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Existential there-construction as a means of presentation in narrative (a corpus-based syntactic-semantic analysis)

100%
Adam M.
Linguistica Pragensia
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2012
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vol. 22
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issue 1
1-18
EN
The present paper looks at the role of the English verb operating in Presentation Scale sentences within fiction narrative from the point of view of both dynamic and static semantics. It is a part of a corpus-based research in the area of the sentences implementing the so-called Presentation Scale (Firbas, 1992; Svoboda, 2006), which is predominantly focused on the occurrence and the syntactic-semantic typology of Presentation sentences within narratives and the semantic as well as syntactic character of the English Presentation verb. It examines the most frequent structure that is capable of presenting a new phenomenon on the scene, viz. the existential construction. For the purpose of analysis, C. S. Lewis' The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is used. Special attention is paid to the syntactic semantic character of the Pr-verbs that operate in the existential construction there + other verb than be.
2
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Home-Field-Temple as Existentials of Ukrainian Culture

86%
Vlasevych T.
Journal of Education Culture and Society
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2022
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vol. 13
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issue 2
55-64
EN
Aim. To analyse the spiritual and mental existentials of Ukrainian culture, which allows identifying the immanent features of Ukrainian culture itself through the symbolic-thematic series Home-Field-Temple and examine the symbolism of the concepts “Home,” “Field,” and “Temple.” Results. The thesis that spiritual and mental existentials, in particular the Home-Field-Temple, reveal the mentality of the Ukrainian people, its spiritual and cultural identity has been further developed. Conclusion. The essence of the mentality of the Ukrainian people is revealed with the help of spiritual and mental existentials Home-Field-Temple. They play an important part in the creation of a single mental field of the Ukrainian nation, being revealed in its ideological life by certain inclinations or archetypes. The Home-Field-Temple symbol is a reference point for searching for certain archetypes of the nation. The concepts of Home-Field-Temple symbolise the trinity of one spiritual state of man, which is objectified in three guises. These concepts are so intertwined in the minds of Ukrainians that they see them as an inseparable unity – something symbolising their homeland. Home, land, and church have always been reliable support for the Ukrainian people.
3
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Problem możliwości i konieczności w filozofii Kierkegaarda

58%
Słowikowski A.
Diametros
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2016
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issue 49
103-120
PL
Artykuł jest próbą rozpoznania problemu możliwości i konieczności w pismach psuedonimowych Kierkegaarda. Podstawowym założeniem przyjętym w artykule jest to, że należy odczytywać jego dzieło całościowo. W tym celu, najpierw zostają osobno przeanalizowane pozornie wykluczające się wypowiedzi Climacusa z Okruchów filozoficznych i Anti-Climacusa z Choroby na śmierć, a następnie zostaje pokazane, jak można interpretacyjnie powiązać ich główne tezy w zwarte filozoficznie ujęcie tytułowego problemu.
EN
The article is an attempt to analyze the problem of possibility and necessity in the pseudonymous works of Kierkegaard. The basic assumption adopted in the text is that Kierkegaard’s oeuvre should be read holistically. That is why what is initially analyzed separately are the mutually excluding statements of Climacus from the Philosophical Fragments and Anti-Climacus from The Sickness Unto Death. Subsequently, the article demonstrates the way in which their main theses can be linked, in the process of interpretation, to form a philosophically concise approach to the eponymous problem.
4
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The issue of space and existence in the context of the Heideggerian concept of dwelling and the Arendtian figure of a stateless person

58%
Zakrzewska K.
Polish Journal of Political Science
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2021
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vol. 7
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issue 2
57-79
EN
The article presents Heidegger’s concept of dwelling and Arendt’s figure of a stateless person in order to show a more profound existential dimension of the issue of the occupied territory. The juxtaposition of the above philosophical perspectives allowed for fully stressing the fact that the issues concerning refugees, migrants, repatriates are undoubtedly associated not only with legal or economic aspects, but primarily with how are we able to think about human existence in the context of the dwelling space.
5
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Poszukiwanie własnej tożsamości – wyzwanie i zadanie. Fuga Wita Szostaka

58%
AGNIESZKA MATWIEJCZUK A.
Dydaktyka Polonistyczna
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2021
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issue Dydaktyka Polonistyczna
65-75
PL
Fugę Wita Szostaka buduje osiem historii o losach Bartłomieja Chochoła. Każda z odsłon losów postaci ukazana jest w odrębnym rozdziale, czasami dwóch. Rozdziały numerowane są cyframi rzymskimi, niekiedy także literami (a, b). W utworze tym podjęta zostaje problematyka tożsamościowa – poznajemy różne oblicza Bartłomieja Chochoła: ostatniego króla Polski (Fuga I), towarzysza zabaw (Fuga II), obserwatora i kronikarza (Fuga IIIa i Fuga IIIb), melancholika (Fuga IV), rencisty (Fuga Va i Fuga Vb), człowieka sukcesu (Fuga VI), samotnika i starca (Fuga VII i Fuga VIII – niedokończona). Na podstawie rodzajów tożsamości wyszczególnionych przez Katarzynę Waszyńską (tożsamość jednostkowa, narodowa, społeczna, grupowa, kulturowa) zostaje omówiona postać bohatera-narratora
EN
Wit Szostak’s fugue is built of eight stories about the fate of Bartłomiej Chochoł. Each of the scenes of the characters’ fate is presented in a separate chapter or two. The chapters are numbered with Roman numerals, sometimes also with letters (a, b). This work deals with the issue of identity and we get to know different faces of Bartłomiej Chochoł: the last king of Poland (Fugue I), a companion (Fuga II), an observer and chronicler (Fuga IIIa and Fuga IIIb), a melancholic (Fuga IV), a pensioner (Fuga Va and Fuga Vb), a successful man (Fuga VI), a loner and an old man (Fugue VII and Fuga VIII-unfinished). Based on the types of identity specified by Katarzyna Waszyńska (individual, national, social, group and cultural identities), the character of the protagonist-narrator is discussed
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