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Narracja subiektywna zapośredniczona. Wokół zagadnienia „mowy pozornie zależnej” w filmie

100%
Birkholc R.
Studia Europaea Gnesnensia
|
2016
|
issue 14
143-158
EN
The paper sets out to describe the “free indirect speech” of film, which the author chooses to cali “mediated subjective narrative”. Based on specific examples, the author characterizes the narrative devices which in a way are analogous to what literary studies define as “free indirect discourse”. The basic indicators of that textual figure include subjectivization of communication on a stylistic level and interference of internal and external focalization.
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Posybilizm metafzyczny w filmie i serialu najnowszym

73%
Biedny J.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2021
|
vol. 30
|
issue 39
263-280
EN
The article focuses on the reading of Waldemar Frąc’s film theory in the context of the newest film examples. In the first part, the author presents the most important features of the “possible cinema” and expands it with a philosophical possible worlds theory, and also gives the context of mind-game films. In the second part, the author proposes an interpretation of two films: Annihilation and Arrival, and the Dark series in the face of the presented theoretical solutions. The main point of the analysis is to show how the worlds presented in the given films exist, how the concept of possibility/the possible world is manifested, and what changes occur at the level of the film narrative itself. Interpretation of the film examples leads the author to the conclusion that metaphysical possibilism in the film and series reveals not only ontological themes, but also has significant intercultural value and moves existential reflection.
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