o to, aby postać Matki Jezusa została przedstawiona w sposób jak najbardziej wierny, prawdziwy i autentyczny. Dostrzeżone transformacje ewangelicznych opisów miały na celu pogłębienie niektórych aspektów, wydobycie nieznanych wątków, aby w sposób atrakcyjny i autentyczny ukazać życie Maryi. Tego typu interpretacje nie doprowadziły do znaczącej deformacji obrazu Błogosławionej Dziewicy. Dokonana analiza wykazała, że obrazy, mimo iż starają się wiernie oddać realia życia Jezusa i Maryi, to jednak akcentują zbytnio wymiar horyzontalny, podczas gdy nadprzyrodzony jest praktycznie nieobecny. Zbyt słabo podkreślono interwencje Boga w życiu Maryi oraz cuda dokonane podczas ziemskiej misji Jezusa, koncentrując się jedynie na najistotniejszych: wcieleniu, Bożym narodzeniu oraz tajemnicy paschalnej. Autor artykułu zauważa potrzebę stworzenia nowego języka, operującego symbolem, który byłby otwarty na wymiar transcendentny, pozwalając lepiej opisać tajemnicę Tego, który jest Nieogarniony i Święty.

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Opowieść reżysera, który chce być reżyserowany

88%

Pławuszewski P.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2012

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vol. 10

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issue 19

174-177

EN

The review A Tale of a Director Who Wants to Be Directed concerns a book written by Jacek Bławut (A Character in a Documentary). Notable Polish filmmaker sums up some of his artistic achievements (not without mentioning the future plans), trying to explain his view on a co-operation with a movie character (especially due to a documentary genre), but also on a directing itself. The review follows the vital points of the book, placing them under two general categories: “author” and “character”. It also recalls (with no abbreviation) something that’s been called as “Dogmas or what’s important for me” – these are ten “rules” that Jacek Bławut (as a director) tries to adapt to all of his film doings.

PL

A Tale of a Director Who Wants to Be Directed The review A Tale of a Director Who Wants to Be Directed concerns a book written by Jacek Bławut (A Character in a Documentary). Notable Polish filmmaker sums up some of his artistic achievements (not without mentioning the future plans), trying to explain his view on a co-operation with a movie character (especially due to a documentary genre), but also on a directing itself. The review follows the vital points of the book, placing them under two general categories: “author” and “character”. It also recalls (with no abbreviation) something that’s been called as “Dogmas or what’s important for me” – these are ten “rules” that Jacek Bławut (as a director) tries to adapt to all of his film doings.

9

O przemieniającym życie mroku postaci

88%

WIERZCHOWSKI M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2016

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vol. 19

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issue 28

47-60

EN

On the darkness of the character that transforms lifeThe author analyses the relationship between the actor>s life and the character they create on stage. He points to the interdependencies between the actor and their role. He determines the conditions in which the role should be constructed and also discusses the on- and off-stage circumstances that determine the value of a particular role. This analysis is supported by the authors own experience as a theatre director.

10

Jestem twój

88%

CZOP I.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2016

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vol. 19

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issue 28

199-210

EN

I’m yoursThe author analyses in detail the structure of the leading role based on the film “I’m yours” His analysis takes into account acting skills, the relations between the protagonists and adversaries and also cinematic time and space. He appreciates the role played by the screenwriter and establishes the principles for cooperation between actors and the director.

11

Praca nad rolą - Ryszard III*

88%

KAŁUŻYŃSKI M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2016

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vol. 19

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issue 28

211-230

EN

Working on the role –Richard III The author describes the contexts for working on the title role of Shakespeares Richard III. He points to specific stages in working on the role: familiarising oneself with the original text and associated literature (research), creating the character (concealing intentions, plans and emotions from other characters in the play, the characters internal struggle, perceiving psychological truths); developing relationships with the director and other actors; the use of scenography, costumes, lighting and music to create characters for the stage, considering the meaning of translation and rapport with the audience.

