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1

Portret rodziny we wczesnych wierszach (publikowanych i niepublikowanych) Mieczysławy Buczkówny

100%
Budrowska K.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2013
|
issue 19
247-262
EN
The article presents the early poems by Mieczysława Buczkówna, published in literary magazines in 1945-1955, in a collection "Rozstania" (1949) and "Chleb i obłok" (1955), and those not accepted by cenzorship for publication. They are characterised by a great thematic and stylistic spread, which can be explained precisely by the influence of controlling activities. The analysis of the archival materials of the main cenzorship council (Polish abreviation: GUKPPiW) provides the conclusion that many poet's choices were dictated by non-artistic reasons: on the one hand some poems involved in the new political and social order were artificially "glued" to the collections, on the other – the most typical subjects for Buczkówna regarding her family and war trauma were displaced. The text has a dichotomous structure: in the first part the author describes changes in particular poems and collections; in the second – the family themes marginalised by the clerks from the GUKPPiW are brought out, including both the images of a happy, satisfied family (in love for a man and a child), and pathological one (poverty, drunkenness, disease, death). The author analysed stopped by the cenzorship and a never published poem, although claryfying – "W kolejce" (written in 1955).
2

Matrony i kawalerowie służący Ojczyźnie – portrety członków Radziwiłłowskiej familii z przemilczeniem w tle

100%
Maciejewska I.
Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej
|
2013
|
issue 19
28-40
EN
The article is an analysis of diary of Michał Kazimierz Radziwiłł – known as „Rybeńko” (1702-1762) – in terms of reading the way of presenting the relations within family there. Reading his very extensive writings, carried regularly for several years, proves the strategy adopted by the author regarding the presentation of the events in relation to the members of the magnate family. It is suggested to ignore inconvenient facts, as well as to conceal controversial motives or consequences of their own actions, and also further or closer relatives. Whereas everything that can bring glamour and recognition is emphasised. Radziwiłł tries to create an idealized image of the family, looking on their relatives from the perspective of social roles, in which they shall be filled. The aim of the article is to discover and describe the mechanisms, present in the diary, as concealment and conscious creation, contributing to a spotless family portrait construction.
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