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Poradnik Językowy
|
2020
|
vol. 776
|
issue 7
77-84
EN
In the first part of the text entitled Linguistic methods of expressing emotions. Tomasz Raczek about journalist, the author presents Tomasz Raczek’s writing, in particular his feature articles, where the columnist refers to the contemporary social life from the perspective of film and television criticism. In the subsequent parts of the text, the author describes selected components of the history of feature articles and presents some definitions of a feature article, and then focuses on the linguistic aspects of a subjective way of expressing the emotions and feelings accompanying the description of mass media personalities. The author pays a special attention to the techniques used by Raczek, for example putting things very close together in order to show a contrast, using metaphors and anglicisms to describe media personalities. In the last part of the text, the author juxtaposes the previously described techniques of the columnist, sums up the discussions on the linguistic methods of expressing emotions and feelings in Tomasz Raczek’s feature articles.
EN
Texts dealing with power or the government can be found in modern journals and newspapers almost everyday; they differ in terms of genre, function, style and pragmatics. Socio-political journals are among important sources of such articles; they are frequently categorised as a rather homogeneous group (e.g. in research on readership or in media studies), which nevertheless construct, as I demonstrate in my analyses, messages which are the result of completely different interpretations of the art of feature journalism. In this paper I analyse the feature article as a classic genre, considered by both theorists and practitioners to be the most typical form of feature journalism. Properties of feature articles can be arranged by means of several distinctive dualisms indicating certain compositional, textual and stylistic links (temporality-arguability, private perspective-public perspective, the specific-the abstract).
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