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Josef Bors Roman Opuštěná panenka zwischen Faktizität und Fiktionalität

100%

Ibler R.

Slovo a smysl - Word & Sense

2015

vol. 12

issue 23

80-93

The paper presents the Czech-Jewish writer Josef Bor (1906–1979) and his first published book, the novel Opuštěná panenka / The Abandoned Doll (1961). Bor’s topic here was his own personal experience of the Holocaust: from his deportation to Terezín and later to Auschwitz, where he loses his entire family including two little daughters, via captivity in other concentration camps and „marches of death“ all the way to liberation, occurring in his case close to Jena, Germany. On the basis of these prominently autobiographic references, the reviewers often emphasized that the work has primarily documentary character. The present essay, on the other hand, views The Abandoned Doll primarily as a literary fiction wherein the fate of the protagonist and his family is, rather than documentary, of an exemplary, symbolic nature. The primary goal of the novel is not to represent a particular authentic case but rather to give a broad idea, anchored in a particular case, of the functioning of the Holocaust as a machinery of total humiliation and systematic killing

Fikčnost ve faktuálním vyprávění : případ fikčních metaautobiografií

84%

Fonioková Z.

Česká literatura (Czech Literature)

2018

vol. 66

issue 6

841-869

This study focuses on the issues surrounding texts that refer to an author’s life while deliberately including fictionality within the autobiographical testimony, i.e. via autofiction and fictional meta-autobiography. The fictional elements in this kind of writing often serve as a tool for self-reflection. Using specific narrative techniques, for example, these works comment on the issue of autobiographical memory, the epistemological (in)accessibility of the past, and the narrative construction of identity. This study endeavours to link the reflections of contemporary narratologists on fictional and non-fictional narration with an analysis of autofictional and meta-autobiographical works. The first section deals briefly with the issue of fictionality, presenting the rhetorical theory (of H. S. Nielsen, J. Phelan and R. Walsh), which enables us to perceive fictionality outside fiction as a component of factual communication about the real world. The following section focuses on the meta-autobiographical text Montauk by the Swiss author Max Frisch: it illustrates the method of including fictionality in an autobiographical text as a way to reflect on remembering, and on the possibilities of depicting one’s own life and creating one’s own I by writing. This analysis is linked to a brief excursus into narrative construction in autobiographical narration, primarily in connection with personal identity. The next section of the article briefly summarizes the differencs between classial autobiographies and contemporary self-reflectively inclined autobiographies and autofictions. It presents the category of fictional meta-autobiographies, which it includes in the broader framework of autofictional texts, and presents an (incomplete) summary of the many definitions and forms of autofiction. This is followed by an analysis of the second example of fictional metaautobiography, A Heartbreaking Work of Staggering Genius by American author Dave Eggers, which ironically deconstructs the convention of autobiographical writing. The conclusion of the study points out the differences in the way fictionality is included in the works presented, forming the basis for a division of fictional meta-autobiographies in accordance with the kind of reading instructions which they present to readers: Montauk represents works that help the reader to switch between a fictional and an autobiographical interpretation method by indicating which parts or aspects are invented and which stay true to real events; on the other hand, texts like A Heartbreaking Work of Staggering Genius provide relatively few indications to help readers distinguish fictional elements and identify authentically autobiographical moments.

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1 Slovo a smysl - Word & Sense

1 Česká literatura (Czech Literature)

1 Fonioková Z.

1 Ibler R.

1 2018

1 2015

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Josef Bors Roman Opuštěná panenka zwischen Faktizität und Fiktionalität

Fikčnost ve faktuálním vyprávění : případ fikčních metaautobiografií