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EN
Ladislav Klíma is the enfant terrible of Czechoslovak philosophy. His philosophy of egosolism, first developed in the work The World as Consciousness and Nothing (Svět jako vědomí a nic), contrasts sharply with the predominantly rationalist and scientific orientation of the philosophy of his time. The romanticised image of Klíma as a tortured intellectual remains alive mainly thanks to the widespread popularity of his “grotesque romanetto” The Sufferings of Prince Sternenhoch (Utrpení knížete Sternenhocha), which still resonates in Czech society to this day. His philosophy of egosolism or ludibrionism, however, remains shrouded in a veil of mystery; Klíma himself complained before his death that he was mistakenly interpreted as a solipsist. This paper offers an interpretation of egosolism in The World as Consciousness and Nothing as a form of radical individualism, which, through a surprising “twist”, calls for active participation in the phenomenal through play (ludus, from which the word ludibrionism is derived as a complementary term to egosolism), and which is essentially a practical philosophy for ordinary, everyday life. The focus falls on the concepts of the primary and secondary world, will, play and reflection; the goal of the study is to provide an original interpretation of Klíma’s egosolism in The World without any reliance on previous interpretations. Klíma ascribes a special role to the method of subjective experiencing of his philosophy, which the he considers to be crucial to gaining the right impression and the correct grasp of it. The Klíma chose this method with the view of assuring the highest possible authenticity of the offered interpretation. The reasons for this choice are examined in more detail in the concluding part of this paper, which is dedicated to a methodical and stylistic commentary of Klíma’s work.
EN
The article deals with the reception of Ladislav Klíma’s work by his contemporaries, by the philosophers, academicians and authors, including Otakar Březina, Jaroslav Seifert, Karel Čapek, F. X.Šalda and Emanuel Chalupný, Klíma’s patron. The focus is placed on the reception of Klíma by the philosophers of the “younger generation”, such as Ferdinand Pelikán, Karel Vorovka, Vladimír Hoppe, and Tomáš Trnka. The article builds especially on the articles published in the then journals or on the commentaries in the then litterature. Although Ladislav Klíma was ignored by most of the “official” philosophy, the originality of his writing style and the uniqueness of his character gained him much appreciation, if not admiration, from most of the acclaimed academicians of the time. Even though most of Klíma’s supporters and readers did not agree with his philosophy, they certainly respected him for the genuineness of his attempts at living his philosophy.
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