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EN
This article begins with a brief characterization of the writer’s notebook as a special text type. Then the article analyzes structural and compositional features that notebooks of the 19th and 20th centuries have in common with postmodernist prose. These features include: a) fragmentary narration; chaotic composition; many syntactic and semantic ellipses; b) the absence of one main idea and an important role of chance in the creative process; c) an opportunity to start reading a text from any of its parts, even from the end; d) a great number of intertextual links; similarity to hypertext; e) no stylistic and thematic limitations, etc. There are three possible explanations of these points of convergence: a psychological one, a linguistic one and a historical-literary one.
EN
Michael Ondaatje’s novel Coming through Slaughter is a fascinating attempt to bring literature and oral history together in order to recreate Charles ‘Buddy’ Bolden’s mysterious life. Daily routines and gestures, inner thoughts and high musical notes form a puzzle to which the citizens of the flamboyant New Orleans keep adding pieces. With the help of his only existing photograph, the present paper focuses on the unquestionable father of jazz, who kept “away from recorded history”.
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