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Fabryka Schindlera – tektonika dyskursów

100%
Szalewska K.
Jednak Książki. Gdańskie Czasopismo Humanistyczne
|
2015
|
issue 3/2015 "My, Naród..." Polski mit narodowy dzisiaj
69-88
EN
The author of the article discusses the museum institution which is Oskar Schindler’s Enamel Factory, a branch of the Historical Museum of the City of Kraków. The subject of the analysis is a permanent exhibition – Kraków under Nazi Occupation 1939–1945. The reading of the exhibition space starts from the premise that modern museums are mirrors which reflect the contemporary historical culture, with the appropriate symbols, myths and desires. The author interprets the exhibition, treating it as a discourse, a mixture of a variety of narrative – academic and pop cultural, theater and multimedia. The analysis also includes the characteristic phenomenon of postmodern thinking about the past, such as post-nostalgia, privatisation of the past, melancholy, irony or desire for presentification.
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