PL

Working on the role –Richard III The author describes the contexts for working on the title role of Shakespeares Richard III. He points to specific stages in working on the role: familiarising oneself with the original text and associated literature (research), creating the character (concealing intentions, plans and emotions from other characters in the play, the characters internal struggle, perceiving psychological truths); developingrelationships with the director and other actors; the use of scenography, costumes, lighting and music to create characters for the stage, considering the meaning of translation and rapport with the audience.

12

Авторство в кіно: проблема самореалізації

88%

Pogrebniak G.

Przegląd Wschodnioeuropejski

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2015

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vol. 2

261-267

EN

The article deals with the phenomenon of authorship in Ukrainian cinema, its ideological principles, creative guidelines. The researcher examines young Ukrainian film directors, their relevance, figurative composition, expressive means. In this article the authors analyze the modern interpretation of essential traits of such notions, as “outlook”, “harmony”, “person”, “self-realization”, “spirituality”. While working on the subject, author used the methods of scientific analysis, synthesis, comparison.The researcher concludes that Ukrainian artists who position themselves as writers sometimes substitute possession craft, complicating cinematic language, while only simulating experiment as a sign of creative authorship. The article expresses the belief that the modern Ukrainian cinema is a significant creative potential realization of the author’s identity.

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Opinia prawna w sprawie dopuszczalności łączenia funkcji radnego powiatu z funkcją dyrektora powiatowej stacji sanitarno-epidemiologicznej

88%

Chybalski P.

Zeszyty Prawnicze BAS

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2016

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issue 3(51)

183-187

EN

the State Sanitary Inspection is a part of government administration. Hence, regardless of the strong competence relationship with the governor of the county (starosta powiatu), the function of director of a county sanitary-epidemiological station should be regarded as belonging to the segment of government administration. The author concludes that, according to the law in force, there is no incompatibility of the function of county councillor and the function of director of the county sanitaryepidemiological station. It is therefore admissible.

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Charlie Chaplin - osobowość kina

88%

Moskwa M.

Dydaktyka Polonistyczna

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2019

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issue 5 (14)

101-119

EN

The article presents one of the most influential people in history of cinema Charles Chaplin. Born and raised in extreme poverty of London alleys, after years of hard work, he became the most popular and the richest person of the artistic world at the beginning of the 20th century. Chaplin was the man of genius, who created the character of a Little Fellow recognized all over the world until today. His attributes a short moustache, an old bowler hat, a bamboo stick, a tight jacket, loose pants and too big shoes together with not very smart, but cunning and kind childlike personality provided him an international success. Chaplin himself was very talented, apart from his acting abilities, he was a great director, screenwriter, producer and composer. His career originated in British music halls and after a long time of self development evolved to make Charlie the icon of the cinema. The article describes subsequent stages of that process

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"... I owo". Humor i humory Tadeusza Różewicza

75%

Solski Z.

DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu

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2015

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vol. 19

162-175

EN

Farewell volume by Czeslaw Milosz was entitled ‘It’. Because of the importance of the text, some re-viewers compared the text with the epilogue to ‘The Tempest’ by William Shakespeare. Tadeusz Rożewicz published a parody of Miłosz’s text entitled ‘This and That’. By adding ‘… and that’, he produced an effect resembling the puncturing of the bubble of illusion. The goal of this and similar polemics by Różewicz was not to arouse uncontrollable laughter, but recall a smile. Smile is always associated with the form and serves to maintain the continuity of culture. In intertextual games, the poet uses dif-ferent styles. The fact that he often reached for ludic and farcical conventions does not diminish the sophistication of his media. In the process of ridicule, the poet always kept the authenticity and naturalness. What is the kind of humor by Różewicz? We should rather talk about the many shades of his humor.

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Appointing the director of a cultural institution

75%

Czuryk M.

