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2019
|
vol. 10
|
issue 4
13-34
PL
The aim of this paper is to describe some of the most distinctive ways of displaying hedonism, gluttony and drunkenness in the Czech literature over the last approximately 15 years. Based on the analysis of the most significant books concerning these themes (e.g. texts by Petr Stančík, Jan Balabán, Emil Hakl, Václav Kahuda, Jáchym Topol and other authors), the author proposes a more detailed typology of the forms of these phenomena in the latest Czech literature, as well as of their specific functions in concrete texts.
EN
In the novel entitled The Better Half of Courage, Ivan Slamnig elaborates on two types of narrative namely, a traditional internal story derived from the poetics of realism and a postmodern frame story streaked with the elements of the jeans prose. In the article, culinary motifs presented in both narratives are taken into consideration in order to expose their function in Slamnig’s novel. The article also tries to answer the question whether the dietary code is subordinated to the both forms of discourse. The analysis of the culinary themes reveals a process of braking off with tradition in the so-called traditional narrative, and attempts of retaining tradition in the postmodern narrative. In consequence, an apparently traditional modern pilgrim, who does not respect the order of traditional rituals and remains cautious in his consumption behaviour, turns out to be condemned to painful results of his choices while a postmodern vagrant as an unfulfilled consumer-glutton keeps drawing from tradition as well as from the present day what provides him with various pleasures. Furthermore, the analysis of the culinary code of the novel allows the authoress to confirm a thesis on the presence of postmodern effects in the both “parts” of the novel.
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