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EN
The article is an interpretation of La puppé by Timothy Greenberg seen as non-standard, approving form of parody. The analysis begins with a reminder of attributes of this type of stylization, and then comparision of Greenberg’s film with Chris Marker’s La Jetée. No distinct criticism or polemic leads to theory, that the aim of La puppé is to reveal illusive nature of film language.
EN
The title phrase “photographic enclave” expresses the condition of projects that tell about a city using a photographic medium. The article discusses three audiovisual works that use photos to portray New York and its inhabitants: Smoke by Wayne Wang and Paul Auster, Stefan Nadelman’s Terminal Bar, and the multimedia project One in 8 Million. The works represent a variety of film models (drama, documentary, interactive media), and their authors use the formal and cognitive aspects of photography in a different ways. The aim of the article is to analyze the function of photography for portraying urban communities and to see if this treatment was successful.
PL
Photographic enclave. New York City and its inhabitants through camera lens The title phrase “photographic enclave” expresses the condition of projects that tell about a city using a photographic medium. The article discusses three audiovisual works that use photos to portray New York and its inhabitants: Smoke by Wayne Wang and Paul Auster, Stefan Nadelman’s Terminal Bar, and the multimedia project One in 8 Million. The works represent a variety of film models (drama, documentary, interactive media), and their authors use the formal and cognitive aspects of photography in a different ways. The aim of the article is to analyze the function of photography for portraying urban communities and to see if this treatment was successful.
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