Cybersecurity and Law

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2022

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vol. 7

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issue 1

220-231

EN

The act on organizing and conducting cultural activity of October 25, 1991, distinguishes state and local government cultural institutions. A special place in these institutions is held by the director who is the governing body. This article outlines the rules for appointing directors and undertakes to analyze the provisions constituting the basis for an employment relationship with them. Doubts have been raised about the legal nature of the act of appointing the director of a cultural institution. The article points out the differences in the appointment of the director depending on the type of cultural institution, i.e. depending on whether it is a state or local government institution. It has been indicated that a candidate for the position of a director may be selected through a competitive process. The article presents the basic principles of its conduct.

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PROFESSOR JANUSZ DURKO (1915–2017)

75%

Sołtan A.

Muzealnictwo

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2018

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vol. 59

63-67

EN

Janusz Durko, Prof. Dr with habilitation, was a historian, an archivist, and a distinguished museologist. Born in Warsaw, he graduated from Warsaw University, history faculty (1938); then spent a whole WWII here. After the liberation from German occupation, he worked in the Capital City Reconstruction Office (Biuro Odbudowy Stolicy), then in the Institute of National Remembrance (Instytut Pamięci Narodowej) founded to conduct research on contemporary history. His doctorate degree he obtained in 1948, habilitation in 1955, professorship in 1964. In 1951, he was appointed to the post of a director of the Main Historical Museum, which two years later was changed into the Historical Museum of Warsaw. The permanent exhibition he opened in 1955 was the first, exhaustive and complete, attempt to give the synthetic presentation of Warsaw past; the museum itself – as an institution of the greatest importance in the field of historical museums in Poland at the time – was inspiring a development of historical exhibitions also in museums of other countries. This helped Janusz Durko to establish his highly regarded professional position: he had been invited to be a member of many committees, councils (including museum ones) and associations, as well as editorial boards of magazines, inter alia, “Museology”. In the years 1951–2003, when Janusz Durko was the head of the Historical Museum of Warsaw, it was one of the main institutions for research on Warsaw history, the venue of numerous conferences, sessions and temporary exhibitions. It was maintaining good relations with many other countries, creating intensely its own collection, and offering an attractive educational programme. The number of its branches was steadily growing. Among Professor’s publications (ca. 140) of various kind there is one of an undoubtedly monumental character: eight volumes of the Bibliografia Warszawy (1958–2006) edited by him, where he registered everything, or nearly everything, that was being published on Warsaw in the years 1795–1970. In recognition of Professor’s achievements he had been awarded a number of times with, inter alia: the Minister of Culture and Arts Award of 1st degree for protection of cultural heritage, the Award of Capital City of Warsaw (twice), title of “Homo Varsoviensis”, the Order of Polonia Restituta First Class – the Grand Cross with Star, the Gold Medal for Merit to Culture “Gloria Artis”. After getting retired in 2003, Professor Durko still maintained close relation with museum by being a member of the Museum Council (2004–2008). In 2015, the institution he had been running for 52 years had an honour of hosting him for the last time during the celebration of his 100th birthday. He died a year after and was buried in the Powązki Military Cemetery.

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Professor Zbigniew Wawer a museum curator

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Sobczak A. K., Prokopczuk-Runowska I.

Muzealnictwo

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2023

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vol. 64

37-43

EN

Following a long disease, on 12 December 2022, Zbigniew Wawer passed away: a historian, boasting a postdoctoral degree, an associate professor, author of numerous publications, and a film producer. In 2012–2017, he ran the Polish Army Museum in Warsaw, as of 2017 having become Director of the Royal Łazienki Museum. The period of his career connected with museology was marked by the process of establishing contacts with international partners focused mainly on presenting research results. It was also characterized by a high dynamics of displays meant to expose some unique artefacts, particularly Polonica, and of publishing projects. He considered these two aspects the most important in fulfilling the museum’s mission. Prof. Wawer also paid similar attention to collection extension, having demonstrated high efficiency in fundraising for the purpose. Furthermore, he strongly opted for the upgrading of his staff’s qualifications, while also seeing the necessity to verify museum-related competences. Many museum curators followed his encouragement to study. The paper presents the profile of a widely known individual in more detail; he was a researcher focused on revealing the historical truth and a museum curator frequently appreciated for his activity.

