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Groza w nieco innej odsłonie

100%
Olkusz K., Slany K.
Creatio Fantastica
|
2016
|
issue 2(53)
79-88
EN
Conversation with Katarzyna Slany over her book Groza w literaturze dziecięcej. Od Grimmów do Gaimana (The Gothic in Children Literature. From Grimms to Gaiman).
2
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Czy hrabia Dracula to homo sapiens? Wampiry i wampiryzm w perspektywie nie tylko literaturoznawczej

88%
Gieba K.
Creatio Fantastica
|
2017
|
issue 2(57)
149-155
EN
Review: Krystian Saja, "Wampir w świecie antropii. Kognitywizm subsymboliczny w literaturoznawstwie", Kraków: Wydawnictwo Nomos 2017, ISBN 978-83-7688-320-5
3
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Fear in Gothic Fiction: A Cognitive Poetic Analysis of Angela Carter’s The Bloody Chamber

88%
Kędra-Kardela A.
Zagadnienia Rodzajów Literackich
|
2016
|
vol. 59/117 z.1
13-23
EN
Based on the Deictic Shift Theory as adopted by cognitive poetics (Stockwell 2002), this paper offers an account of fear generating mechanisms involving spatial, temporal, perceptual, relational and compositional deictic shifts in Angela Carter’s The Bloody Chamber. Focusing on the ways the reader gets involved in the terrifying story of Carter’s protagonist, the paper uncovers the complex mechanism of the “production of horror” in the text.
4
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Wandering Monsters. Serial Peregrinations and Transfictionality

75%
Olkusz K.
Facta Ficta. Journal of Theory, Narrative & Media
|
2018
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vol. 2
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issue 2
73-89
EN
The post-modern gothic simultaneously makes reference to already well-grounded experience, such as the repertoire of motifs and narrative prefigurations which have entered the artistic canon of the convention for good. A lot of figures and characters identified with horror become a part of the transfictional process of allocating them in new settings and re-designing their fictional biographies. Although in TV series reinterpretations of classical literary narratives quite often focus on instilling a positive image of erstwhile impersonation of numinosum, they do offer in return a construal of more contemporaneous fears, aligned with today’s socio-political-economic landscape. This article will include the following series based on literary prototypes representing the very canon of gothic fiction: Dracula, Penny Dreadful, Jekyll and Hyde, Second Chance and Sleepy Hollow as well as elements of productions connected with literary narrations of horror, such as Once Upon a Time.
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