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Eros, Morfeos, Thanatos. Maurice Blanchot, Věra Linhartová a jiní blízcí-vzdálení

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Košnarová V.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2016

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vol. 54

90-106

EN

This article considers the relationships between the works of Maurice Blanchot and Věra Linhartová, looking at close semantic links between their themes of desire, sleep (dreaming), and death. The connections are examined in the writings of the two authors, especially in their poetic reinterpretations of the Orpheus myth and in the themes of the overcoming of death, the impossibility of death, and the experience of one’s own death. In this context, the article also suggests connections with the ideas of other authors, such as Camille Flammarion, Franz Kafka, Rainer Maria Rilke, Georges Bataille, and Ladislav Klíma.

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Lubomír Doležel o postmoderně Sebeodhalení a protimluvy jako tahy v narativní hře

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Koťátko P.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2016

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vol. 53

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issue 26

19-26

EN

The paper critically interprets the analysis of characteristic features of the postmodern narrative fiction in Lubomír Doležel’s Heterocosmica (1998) and Heterocosmica II (2014). In particular, the author focuses on Doležel’s approach to metafiction and cumulation of contradictions as moves undermining (in a literarily productive way) the constitution and authentication of fictional worlds. Despite the explanatory power of Doležel’s analysis, the author points out that the same instruments (as well as some others analyzed by Doležel, like metamorphosis or construction of parallel and hybrid worlds) can be used with mimetic functions (in a rather non-traditional sense): in such cases, they cannot be reduced to moves within the postmodernist „ontological game“.

3

Kognitivní a percepční perspektiva ve vybraných prózách Jana Nerudy a Jakuba Arbesa a jejich funkční korelace:

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Změlík R.

Česká literatura (Czech Literature)

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2020

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vol. 68

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issue 4

438-467

EN

The present work focuses on two types of narrative perspective — cognitive and perceptual. The cognitive perspective is understood to comprise the ways in which the fictional world can be mentally conceptualized from the standpoint of the characters, or such a perspective is a manifestation of collective opinion, which of course is not the subject of this work. The perceptual perspective is understood to comprise sensual perception, through which the phenomena or events of the fictional world are filtered. Based on Wolf Schmid’s conceptualization, we distinguish two basic aspects of narrative perspective, the first being the way evens are perceived or understood, while the second is the way they are represented and realized within the narrative. Another essential feature is the function of both perspectives, which manifests itself not only in terms of what is filtered by these perspectives and what is reflected in the semantics but also reciprocally. It is then our primary task to follow the way both perspectives functionally determine each other. We perform an analysis of this phenomenon on the corpus of Jan Neruda’s and Jakub Arbes’s prose works, which were written at around the same time. Firstly we show how the identified types of perspective are realized in the prose works of both authors, who each represent a differing realist school in Czech literature. We then focus on their functional correlations and find that Neruda’s prose work is characterized more by situations in which a cognitive perspective on a rationally modal basis determines the perceptual perspective, so that sense perceptions or illusions are corrected by the rational cognitive framework, whereas in the case of Arbes’s prose works under review, the reverse is for the most part the case. The typologically different functional correlation method of both perspectives is manifested in the sphere of diegesis, narrative strategy and composition, as well as in the conception of the fictional time-space, for example. Just as the usage of the perspective type or of the functional correlations does not necessarily determine the narrative composition, nor does it necessarily relate to the overall general orientation of the work on the Romanticism-Realism axis. However, its individual segments (setting and characters) determined by the functional polarity of both perspectives may refer to one of these literary mainstreams of the period.

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Fikční světy české postmoderní prózy

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Fořt B.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2016

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vol. 53

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issue 26

13-18

EN

The study primarily deals with Lubomír Doležel‘s latest book, Heterocosmica II: Fictional Worlds of Postmodern Czech Prose — its main aim is not only to analyse and describe Doležel‘s newest contribution to the investigation of the theory of postmodern literature but also to compare the methodological preconditions of his approach to this type of literature with other crucial approaches. Therefore, the crucial theses of his system of postmodern literature are critically compared with those of the approaches of Linda Hutcheon, Brian McHale, and David Lodge.

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3 Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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1 Košnarová V.

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Eros, Morfeos, Thanatos. Maurice Blanchot, Věra Linhartová a jiní blízcí-vzdálení

Lubomír Doležel o postmoderně Sebeodhalení a protimluvy jako tahy v narativní hře

Kognitivní a percepční perspektiva ve vybraných prózách Jana Nerudy a Jakuba Arbesa a jejich funkční korelace:

Fikční světy české postmoderní prózy