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Ekonomia daru i społeczności otwartej współpracy - nowe kierunki badań społecznych

100%
Kobus M., Jemielniak D.
e-mentor
|
2014
|
issue 4 (56)
4-9
EN
The presented article covers the topic of gift economy in Internet communities, as a new, fascinating field of research. It shows that gift economy and open collaboration communities' organization of work may be perceived as a new paradigm of reciprocal exchange. It describes the phenomena of gift economy and open collaboration in economics, and, specifically, management science. It also proposes that this area is worth a particular attention of researchers, especially coming from the new generations of scholars.
2
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Otwarte zasoby edukacyjne jako przejaw altruizmu w gospodarce, czyli ekonomii daru

100%
Janowska A., Kania A.
e-mentor
|
2013
|
issue 3 (50)
19-22
EN
The phenomenon of gift-giving was primarily studied by anthropology and it was associated with the primitive societies. However, it is indisputable that the gift culture is also practiced nowadays. The Internet is a particular field where its development was observed. Due to its open character, popularity and low cost of the tools which help the users to create, publish and send the content, the Internet became the scope of exchange of information goods, such as the products of culture: music, films, books, software, computer games as well as scientific and educational resources. The present paper discusses the issue of altruism in the Internet exemplified by open educational resources.
3

Crowdfunding from the perspective of music fans — participation or exploitation?

75%
Brzozowska B.
Prace Kulturoznawcze
|
2016
|
vol. 19
73-88
EN
Crowdfunding as a new form of financing culture is a relatively new phenomenon, but it is becoming more and more popular. The spectacular financial success of projects such as Veronica Mars, however, opens a discussion about the situation of the investing audience — the fans. The crowdfunding model is based on the active participation of fans not only at the level of funding, but also at the level of decision-making (this refers to the discussion of the cast, storyline, track list, etc.). As such, crowdfunding should lead to the dissolution of the boundaries between artists and their fans, but there are still certain doubts about who is the real beneficiary of big budget projects, and therefore it is unclear whether fans are becoming the objects of manipulation and exploitation.The paper aims to outline a framework for the discussion on the crowdfunding model and to show the ambiguity of the new situation of fans within this model.
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