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Reportaż na Pomorzu. Rekonesans

100%
EN
Szczecin – a town of many identities, the capital of West Pomerania, an urban agglomeration situated about 100 km away from Berlin on one hand and on the other away from the Baltic Sea, with a prosperous (at one time) harbour, by its inhabitants called ‘a window to the world’. Szczecin is situated near the border between Poland and Germany and is culturally differentiated. It is a town of contradictions and compromises, seemingly open thanks to the access to the sea, on the other hand strongly distancing itself from its German past, which is to be seen in the names dating back to the times of the Polish People’s Republic, when this region used to be called ‘the recovered territories’. And so is the reportage in Pomerania. The reportage that is compatible with the town because of its borderland character, its vagueness and diversity.
EN
The reviewed book of Janusz Łosowski attempts to investigate the importance of written documentation in the life of peasants in the Polish-Lithuanian Commonwealth in the 16th–18th centuries, especially in the lands of the Polish Crown, basing mostly on the sources concerning Lesser Poland (Małopolska). The study of Łosowski has been based upon extensive and thorough archive query, including very interesting groups of sources (some of them excerpted in the annexes). It attempts to deepen the knowledge of early modern legal culture and mentality of peasant societies.
Zeszyty Prasoznawcze
|
2012
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vol. 55
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issue 4
84-115
EN
The bibliography is selective and covers only papers of scientific or documentary nature which concern journalistic matters. Only the original scientific dissertations (articles, books) have been listed altogether. All other types of publications (information notes, reports, biographies in the form of novels, reviews) have undergone selection. Only the papers of lasting value and some more important reviews of journalistic monographs have been included. A total of 430 papers have been listed, of which 222 are articles, dissertations and books, whereas 208 are reviews and polemics. The books (including 7 author’s monographs and 30 volumes of edited papers) are of special importance among these papers. The bibliography is preceded by a short methodological outline and statistics of the author’s works
PL
The advent of new music technologies has led to a rapid growth of the audio preservation field. Music is not independent of its medium, and this growing loss of independence calls for a transdisciplinary approach with a strong technological component. Musical compositions created in the second half of the twentieth century exist in the intersection of technology, embodiment, and sound and thus widen the importance of aspects such as human and non-human interactions. This article will reflect on these issues and how they reframe (digital) philology methods through the works of Constança Capdeville. The works by this seminal artist are accompanied by an extensive archive that includes scores, recorded sounds, video and images, among other documents. It will be demonstrated how a reflexive approach to digital philology can bring concealed archival stories to light while fostering new meanings on what it means to preserve our sound heritage. Resource optimisation is one of the reasons methods of traditional philology are particularly useful for the preservation of contemporary musical heritage. Today the amount of information is excessive, and categorisation and organisation are complex. Most information exists in the form of digitised documents, that comply with certain requirements traditionally applied to secular paper registers while assessing qualities such as reliability and authenticity. Traditional philology approaches framed around these qualities are insufficient for born-digital documents. A reflexive approach to digital philology, focussed both on the creation of digital resources (from digitalisation to cataloguing) and the criticism of digital sources, as a solution the digital treatment of documents is proposed. A comparative approach will be used to understand in what ways digital and analogue media intertwine in the forms we think, reflect, historicise, and preserve our sound archives, and how we make visible aspects that were previously concealed through new forms of categorising and digitising documents.
EN
The paper is an attempt to theoretically examine the complex phenomenon of film recording of a theatrical performance. It is an extremely important issue, one that is becoming more and more clearly recognised, yet one that is rarely reflected upon in theatre or film studies. Using Jerzy Grzegorzewski’s The Little Soul (Duszyczka) as an example, the paper discusses three basic types of theatre recordings, i.e. the technical recording, recording of a performance and its television adaptation. Their most important aspects, including differences and similarities as well as strengths and weaknesses, are discussed in relation to the categories of time, space and style. The introductory theoretical outline formulated in this way is primarily intended to help shape the audience’s informed perception of these recordings.
