Search results

1

Prezentacja badań niematerialnego dziedzictwa kulturowego w Muzeum Narodowym Rolnictwa w Szreniawie

100%

Jełowicki A.

Zbiór Wiadomości do Antropologii Muzealnej

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2019

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issue 6

PL

This text will discuss the activities of the National Museum of Agriculture and Food Industry in Szreniawa (abbreviated to the Museum in Szreniawa) in the field of research, documentation of intangible cultural heritage and the dissemination of knowledge about it. This is only a presentation of findings which in the future may become the basis for deeper analysis or broader synthesis. The research mainly focused on the role the facilities play or are to play in the museum. Today, it is important to classify and present various undertakings of this institution.

2

Galeria Academica: a Portrait Collection of the University of Helsinki

100%

Vourikoski P.

Opuscula Musealia

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2012

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vol. 20

29-44

EN

Galleria Academica, owned by University of Helsinki, is the largest portrait collection in Finland containing ca 1000 pieces of works. The history of the collection dates from 1650s, when the first portrait was donated to the Royal Academy of Turku, the predecessor of the University of Helsinki. In the collection is represented all types of portrayal art in Finland as well as large number of famous Finnish artists. Modern approaches have slowly broken through for portrayal art, because of their representational status.

3

Communism on Display. Representations of the Past in Polish Historical Museums

100%

Ziębińska-Witek A.

Historyka Studia Metodologiczne

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2021

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vol. 51

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issue Spec. iss.

389-403

EN

The article analyzes museum representations of communism in Poland from the perspective of exhibition strategies influencing the public understanding of the past. Over the past forty years, Western museums have increasingly moved away from the affirmative model of presenting the past, dominating since the nineteenth century, towards critical paradigms and even those pro-moting social activism. The analysis of Polish exhibitions devoted to recent history carried out from this perspective allows us to reveal the functions fulfilled by museum institutions in the Polish social and political reality.

4

NOWA FORMA MUZEUM SZTUKI – GALERIA SZTUKI W WIELKIEJ BRYTANII W CZASACH WIKTORIAŃSKICH

100%

Waterfield G.

Muzealnictwo

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2015

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vol. 56

201-214

EN

The article is devoted to the idea of the art gallery that flourished in Victorian Britain. The author describes the social and political background of the phenomenon of a new form of a museum, namely the art gallery which used to be private and popular expenditure on the arts. A rage for exhibitions erupted in nineteenth century Britain. The exhibition was central to the new art museums. These included high-minded historical surveys of world history or world art; trade exhibitions; displays of work by contemporary artists; displays of single paintings; assemblies of works from private collections, held both at the Royal Academy of Arts and in many major towns; everything except single-artist exhibitions which were regarded as vulgarly commercial. Many of the new museums were financed by such events, so that, for example, the new buildings at Kelvingrove in Glasgow were originally built to accommodate a huge popular exhibition. One of the prime purposes of the new galleries was to accommodate annual shows of work by artists, a tradition that had existed since the early nineteenth century. These art museums flourished for only a short time, and their principal legacy in material terms is the large number of well-built structures that was created for them. But the idea of creating a museum that could be enjoyed by all, free of charge, was a worthwhile one, one that has become hugely important in contemporary Britain, and that represents I believe a pioneering ideal.

PL

Artykuł jest poświęcony idei galerii sztuki, która rozkwitła w Wielkiej Brytanii w epoce wiktoriańskiej. Autor opisuje tło społeczne i polityczne fenomenu nowej formy muzeum, czyli galerii sztuki, które były prywatnym, bardzo popularnym sposobem prezentowania sztuki. W XIX-wiecznej Wielkiej Brytanii nastała mania organizowania wystaw, które stały się punktem kluczowym i działaniem priorytetowym dla nowych muzeów sztuki. Dotyczyło to zarówno merytorycznych badań historycznych nad historią świata czy sztuki światowej, jak i wystaw handlowych, pokazów prac współczesnych twórców, pokazów pojedynczych obrazów czy zbiorów prac z kolekcji prywatnych. Wystawiano zarówno w Królewskiej Akademii Sztuk Pięknych, jak i w wielu mniejszych miastach. Wiele z nowych muzeów poprzez tego typu wydarzenia pozyskiwało środki na dalsze działania, np. nowy budynek Galerii Kelvingrove w Glasgow wybudowano by zorganizować tam wielką popularną wystawę. Jednym z głównych celów nowych galerii było pomieszczenie w nich dorocznych pokazów dzieł artystów; tradycja ta istniała już w początku XIX wieku. Rozkwit muzeów sztuki w Wielkiej Brytanii przypada na krótki okres, a główną pod względem materialnym spuścizną po nich jest ogromna liczba solidnych budynków wzniesionych na ich siedziby. Jednak idea tworzenia muzeum, które sprawiałoby radość i byłoby bezpłatne była tego warta i niezwykle ważna dla współczesnej Wielkiej Brytanii. Moim zdaniem, stanowi ona pionierski ideał.

