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Dlaczego nie „po swojemu”. Rozważania o społecznej roli i przyszłości wschodniosłowiańskich języków wschodniej Białostocczyzny

100%
Łatyszonek O.
Pogranicze. Studia Społeczne
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2017
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vol. 32
EN
“Swoja mowa” differs from literary Belarusian language in phonetics and from Ukrainian language in vocabulary, which is similar to Belarusian. “Swoja mowa” gained the status of Podlachian literary micro language. Intellectual accomplishments of its creators cannot obscure the fact that the language did not gain many followers. In my opinion the reason for this situation is the lack of a particular social concept of the future, not of the past. The same can be applied to Belarusian language, although its speakers can at least theoretically rely on the new Belarusianisation policy in Belarus. On the other hand, “the plain language” has found a niche – praise of the countryside and rebellion against the polish-speaking high culture.
2
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The Devaluation of Culture and the Devaluation of Education— Problem analysis on the example of selected issues from the humanities and social sciences

100%
Stachurski M.
Świat i Słowo
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2021
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vol. 36(1)
263-274
EN
Increasingly, the level of education obtained in European society is related to the level of knowledge about culture and the use of culture itself. At the same time, it is alleged that higher education is now a “commodity” too easily available on the public service markets. In the opinion of some, this reduces the importance of having higher education, but also the state of science itself. The purpose of the article is to show that concepts such as “culture,” “humanities” and “education” are closely related, and therefore, an attempt to lower the meaning of one of these concepts may entail the devaluation of another concept.
3
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Katolicka Polska w laickiej Europie

100%
Skudrzyk P.
Polonia Journal
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2020
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issue 11
171-188
EN
An opposition catholic Poland versus secular Europe is thought to be an opposition a deep culture, more close to metaphysical Truth versus superficial culture. The Author considers legitimacy of the term catholic Poland and first of all he considers if it is right to think secular culture is metaphysically superficial. The Author examines catholic and secular cultures how far open they are. He treats an openness as a fundamental feature of high culture.
4

The Counter-Hegemonic Virtues of Popular Culture in Eighteenth-Century England

84%
Ivana D.
American, British and Canadian Studies Journal
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2015
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vol. 25
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issue 1
10-19
EN
The purpose of this article is to re-examine popular culture in early-modern England by focusing on the oral/illiterate-written/literate and popular culture-high culture dyads. I aim to question why these interrelated socio-cultural categories have not been properly reconciled by the writers of the time. Moreover, my purpose is to focus on antiquarianism as a valid method whereby the delineation between the above-mentioned dichotomies turns into a subtle relationship in which both terms become complementary. I shall focus on two important antiquarian texts - Henry Bourne’s Antiquitates Vulgares (1725) and John Brand’s Observations on Popular Antiquities (1777) - by considering issues of religion and national identity, in an attempt to show that popular culture made known its counter-hegemonic virtues which, though permanently negotiated, were never rejected by the polite. Ultimately, the unstable relationship between the high and the low will be seen as suggestive of the porous boundaries between the two, indicating, at the same time, popular culture’s participatory role in rethinking cultural identity in Enlightenment England.
5
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PERSPEKTYWY ROZWOJU GOSPODARKI KREATYWNEJ W AGLOMERACJI GÓRNOŚLĄSKIEJ

84%
KLASIK A., DROBNIAK A., WRANA K.
Studia Miejskie
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2010
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vol. 1
141-162
EN
The paper is devoted to the issues concerning the conditions and potentialsfor development of a creative economy - based on culture sector - in cities and towns ofthe Upper Silesian Agglomeration. It refers to the aspects like: broad and narrow definition of a creative economy, prospective and retrospective presentation of the Upper Silesian Agglomeration as well as its institutional potential along with existingstructure of the creative economy. Cases of Katowice as a musie city and Bytom as a stage and outdoor entertainment town were also discussed.
PL
Artykuł jest poświęcony wynikom badań dotyczących warunków i potencjałów kształtowania i rozwoju kreatywnej gospodarki opartej na sektorze kultury w miastach Aglomeracji Górnośląskiej. Opracowanie obejmuje następujące aspekty: przedstawienie i analiza szerokiej i wąskiej definicji kreatywnej gospodarki, retrospektywne i prospektywne ujęcie Aglomeracji Górnośląskiej oraz jej potencjału instytucjonalnego i struktura sektorów gospodarki kreatywnej. W opracowaniu szczegółowo omówiono przypadki dwóch miast: Katowic i Bytomia. Katowice przedstawiono jako miasto kultury wysokiej i przemysłu muzycznego, Bytom natomiast jako miasto widowisk scenicznych i plenerowych.
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Między kulturą wysoką a kulturą popularną. O muzyce George'a Gershwina w „Manhattanie” Woody'ego Allena

73%
Pomostowski P.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2013
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vol. 12
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issue 21
243-255
EN
The article focuses on the relationships between high culture and popular culture in relation to film music. To this end, the author conducted a thorough analysis of the works of George Gershwin used in Woody Allen’s film Manhattan. The article consists of two parts and a conclusion. In the first part, the author presents a brief history of the continuous grinding together of high and popular culture in music, resulting in symphonic jazz, which came about in the 1920s, and whose precursor was George Gershwin. The second part is a cinematic and musicological analysis of all the works of Gershwin appearing on the soundtrack of Manhattan, and an attempt to find associations between the director and composer. In conclusion, the author notes that the phenomenon of mixing of popular culture and mass culture (both on the music, as well as its use in the work of the film) is subordinated in both George Gershwin and Woody Allen’s work to attempts to find their own identity, and one of the sources of inspiration of both artists is the same New York City, which is a city-myth.
PL
Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen The article focuses on the relationships between high culture and popular culture in relation to film music. To this end, the author conducted a thorough analysis of the works of George Gershwin used in Woody Allen’s film Manhattan. The article consists of two parts and a conclusion. In the first part, the author presents a brief history of the continuous grinding together of high and popular culture in music, resulting in symphonic jazz, which came about in the 1920s, and whose precursor was George Gershwin. The second part is a cinematic and musicological analysis of all the works of Gershwin appearing on the soundtrack of Manhattan, and an attempt to find associations between the director and composer. In conclusion, the author notes that the phenomenon of mixing of popular culture and mass culture (both on the music, as well as its use in the work of the film) is subordinated in both George Gershwin and Woody Allen’s work to attempts to find their own identity, and one of the sources of inspiration of both artists is the same New York City, which is a city-myth.
7
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«Енциклопедія Сучасної України» vs. «Вікіпедія»: рівень популярності в українському інформаційному просторі

67%
Іщенко О.
Енциклопедичний вісник України
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2019
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issue 11
UK
У статті висвітлено питання популярності онлайн-енциклопедій в сучасному інформаційному просторі. Показано, що найбільшою популярністю в Україні користується енциклопедичний ресурс «Вікіпедія», натомість академічна «Енциклопедія Сучасної України» за цим параметром йому значно поступається. Різний рівень популярності двох компендіумів знань пояснено з точки зору належності кожної з них до різних типів культур, зок­рема масової та елітарної (відповідно), які апріорі відрізняються за багатьма показниками, наприклад, рівнем популярності в суспільстві.
EN
The article deals with the problems of the popularity of online encyclopedias in the nowadays information space. It is shown that the most popular in Ukraine is Wikipedia, and the academic Encyclopedia of Modern Ukraine is much inferior to it in this context. The different levels of popularity these two compendiums of knowledge are explained in terms of the belonging of each of them to different types of cultures: the point here is pop culture and high culture, which differ in a priori by many indicators, including a popularity among people.
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