EN
The systematic research into and documentation of vernacular architecture, the beginnings of which could be observed no later than from the time of the preparations for the Czechoslavic Ethnographic Exhibition, developed fully at the beginning of the 1950s. The research followed older research and documentation works carried out by the Czechoslavic Ethnographic Society from its foundation in 1891, it included monographs devoted to selected locations/regions and evolved to a systematic ethnographic inventory during the first half of the 20th century. The architect Jiří Waage took part in the researches in 1953-1962.
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Národopis, památková péče a muzea

88%
EN
Heritage preservation is one of the fields where the results of the ethnological studies may be applied. The professional goals of Czech ethnographers include above all the documentation, but at the same time the care of monuments. It implies systematic field work: research, written as well as photographic documentation, registration, comparative studies. Classification of the detected artifacts of vernacular architecture is only one aspect of the professional ethnographic work in the institutes of heritage preservation. Close cooperation of researchers in those institutes with universities and museums, especially with the regional ones, may be considered as relatively successful. The videos, DVDs and CDs dealing with vernacular architecture technology and with the traditional procedures in the building trade are an extraordinary evidence of this symbiosis. From the point of view of the monument preservation, those films are drawn up as documentary films, however, the individual building operations are demonstrated herein. Screenplays of those films were elaborated with regard to the participation of the museum experts. the synergy of the ethnologists engaged in the monument preservation and the municipal government and state administration with their aim to enhance local or regional tradition cannot be overlooked. Participation inpreservation of a number of objects of vernacular architecture in particular villages enables the contemporary generation to learn about local building traditions, handcraft production, etc. Environment created like this is an ideal starting point for common cultural activities, stimulation of interest in the native place and region, previous generations and their way of life.
EN
Models of vernacular architecture are one of the best ways for the documentation of folk buildings. However, it is necessary to be aware of the fact that those models document the buildings visually, while their construction and material are documented only insufficiently. The research on the models showed that the models are made at more quality levels which differ in the fidelity of imitation of a constructional detail or material used. Even though the models will continue to be a suitable means to document vernacular architecture, it is necessary to replenish them with other documentation methods. The future of the models consists primarily in the presentation of folk buildings.
EN
Several researchers, who collected the expressions of oral folk literature, worked in the Boskovice area in the second half of the 19th century. Other parts of traditional rural life drew attention only from the late 19th century. At that time, the pharmacist František Lipka worked in the region, who took a crucial part in the photo and drawing documentation of vernacular architecture. His expert articles and photos taken in the countryside are the principal start-point for the future research into vernacular architecture in the Boskovice area.
EN
Many fields of study whose goals and methods differ in many ways have been engaged in researching rural settlement and dwellings. Different approaches to research and documentation can be traced even at different workplaces within one field. Comparison between the conception of Documentation of Rural Settlements prepared and coordinated by the National Heritage Institute in Prague and the questionnaire focused on settlements, houses and living prepared by the National Institute of Folk Culture in Strážnice as a part of the project Identification and Documentation of Traditional Culture can serve as an example. While the preservationists’ documentation observed primarily concrete material forms of settlements and buildings, the questionnaire focused on identification of folk culture and paid more attention to the relation of social and family life and customs. Many ethnologists and museum workers participated in both research projects. The results show that different concepts allow creation of many interesting points of view, inspire further research and offer many impulses to museums. Sometimes they contribute to the enrichment of museum collections and to the utilization of acquired documentation for the purpose of presentation through thematic exhibitions.
EN
The article, which is a part of the author’s master thesis, aims to analyze the installation in the Museum of Contemporary Art in Kraków – Live Factory 2: Warhol by Lupa. The installation is based on the stage design for Krystian Lupa's theatre production Factory 2 which was inspired by the concept of Andy Warhol's Silver Factory. The article attempts to define the relationship between Live Factory 2, Factory 2 and Warhol’s Factory as well as the status and the character of Live Factory 2 and its potential of being the information about Lupa's performance.
EN
The article presents a computer-aided tool for quality management support, on the example of a farm involved in breeding cattle. The motivation for a tool to support farm management was the need to standardize the documentation including different types of records, discrepancies and to facilitate the archiving process. The project was developed in an Excel spreadsheet, with the principle of the most user-friendly interface between the user and the used support tool. The advantage of the project is the possibility to use it analogically in other farming industries, and the possibility of tool expansion, possible by adding modules depending on particular requirements of the farmer. The main reason to address the issue presented in the article is the lack of applicable IT solutions that would support farmers in farm management, and the willingness to show that a huge step may be done easily, as regards improvement in work, raising its quality and time-saving.