5

Eugen von Kahlers Prager Ausstellung im Licht zeitgenössischer Quellen

100%

Habánová A., Ohlidal A.

Umění (Art)

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2023

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vol. 71

|

issue 1

50-61

EN

In March 1931, after many years of preparation, a comprehensive overview of Eugen von Kahler’s work was held in the premises of the Krasoumná jednota (Fine Arts Association) in Prague. The exhibition comprised eighty-one oil paintings and drawings from the family estate and private and public institutions located in Bohemia, Germany, Austria and France. The show was organised by Prager Secession and was accompanied by two catalogues containing identical images but different texts. The Czech text was written by Antonín Matějček, the German by Otto Kletzl. This is the only known case of such an exhibition and accompanying catalogue from the milieu of German-speaking artists from Bohemia, Moravia and Silesia. The Ultraquist Krasoumná jednota / Kunstverein für Böhmen usually published the same texts in Czech and German for their exhibitions, which, leaving aside a few exceptions, did not differ in respect of content. In the case of Eugen von Kahler, however, the Czech readership was treated to a text written by a Czech art historian, and the German readership to a text written by a German. This essay examines the circumstances surrounding the organisation of this exhibition and seeks to understand the complicated relations pertaining between the Czech and German-Czech art scene in the early 1930s. It discusses the inclusion of Kahler’s work in exhibitions of German-speaking artists from Bohemia, Moravia and Silesia in the first half of the 20th century (Dresden and Brno) and purchases for the collection of the Prague Modern Gallery. Part of the text is devoted to the two catalogues mentioned above and their authors’ links to the German-Czech art scene. Lesser known works by Eugen von Kahler were chosen for reproduction, and exceptional in this respect is a drawing originally in the possession of Margarete Collin-Weisgerber.

CS

V březnu roku 1931 se po mnoha letech příprav uskutečnila v prostorách Krasoumné jednoty v Praze souborná přehlídka díla Eugena von Kahlera. Jednalo se o výběr 81 olejů a kreseb, které pocházely z rodinného majetku a soukromých a veřejných institucí z Čech, Německa, Rakouska a Francie. Přehlídku uspořádala Prager Secession a vyšly k ní dva katalogy se shodným obrazovým doprovodem, ale rozdílnými texty. Autorem českého je Antonín Matějček, stať v němčině koncipoval Otto Kletzl. Jedná se o jediný takový známý případ výstavy a doprovodného katalogu z prostředí německy hovořících výtvarných umělců z Čech, Moravy a Slezska. Utrakvistická Krasoumná jednota / Kunstverein für Böhmen vydávala k pořádaným výstavám zpravidla katalog stejného znění v české a německé jazykové mutaci, které se, až na výjimky, od sebe nelišily. V případě Eugena von Kahlera však byl pro české publikum vydaný katalog s textem českého historika umění, pro německy hovořící publikum byl autorem textu německý historik umění. Předložená studie se věnuje okolnostem realizace uvedené výstavy a snaží se o nahlédnutí do komplikovaných vztahů české a německočeské umělecké scény na počátku třicátých let 20. století. Tematizováno je zařazení Kahlerových prací na výstavy německy hovořících výtvarných umělců z Čech, Moravy a Slezska v první polovině 20. století (Drážďany či Brno) a nákupy do sbírky pražské Moderní galerie, část textu je věnována oběma zmíněným katalogům a vazbám jejich autorů do německočeského uměleckého provozu. V rámci reprodukcí byly zvoleny méně známé práce Eugena von Kahlera, výjimečná v tomto ohledu je kresba původně z majetku Margarete Collin-Weisgerber.

