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FR
L’élégie érotique de Tibulle comporte de nombreux éléments humoristiques. Grâce au grotesque le poète fait diminuer la signification de son amour aux filles – Délie et Nemezis, ainsi que son estime pour Venus. Son comportement absurde en tant qu’amant démontre la fiction des sentiments présentés dans les poèmes. Enfin, l’ironie à l’aide de laquelle Tibulle décrit des événements mythologiques et la déesse Pax montre son désintérêt pour la politique de l’empereur Auguste. C’est surtout à Tibulle qu’Ovide doit la vis comica dans ses Amores.
Terminus
|
2011
|
vol. 13
|
issue 24
87-100
EN
The author presents ways in which Klemens Janicjusz (Clemens Ianicius, 1516–1543), certainly the most significant neo-Latin poet of early Renaissance in Poland, constructs the image of Italy in his autobiographical cycles of elegies (Tristium liber unus, Variorum elegiarum liber unus). Janicjusz, born in the peasant family, could have studied at the University in Padua thanks to a scholarship funded by his patrons. He gave to Italy a status of an exceptional place that combines features typical of Arcadia (a mild climate, a humanfriendly nature, the unique customs of inhabitants) with the atmosphere favourable to scientists and artists (the place where Muses moved from Greece). The poet had to leave Padua because of his illness, which meant to him a kind of exile from the ideal land and made him aware that his dreams about artistic fame and completing his humanity would never realise.
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