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As we prepare for a new contraceptive revolution centering the male reproductive body, little is known about 21st century men’s interest in pursuing hormonal technology. This paper sets out to understand what male hormonal contraception (MHC) means for the performance of masculinity. Specifically, I seek to understand how contraceptive technology might contribute to the emergence and transformation of different masculine identities, and whether these identities will function to enhance or denounce the technology’s cultural feasibility and widespread assimilation. Amid the heavily quantitative nature of literature on this topic, I conduct semi-structured interviews to form a more intimate understanding of this relationship. Through thematic analysis, this project reveals a typology of three analytic figures which surface in response to the future existence of MHC: the ‘responsible, caring man’, the ‘lazy man’, and the ‘independent, heterosexual man’. The ways in which these identities conflict, complement, and interact with each other indicate how masculinities are being negotiated upon a shifting contraceptive landscape. The conclusions derived from my analyses are twofold: Firstly, that the cultural feasibility of MHC in western contexts will simultaneously demand and induce a destabilisation of conventionalised gender performances. Secondly, that the masculinities which emerge from this new frontier of contraception are complex, multiple and fluid. The investigation ends by looking at the wider implications of my findings for policy and practice.
EN
The discussion of the ways one conceives of and reflex upon the procedures of archiving the opus of actresses active in the socialist period represents one of the urging tasks of both theatre studies and feminist criticism in Croatia, given the relative scarcity of interest for this area of research within Croatian theatre academia. This study presents the results of a research done on the work of one of the leading Croatian actresses after WWII, Neva Rošić, which mostly rely on the discourse analysis of theatre reviews, interviews, personal letters, articles written by the actress herself and other media reports on her major successes on the stage. A whole array of sources is thus summoned to corroborate the thesis that the female acting practice in this period, belonging as it does to the poetics of impersonation, could figure as an interesting ground for the analysis of both the issues of female acting authorship, and the cultural construction of gender norms, as well as the means and outcomes of their performative subversion.
EN
This paper reports on an action research study that took place during a one-week professional development course focused on establishing gender equality in primary schools, held in a Teachers’ College in Southern Tanzania (June/July 2015), in which 28 educators and administrators participated. I draw upon Sarah Ahmed’s (2005) theoretical framework of gender orientations to explore understanding of gender. A feminist, participatory, action research methodology using multimodal methods (Jewitt, 2008; Kress & van Leeuwen, 2001) was used to collect and analyze data. Highlighted are salient aspects activities and discussions in which the participants engaged concerned with constructions and orientations of gender, and gender-based oppression, violence, and discrimination and how these impact girls’ education. I also report on participants’ personal and professional knowledge, understanding, and insights into barriers to, and opportunities for gender equality and their proposed approaches for bringing about change through initiatives they articulated in the gender-responsive school action plans they began to develop. Findings indicate that despite the participants’ interest in learning more about gender constructions and orientations – conceptually as well as practically – and the implied expectation from policies than educators essential in bringing about transformative change leading to gender equality in society, the participants had had little, if any, exposure to policies, initiatives, resources, or professional development to guide and support them. Recommendations including provided professional development opportunities in gender-responsive pedagogy and programming at all schooling levels, and to include educators’ voices, as experts of their own contexts, in future policies, programming, and initiatives.
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