6

Nieformalna ekspozycja materialnego dziedzictwa kulturowego - archeologicznego na terenach leśnych w Polsce

100%

Zapłata R.

Folia Praehistorica Posnaniensia

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2023

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vol. 28

333-350

EN

The article initially and cross-sectionally discusses the phenomenon of non-formal exhibitions and visiting of tangible cultural heritage in forest areas in Poland. The publication also shows certain processes that authenticate cultural resources, which are outside the register of monuments, as well as processes that inscribe certain cultural assets in public space, especially tourist space. The text has an introductory character to the problematic and at the same time recognizes the phenomenon.

7

O związkach sztuki i medycyny

100%

Sosnowski L.

Estetyka i Krytyka

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2017

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issue 2(45)

73-86

EN

The fundamental questions of the article are: What results from the relationship of art and medicine? What is the subject of ‘medical art’, and what are its features? Three aspects ‒ historical-technical, artistic, and philosophical ‒ are discussed in the three parts of the text. The second is important, because it specifically concerns the art of the twentieth century. Art related to medicine reveals a new dimension of existential problems. Corporeality, disease, and suffering are still taboo in Western culture. The artist is a therapist who reveals and tames, provokes disgust and curiosity. He is also a patient who suffers and shares his pain, who fears and tames the inevitable.

8

Wokół problematyki wystawy: Być kobietą...Portrety kobiet ziemi bocheńskiej w wirze życia i dziejów

88%

Krzywda P.

Rocznik Przemyski

|

2013

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vol. 49

|

issue 3: Historia

97-124

EN

The author, one of the major originators and creators of the title exhibition, deals with the problem of development of women’s self-reflection in the context of constructing their own identity and awareness necessary to determine what is hidden under the notion of femininity. The evolution of the position of a woman from Bochnia (i.e. a small-town woman) basically changes her from an object to a subject; passivity is replaced by activity. Using a neologism, “post-emancipation femininity” is what distinguishes a small-town woman, aware of her right to personal happiness (according to her own criteria), individual development, freedom of experience etc. The woman who regains her humanity has a right of choice (individualization and self-realization). Empathy, religiousness, a bond with her background (acceptance of its norms as her own, response to social expectations), apparent weakness and in fact remaining of invaluable assistance to her husband, father and sons influence, however, her sense of duty towards local community.

9

Philosophical Marginalia by Stanisław Ignacy Witkiewicz

88%

Polit P.

Estetyka i Krytyka

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2013

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issue 4(31)

149-154

EN

This article develops the idea which stood behind the exhibition entitled Stanisław Ignacy Witkiewicz – Philosophical Margins held at the Centre for Contemporary Art Ujazdowski Castle, Warsaw, in 2004. This exhibition focused upon the hitherto unknown forms of Witkiewicz's creative activities: it presented the notes and drawings that the artist and writer made in the 1930s in the margins of the philosophical books he read. Witkacy's marginal notes constitute often humorous comments to the texts he studied and are intertwined with notes of a personal nature; the drawings he added at page edges suggest motifs known widely from his paintings. The purpose of the exhibition was to draw an analogy between Witkacy's artistic concepts and his philosophical thinking. The article is meant as a reflection upon the question of place and role of philosophy in his output as a whole.

10

Review of Anna Ziębińska-Witek’s book "Muzealizacja komunizmu w Polsce i w Europie Środkowo-Wschodniej"

88%

Stobiecki R., Stobiecki R.

Historie. Jahrbuch des Zentrums für Historische Forschung Berlin der Polnischen Akademie der Wissenschaften

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2020

11

Educator as a curator. Museum power exhibition as experiment to extend museum education field

88%

Cabała A., Pisarek A.

Muzealnictwo

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2023

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vol. 64

110-118

EN

The paper presents the research project implemented by the staff of the University of Silesia in Katowice during the Museum Power Exhibition at the National Museum in Krakow. The semiotic interpretation of the data amassed in FGIs and IGIs, these enriched with class observations, Desk Research, as well as the analysis of purpose-created documents, allowed to fulfil the goal of the investigation. The interdepartmental cooperation launched when educators became Exhibition’s curators was of the main interest to the researchers. These actions were considered as examples of the implementation of the ‘educational turn’ in Polish museology where tendencies to clearly separate and differently evaluate curatorial and educational practices are distinctly visible. The analysis of the manners of extending fields of museum education by educators-curators enabled the identification of a set of recommendations for initiating display projects implemented and co-created by the education department staff. In the presentation of the research results the focus has been put on three areas in which the shift was observed: types of knowledge organizing thinking about the display; perception and application of educators’ competences; and shaping informal relations and producing institutional trust. The paper speaks in favour of the necessity to take into account the experience and competences of the education department employees when creating valuable exhibitions and consolidating good relations with committed public.