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FRANCISZEK CEMKA – A FRIEND AND ADVOCATE OF MUSEOLOGY

75%

Jaśczak R.

Muzealnictwo

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2019

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vol. 60

39-41

EN

On 12 October 2018, Jan Franciszek Cemka passed away. Born in Tuchola in 1946, he was an archaeologist, graduate from the Department of Philosophy and History of the University of Lodz, an expert on museology, a civil servant, Director of the Museum Department, and later of the Department of National Heritage at the Ministry of Culture and National Heritage, a Minister’s adviser, mentor of young administration officials. Resorting to his expertise, Director Franciszek Cemka actively participated in the transformation processes of Polish museology, e.g. he coordinated the implementation of the Archaeological Photo of Poland Project; as an expert, he coauthored the Act on Museums of 1996; he also contributed to organizing the International Auschwitz Council. As the head of the Ministry Department for Museums in Poland, he actively participated in numerous bodies related to this sphere of culture. Moreover, he authored many papers on museology published in professional periodicals. For his longstanding work and civil service, Franciszek Cemka was given many state and professional decorations.

20

Profesor Zbigniew Wawer – muzealnik

75%

Sobczak A. K., Prokopczuk-Runowska I.

Muzealnictwo

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2023

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vol. 64

36-42

PL

12 grudnia 2022 r. po długiej chorobie zmarł Zbigniew Wawer – historyk, doktor habilitowany, profesor uczelni, autor licznych publikacji, producent filmowy. W latach 2012–2017 kierował Muzeum Wojska Polskiego w Warszawie. Od 2017 r. był dyrektorem Muzeum Łazienki Królewskie. Okres jego pracy w muzealnictwie charakteryzował proces budowy relacji z partnerami zagranicznymi, nastawiony głównie na prezentację ustaleń badawczych. To też spora dynamika działań wystawienniczych eksponujących unikatowe obiekty – szczególnie polonika – oraz projekty wydawnicze. W realizacji misji muzealnej uważał je za najważniejsze. Z równie wielką atencją podchodził do powiększania kolekcji. Skutecznie zabiegał o środki finansowe na ten cel. Był też orędownikiem podnoszenia kwalifikacji pracowników. Widział potrzebę weryfikacji kompetencji muzealnych. Zachęcał do studiowania i wielu muzealników skorzystało z jego rad. Niniejszy tekst przybliża sylwetkę człowieka powszechnie znanego. Naukowca, który swoją działalność badawczą ukierunkował na ustalenie prawdy historycznej. Muzealnika, który za swoją działalność był wielokrotnie doceniany.

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REŻYSER POLSKI W TEATRZE ANGIELSKIM I POLSKIM

Ocena możliwości łączenia mandatu posła z zatrudnieniem na stanowisku dyrektora Centrum Kultury i Bibliotek

Ocena możliwości łączenia mandatu posła z funkcją dyrektora SP ZOZ Sanatorium Uzdrowiskowego MSWiA

Theatrical documentary of performance art

Fascynacje. Peter Brook*

Fascynacje. Peter Brook*

Cinematographic Transformations of the Gospel. A Mariological Perspective

Opowieść reżysera, który chce być reżyserowany

O przemieniającym życie mroku postaci

Jestem twój

Praca nad rolą - Ryszard III*

Авторство в кіно: проблема самореалізації

Opinia prawna w sprawie dopuszczalności łączenia funkcji radnego powiatu z funkcją dyrektora powiatowej stacji sanitarno-epidemiologicznej

Charlie Chaplin - osobowość kina

"... I owo". Humor i humory Tadeusza Różewicza

Appointing the director of a cultural institution

PROFESSOR JANUSZ DURKO (1915–2017)

Professor Zbigniew Wawer a museum curator

FRANCISZEK CEMKA – A FRIEND AND ADVOCATE OF MUSEOLOGY

Profesor Zbigniew Wawer – muzealnik