EN
Educational care facilities to which children’s homes are included (but also family-type children’s homes), have to fulfill a number of responsibilities imposed on them by the external law (Acts, Decrees) and internal (resolutions, statutes, regulations, programs etc.). The documentation, in minutiae, specifies all procedures in terms of numbers, percentage rates, indicators – providing, very often, ready forms’ specimen to be used by the owners. All in the name of a broadly defined good and safety of a child. However, there is no point searching through the aforementioned documentation and recommendations trying to find provisions translating into the relationship between a counsellor and a child in regards to the frequency of cuddling, conversation time, showing affection as well as other important relations that are needed by children. That is why the personnel (with competences precisely specified by the law) spends the majority of time on timely and scrupulous preparation of documentation, because during inspections this is what matters most. It is taking place (according to authors) at the cost of true educational work.
PL
Placówki opiekuńcze, do których zaliczane są domy dziecka (ale także rodzinne domy dziecka), muszą wywiązywać się z wielu obowiązków nałożonych na nie przez prawo zewnętrzne (ustawy, rozporządzenia) i wewnętrzne (uchwały, statuty, regulaminy, programy itp.). W najdrobniejszych wręcz detalach dokumentacja określa wszelkie procedury liczbowo, procentowo, wskaźnikowo – dając często gotowe wzory formularzy do stosowania przez opiekunów. Wszystko to w imię ogólnie rozumianego dobra i bezpieczeństwa dziecka. Próżno jednak szukać w tej dokumentacji i zaleceniach zapisów przekładających się na kontakt wychowawca – dziecko, w odniesieniu do częstotliwości przytulania, czasu na rozmowy, okazywania czułości i innych podstawowych relacji, których dzieci potrzebują najbardziej. Dlatego kadra (o dokładnie określonych w prawie kompetencjach) większość czasu poświęca na terminowe i skrupulatne sporządzanie dokumentacji, bowiem z tego właśnie jest rozliczana w przypadku kontroli. Odbywa się to (zdaniem autorów) kosztem prawdziwej pracy wychowawczej.
EN
Bibliographic databases have recently received increased attention from researchers which explore the possibilities of data-driven research based on bibliographical data. This paper briefly overviews the current state of digital literary studies and tries to summarize the development and current situation of data-driven research on bibliographical databases which led to the emergence of so-called bibliographical data science. The specific problems of quantitative research on bibliographical data both from the methodological as well as technical point of view are discussed in more detail and intensive dialogue between data curators and data researchers is advocated for. Subsequently, practical examples of bibliographical data analysis are shown on an example of the data from Czech Literary Internet database and the Statistical and Analytical module for bibliographical data analysis newly developed by the Czech Literary Bibliography research infrastructure is introduced.
15
75%
EN
The Ethnographic Museum of the Slaný Area in Třebíz was opened to the public in 1975. The museum includes farmsteads and buildings around a village green, which have been preserved and repaired in their original place. In 1995, the village centre was announced a village conservation area. In the course of museum´s development, a lot of important experts cooperated with the museum, whose focus was on the research into and documentation of regional settlements and buildings. The resulting studies, books and short articles give information about typical mostly two-storeyed village buildings built of stones, building elements proving the age of the buildings, surviving documents of half-timbered structure, and about courtyard balconies, gates and other parts of rural buildings. The documentation of village settlements, which was organized by the National Heritage Institute, brought about many valuable documents as well. The results of this documentation were presented at several exhibitions. The Ethnographic Museum of the Slaný Area in Třebíz enjoys the visitors´ interest, however, it does not collect new knowledge about folk culture; that means about village buildings. Monitoring of the development and currentconditions of settlements could undoubtedly bring about interesting and valuable results.