12

Pamięć o sąsiedztwie narodowym. Wokół wystawy „Obok. Polska-Niemcy. 1000 lat historii w sztuce”

88%

Makaro J.

Przegląd Zachodni

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2014

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issue 2(351)

23-38

EN

Normalization of Polish-German neighbourly relations includes among others a change in the memory of Poles and Germans about their common past. One of the instruments of this change is art. That is why the article makes empirical reference to the exhibition “Side by Side. Poland-Germany. 1000 Years of History in Art.” In connection with this exhibition the question is considered who and how (by what means of probing memory), by the implication of what content (of the exhibition) rebuilds (or perhaps constructs) the memory of Polish-German neighbourly relations? In expounding those crucial issues emphasis is placed on their vague dimensions – new opportunities offered by the museum exhibition, difficulties in an unambiguous reception of the message it carries, difficulties in identifying the authors of the message and the creators of this event and – what seems to be especially important – the role of state authorities in this process.

13

The impact of information and communication technology on enhancing museum’s visitor experience: the case of the Sharjah Museum of Islamic Civilization

88%

Mohammed S. N., Jamhawi M.

Muzealnictwo

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2022

|

vol. 63

65-76

EN

Museums are progressively using ICT to reinforce cultural and heritage tourism. Museums are vital in transmitting cultural values, propagating traditions, and linking current generations to their heritage. ICT has recently gained prominence for its ability to stimulate creative approaches. The use of ICT in museum operations is widespread, particularly in the areas of presentation and preservation. Museums, according to previous research, use a range of ICT tools to enhance the visitor experience (VX) through modernizing their exhibits and object interpretation. The purpose of this paper is to gain a better understanding of the VX as well as to evaluate the visitors' standpoint on ICT in museums. The research was applied to the Sharjah Museum of Islamic Civilization. Two primary approaches were used, which include qualitative data such as literature reviews and interviews, as well as quantitative data as the main ways that employ questionnaires. Findings indicate that integrating technological tools can enrich the VX in museums by allowing for the usage of a variety of digital media types.

14

Národopisné výstavy a slavnosti v období protektorátu Čechy a Morava

88%

Soukupová B.

Národopisný věstník

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2021

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vol. 38_(80)

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issue 1

36-53

EN

The introductory part of the study deals with the change in the official value guidance in the “Second Republic”, the traditions of which continued in the Protectorate of Bohemia and Moravia. Especially, it emphasizes the return of romantic view of the village and the farmer as apparent sources of national individuality. However, after the Munich Agreement, this outdated view interconnected with Nazi agrarianism. Both the Third Reich and the Protectorate adored ruralism, and revitalized folk customs and national costumes. High attention was paid to ethnographic festivals which, in the period of the Protectorate, were organized by National Partnership, Orel, natives’ associations, the Board of Trustees for the Education of Youth, and mainly the Ethnographic Moravia, an organization aimed to emphasize tribal dissimilarities of “Moravian Slovaks” and to break the unity of Czechness. These struggles were largely supported by the German University in Prague, and they were part of the Germanisation policy in the “Czech” space. The ethnographic exhibitions organized by the Ethnographic Moravia, and the exhibition called Germany in National Costumes (1942), organized by Prague Oberlandrat, featured similar focus. In contrast to them, the events organized by National Partnership, Orel, and natives’ associations aimed to support the Protectorate government and to promote folk culture as a source of Czechness, tolerated by the Nazi, at its cultural level.

15

Austriackie wystawy z okazji trzechsetnej rocznicy urodzin cesarzowej Marii Teresy Habsburg (1717–1780)

75%

Gaul J.

Miscellanea Historico-Archivistica

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2018

|

vol. 25

375-377

PL

komunikat

EN

Report

16

Geneza wystawy "Skarby nie z tej Ziemi"

75%

Kotowiecki A.

