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PL
Autor recenzji omawia książkę „Czas nieprzewidziany. Długa rozprawa bez pana, wójta i plebana” w kilku przekrojach. Zwraca uwagę, że tom Głowińskiego i Wołowca może być rozpatrywany jako swoisty poradnik sztuki życia, który mówi m.in., jak literatura pomaga oswoić dramat istnienia (po Zagładzie). Ale „Czas nieprzewidziany” to także przykład literatury interlokucyjnej. Przeszłość odsłania się w niej w rezultacie współpracy rozmówców. A wreszcie książka jest specyficzną (bo „mówioną”) autobiografią. Eksponowane miejsce zajmuje w niej próba uporządkowania i hierarchizowania dokonań naukowych Głowińskiego.
EN
The reviewer discusses the book “Czas nieprzewidziany. Długa rozprawa bez pana, wójta i plebana” („Unpredictable Time. A Long Conversation without a Squire, a Bailiff and a Parson”) on a few planes. The scholar points out that Głowiński and Wołowiec’s volume may be seen as a peculiar guidebook to the art of life which tells, for example, how literature helps habituate the drama of existence (after the Shoah). Nevertheless, the book in question is also an example of interlocutory literature since it reveals the past as a result of the interlocutors’ cooperation. Ultimately, it is an unusual (vide “spoken”) autobiography. A prominent place in the book is occupied by an attempt to put an order and to hierarchise Głowiński’s scholarly achievements.
EN
The article is devoted to Maria Czerkawska’s poetry written during interwar period. Nature is the main subject of her poems. It is shown in a detailed and precise way. The good example is her book entitled Zielony cień  (1928) and subsequent volumes. Zielony cień  contains portraits of plants. Literary critics noticed several important features of these poems: versatility of observation, accuracy and concreteness of description. The same characteristics can also be observed in works of Skamander group of poets. Article focuses on the following topics: suffering observed in nature and continuous process of dying. Czerkawska’s poems tell us about transience, absurdity, horror and drama of existence. It is caused by close relation between the lyric subject and the nature. Czerkawska is trying to discover nature’s secrets. These tendencies are also present in poems of Bolesław Leśmian, Leopold Staff and Maria Pawlikowska-Jasnorzewska.
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