EN
The efforts and results of the research work of the 19th-century personalities who prepared the Czechoslavic Ethnographic Exhibition was continued by other scientists from ethnography and other disciplines dealing with folk culture in the 20th century. Dušan Jurkovič, Zdeněk Wirth and Václav Mencl as well as others were among the most significant experts in the branch of vernacular architecture. Antonín Kurial, a student of Prof. Groha and a university teacher, followed their traces and learned from their results. He succeeded in developing the theories about the documentation of vernacular architecture into a fully- fledged practice. Together with his students at Brno University of Technology, he tried to achieve the best possible way of documentation. After World War II, he started to make an inventory of and to localize more than 1 300 buildings and to survey the selected vernacular buildings from Moravia and Silesia in the measuring scale 1:50 and 1:25. Eastern Moravia, especially the regions of Luhačovské Zálesí and southern Wallachia as well as the villages with timbered architecture in the Vsetín area are abundantly represented in his collection prepared for the Atlas of Vernacular Architecture. The collected documents are published in the form of a printed Catalogue of Vernacular Architecture in particular districts and they are considered to be a unique form of detailed documentation of vernacular buildings in Central Europe.
EN
The 15th anniversary of the establishment of the Cardinal Stefan Wyszyński University (UKSW) archive is a good moment to reflect on its operation. Its annual reports enable us to recognize the scale and quality of the archive’s operation. Reports prepared between 2003 and 2015 for various purposes and authorities show how the archive has fulfilled its basic duties. The quality of UKSW’s archive is monitored by the State Archive in Warsaw. As a interfaculty unit of UKSW, the archive also comes under the authority of one of the University’s deputy vice-chancellors. The archive mainly reports to these principal bodies on an annual basis. The archive holds the records of the Warsaw Theological Academy which was later transformed into UKSW.
EN
The paper is a concise synthesis of deliberations based on the ideas of Kolberg (extracts) subjectively selected by the author. The main problems analyzed in the paper are: music as the subject of high priority in documentation and research, as well as the idea of methodical holistic documentation. The paper presents two weaknesses of modern ethnomusical gathering and archiving methods which are of utmost importance. Firstly, research centers and researches themselves are dispersed, and so is the object of the studies, musical material, which has recently been gathered intensively both by scientists and amateurs. Secondly, resources are not worked on with due consideration to their merits, especially if the work is undertaken by an individual hobbyist. Subsequently, the paper focuses on the idea of popularization of traditional music and its practical and theoretical aspects, which have been presented in the context of Oskar Kolberg’s comprehensive musical education, his music-making, and the meaning of these for his academic thought and the attitude towards his own interest in the research and documentation of music. The aforementioned practical aspect also concerns his exquisite organizational skills during his fieldwork. The theoretical aspect is the praise of erudition and versatility of his interests which were reflected in his academic thought, his journalistic work, and deep concern for the top quality of his editorial work.
EN
Following the end of World War II, local authorities were subjected to local representative bodies, which were an affiliated entity headed by a State National Council. Since 1 January 1973, local national council was empowered to act as both a national and basic local authority on behalf of a gmina (lowest level of administrative division) or a town with a neighbouring gmina. Whereas a gmina’s or town and gmina’s governor served as a one-man administrative and executive body. The author presents the interrelated activity of national councils and local administrative bodies across Poland in 1973-1990 based on the example of the Municipal and Communal National Council as well as the Municipal and Communal Office both based in Łosice. He portrays these authorities in respect to archival research, describes their structural history as those responsible for compiling documents and characterizes archival records created by them.
EN
The paper introduces and discusses Strappo ad Asolo from 1973, a site-specific artwork by Dorothee von Windheim along with its vast documentation preserved at the Conz Archive in Berlin. The findings are based on the research in the archive conducted in the fall and winter of 2018 as well as the correspondence with Dorothee von Windheim. In the first part, the figures of the collector and curator Francesco Conz and the artist are introduced. The account of their activities in the early 1970s is followed by the description of their meeting and production of Strappo ad Asolo in 1973. In the latter part of the article, I look closer at the ontology of Dorothee von Windheim’s artwork and its uniqueness in the wider context of the site-specific art of the 1960s and 1970s as well as reflect on the documentation process as a part of the performative site-specific practice. In order to analysie Strappo ad Asolo, the notions of framing (Immanuel Kant, Jacques Derrida, Craig Owens) and index (Rosalind Krauss) are employed. In the final remarks, the importance of Strappo ad Asolo-both for Dorothee von Windheim and for Francesco Conz-is underlined.
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