Wadoviana. Przegląd historyczno-kulturalny

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2021

|

issue 24

243-251

PL

Artykuł przedstawia genezę powstawania wystawy "Skarby nie z tej Ziemi".

EN

The genesis of the exhibition "Treasures out of this Earth" („Skarby nie z tej Ziemi”).

17

„Dialog Dwóch Kultur 2017”- drogą do dialogu narodów

75%

Siryk L.

Studia Polsko-Ukraińskie

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2018

|

vol. 5

245-251

PL

The article deals with the activity and history of the Dialogue of Two Cultures which is one of the largest and the most important Polish-Ukrainian events of cultural workers and scholars. This event takes place every year in September under the patronage of the Minister of Culture and Heritage of the Republic of Poland and the Minister of Culture of Ukraine. It has been organized since 1999 and continues hitherto. Traditionally it begins in Ukraine (based at the Museum of Juliusz Slowacki in Kremenets) and recently ends in Poland (based at Anna and Yaroslav Ivashkevych Museum in the suburbs of Warsaw). The grand opening begins with the hymns of the both states and laying of flowers to the monuments of Taras Shevchenko, Juliusz Slatowski, as well as the grave of his mother – Salomea. Meetings bring together literary critics, historians, writers, translators, publicists, museum workers, artists, painters and people who work in the field of humanities. One of the achievements of the organizers and participants is the bilingual almanac Dialog Dwóch Kultur – Dialogue of Two Cultures (2016, No. XI), which includes conference materials (articles of participants) and information (in the form of photographs, paintings and accompanying texts) about the most important events. The participants of the event combine the idea of dialogue, implementation of which is a prerequisite for understanding, rapprochement and cooperation of the two nations.

18

Merry Christmas – Wystawa w Bibliotece Uniwersyteckiej KUL. 18 grudnia 2019 – 2 lutego 2020

75%

Wasilewska J., Szponar A.

Archiwa, Biblioteki i Muzea Kościelne

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2020

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vol. 113

547-552

19

Zbiory chińskie. Wystawa w Muzeum Historyczno-Misyjnym Zgromadzenia Księży Misjonarzy w Krakowie

75%

Skrzydlewska B.

Archiwa, Biblioteki i Muzea Kościelne

|

2006

|

vol. 86

415-417

20

Austriackie wystawy z okazji trzechsetnej rocznicy urodzin cesarzowej Marii Teresy Habsburg (1717–1780)

75%

Gaul J.

Miscellanea Historico-Archivistica

|

2018

|

issue 25

375-377

Refine search results

Prezentacja badań niematerialnego dziedzictwa kulturowego w Muzeum Narodowym Rolnictwa w Szreniawie

Galeria Academica: a Portrait Collection of the University of Helsinki

Communism on Display. Representations of the Past in Polish Historical Museums

NOWA FORMA MUZEUM SZTUKI – GALERIA SZTUKI W WIELKIEJ BRYTANII W CZASACH WIKTORIAŃSKICH

Eugen von Kahlers Prager Ausstellung im Licht zeitgenössischer Quellen

Nieformalna ekspozycja materialnego dziedzictwa kulturowego - archeologicznego na terenach leśnych w Polsce

O związkach sztuki i medycyny

Wokół problematyki wystawy: Być kobietą...Portrety kobiet ziemi bocheńskiej w wirze życia i dziejów

Philosophical Marginalia by Stanisław Ignacy Witkiewicz

Review of Anna Ziębińska-Witek’s book "Muzealizacja komunizmu w Polsce i w Europie Środkowo-Wschodniej"

Educator as a curator. Museum power exhibition as experiment to extend museum education field

Pamięć o sąsiedztwie narodowym. Wokół wystawy „Obok. Polska-Niemcy. 1000 lat historii w sztuce”

The impact of information and communication technology on enhancing museum’s visitor experience: the case of the Sharjah Museum of Islamic Civilization

Národopisné výstavy a slavnosti v období protektorátu Čechy a Morava

Austriackie wystawy z okazji trzechsetnej rocznicy urodzin cesarzowej Marii Teresy Habsburg (1717–1780)

Geneza wystawy "Skarby nie z tej Ziemi"

„Dialog Dwóch Kultur 2017”- drogą do dialogu narodów